Specialist astronaut Evelyn Slater encounters a small, badly damaged, ancient, alien artefact (British spelling) on the first ever space-junk elimination mission. Where was it from? Who sent it? International governments impose a security clampdown. Evelyn leads a team of hand-picked scientists who make amazing discoveries within the alien device. Secrecy becomes impossible to maintain. When the news is finally released, she becomes embroiled in international politics, worldwide xenophobic hatred and violence. This is book one of Tony Harmsworth’s First Contact series of novels. If you like realistic near-future stories which compel you to imagine yourself as the protagonist, The Visitor is the book for you. The Visitor – science fiction written for the 'thinking' reader, and with a wicked twist. Buy it now and be transported into orbit. Recent review "This is unquestionably the finest first contact novel I have ever read. "All of the activity that takes place in outer space is realistic, well-informed yet easygoing. It is a completely plausible milieu and this adds considerably to the gravitas and integrity of the plot and its theme. "The whole first contact scenario is depicted in a fresh, innovative way. By this I mean the technological side of the process of discovery and analysis of the object; and also the nature, integrity and motivations of several pivotal characters. The behavior of other characters, of course, is sadly predictable, because this cannot be changed in any story one expects people to actually believe. "The way that conflict plays out is enormously satisfying to me. "I recommend this book very highly."

    Men with picked voices chant the names of cities in a huge gallery: promises that pull through descending stairways to a deep rumbling.

    We follow the progression of Daniel Boone's life, a life led in war and in the wilderness, and see the birth of a new nation. We track the bountiful animals and the great, undisturbed rivers. We stand beside Boone as he buries his brother, then his wife, and finds comfort in his friendship with a slave named Derry. Praised for his originality, Maurice Manning is an exciting new voice in American poetry. The darkest place I've ever beendid not require a name. It seemedto be a gathering place for the lintof the world. The bottom of a hollowbeneath two ridges, sunk like a stone.The water was surely old, the dregsof some ancient sea, but purifiedby time, like a man made better by his years, his old hurts absorbed intohis soul, his losses like a springin his breast. -from "Born Again"

    Cassiopeia. A sister. A Marco Polo. A somnambulist. A documentary on the voyages of Columbus. A cartographer. Star charts. Young intellectuals in black robes. Jean-Michel Basquiat. More birds and still more birds. A mathematician. All these things appear in The To Sound’s beautifully warped cosmology. This is a stunning book that builds its own world, a world of ambiguous relations and loaded words; a lyrical world that explores the unstated connections between things. . . ."

    Sin returns with a force in Planting Gardens in Graves: a powerful collection of poetry that hones in on the themes dearest to his readers. This original volume celebrates connection, mourns heartbreak, and above all, empowers its readers to seek the love they deserve.

     CITY OF ROGUES: Book I of The Kobalos Trilogy Kron Darkbow seeks vengeance, and he plans to have it no matter the costs. Returning to the city of his birth after 15 years, he hunts down the wizard responsible for the deaths of those he loved only to find out another was responsible for the murders. That other is Belgad the Liar, a former barbarian chieftain who is now boss of the city's underworld.  ROAD TO WRATH: Book II of The Kobalos Trilogy Kron Darkbow has fled the city of Bond, along with healer mage Randall Tendbones and professional duelist Adara Corvus. Everywhere they turn are enemies. Even the goal of their travels offers no peace, for the group rides to the land of Kobalos where Randall must face that nation’s Lord Verkain, the alleged Dark King of the North.  DARK KING OF THE NORTH: Book III of The Kobalos Trilogy Kron Darkbow and companions have survived the mean streets of the city of Bond and the dangers of the Prison Lands, but now they dare to journey into Kobalos, a dark northern land ruled by King Verkain, a powerful mage rumored to be immortal and mad.  Always on their trail is underworld crime boss Belgad the Liar and his crew of deadly killers. Not only does Belgad seek vengeance against Kron, but he also wants to capture Kron's friend, the healer Randall Tendbones, the last of Verkain's children whom the king wants dead.  It is in Kobalos, in the darkest of hours, alone with enemies all around, Darkbow becomes the last hope for all. But to defeat his foes, first he must learn to defeat his own rage. GHOSTS OF THE ASYLUM: Book I of The Horrors of Bond Trilogy The streets of the city of Bond boil with discontent.  Political struggles within a power vacuum bring dreams of dominance to some among the lower levels of the city’s underbelly. Common thugs and guild bosses alike conspire together, their goal to eliminate the figure of Kron Darkbow.  Permanently.  Kron has become a symbol on the streets, and his removal would not only clear the way for others, but also would be a sign of who has the real power in Bond.  Amidst the chaos, buildings burn, riots go nearly unchecked, and even the city guard find themselves forced to retreat.  DEMON CHAINS: Book II of The Horrors of Bond Trilogy A sick murderer stalks the streets of the city of Bond.  The killer leaves behind tortured and twisted bodies sliced and ripped apart, often after the most horrible of violations. It falls upon Kron Darkbow to hunt this killer preying upon the weak and the strong alike, but he soon realizes there is more than one culprit involved in these horrible crimes. A dark mage and his demon partner are at fault, and with each death they grow more and more powerful.  THE COMPANY OF SEVEN: Book III of The Horrors of Bond Trilogy An undead mage thousands of years old slinks through the city of Bond.  Rising up from beneath the soil, he soon finds himself allied with escaped fugitives from the Prisonlands, a former knight, a pair of assassins and the chief of thieves.  Each has their own wants, their own goals, but the wizard's are the most deadly to the citizens of Bond, and he refuses to be denied his destiny.

    Barbie’s cultural artifice is unmasked by Victoria Chang’s imagination, lifting the struggle of Asian American experience to mythic levels.

    From his earliest years, he writes in “Will,” he had “the gift of impermanence / so I would be ready, / accompanied / by a rage to prove them wrong / . . . and that I too was worthy of love.” This rage comes coupled with the poet’s own brand of love, what he calls “one / strange alone / heart’s wish / to help all / hearts.” Poetry is indeed Wright’s help, and he delivers it to us with a wry sense of the daily in America: in his wonderfully local relationship to God (whom he encounters along with a catfish in the emerald shallows of Walden Pond); in the little West Virginia motel of the title poem, on the banks of the great Ohio River, where “Tammy Wynette’s on the marquee” and he is visited by the figure of Walt Whitman, “examining the tear on a dead face.”Here, in Wheeling Motel, Wright’s poetry continues to surprise us with its frank appraisal of our soul, and with his own combustible loneliness and unstoppable joy.

    Although he is best remembered for his revolutionary verses that decried tyranny and called for justice, his oeuvre also extended to scintillating, soulful poems of love. In this remarkable selection of Faiz’s most memorable poems and ghazals, readers will be able to experience a new dimension of the great poet’s genius. Along with popular favourites like ‘Subh-e Azadi’, with its anguished evocation of the horror and pain of the Partition, The Colours of My Heart also introduces readers to little-known gems that display Faiz’s extraordinary flair for tender hope and quiet longing. A rich cornucopia of delights, The Colours of My Heart celebrates Faiz’s greatest work. Baran Farooqi’s superb translation is accompanied by an illuminating introduction to Faiz’s incredible life and enduring legacy.

    Greenstreet's highly original CASE SENSITIVE posits a female central character who writes chapbooks that become the sections in this book. What happens in the book I want to read? Greenstreet asked herself. And how would it sound? Everything the character is reading, remembering, and dreaming turns up in what she writes, duly referenced with notes. Using natural language charged with concision and precise syntax, Greenstreet has created a memorable and lasting first collection. A poem intrigue of the highest order. Greenstreet has made a brilliant beginning with this first book--Kathleen Fraser. A beautiful dwelling of ideas. CASE SENSITIVE suggests that there need be no divide between the associative connections of poetry and the extended thinking of the essay. This is a book full of luminous footnotes, details, and attentive readings. CASE SENSITIVE strings together a series of moments to create something resonate, large, and inclusive--Juliana Spahr.

    Whether he is musing on antic glories amid the ruins of the Acropolis or watching a New York child invent games on the city’s sidewalks, Corso is there in it, putting us into it, with the magic of vision, with the senses—awakening images, that transmute reality into something more—insights that let us share his joy and echo his shout of Long live Man!

    Set in the aftermath of WW2, this gripping saga is richly evocative of the period and shows the true grit of our heroine Ruby.

    . . It’s honest to god the basic human playbook”These are some of the thousands of messages that Kate Baer has received online. Like countless other writers—particularly women—with profiles on the internet, as Kate’s online presence grew, so did the darker messages crowding her inbox. These missives from strangers have ranged from “advice” and opinions to outright harassment. At first, these messages resulted in an immediate delete and block. Until, on a whim, Kate decided to transform the cruelty into art, using it to create fresh and intriguing poems. These pieces, along with ones made from notes of gratitude and love, as well as from the words of public figures, have become some of her most beloved work.  I Hope This Finds You Well is drawn from those works: a book of poetry birthed in the darkness of the internet that offers light and hope. By cleverly building on the harsh negativity and hate women often receive—and combining it with heartwarming messages of support, gratitude, and connection, Kate Baer offers us a lesson in empowerment, showing how we too can turn bitterness into beauty.

    a collection of eighty-five poems, was Brautigan's sixth collection of poetry; his eighth poetry book publication. Brautigan visited Roxy and Judy Gordon in Austin, Texas, in August 1970. While there he was issued a Texas fishing license (August 14, 1970). It notes his height (6'4") and weight (165 pounds). The poem "Autobiography (Polish It like a Piece of Silver)," collected in Loading Mercury with a Pitchfork, contains a reference to Judy Gordon and Byrds, a town in central Texas, near Brownwood. Two poems, "A Study in Roads" and "Stone (real," both collected in June 30th, June 30th contain references to Bee Caves, Texas, a small town twelve miles west of Austin. Brautigan may have visited Bee Caves with the Gordons. Roxy Gordon, in turn, dedicated his book, Some Things I Did (Austin, Texas: The Encino Press, 1971) toRICHARD BRAUTIGANwhose favorite gun isthe Colt Navy .36In publicity materials associated with the publication of Gordon's book Brautigan wrote:Roxy and Judy Gordon are two very nice people with an open and perceptive way. Reading Roxy's book is to meet them.As to Gordon's reference to Brautigan's interest in the Colt Navy .36 handgun, novelist Tom McGuane said[Brautigan] had a fascination with the . . . Colt because it seemed to sum up gun owning, democratic gun manufacture, and excellence, all in one thing.

    Utilizing medical terminology and iconography to work through loss and detachment, McHugh’s startling rhymes and rhythms—along with her sarcastic self-reflection and infectious laughter—serve as antidotes to the sufferings of the world. Being “upgraded to serious” from critical condition is a nod to the healing powers of poetry."Not to Be Dwelled On"Self-interest cropped up even there,the day I hoisted three insteadof the ceremonially called-for twospadefuls of loamonto the coffin of my friend.Why shovel more than anybody else?What did I think I’d prove? More love(mud in her eye)? More will to work?(Her father what, a shirker?) Christ,what wouldn’t anybody giveto get that gesture back?She cannot die again; and Ido nothing but re-live.