The happiest event in a female's life when she finally crosses that threshold between childhood and becoming an adult. But what happens when you don't really know that person you're having a child with? What if over time you watch that man you gave a part of yourself to morph into someone you don't recognize? That's the case in this book of twisted tales involving four different men with four very similar issues. Over time, each woman in this book watches as the man they gave their all too changes into abusive, obsessive, womanizing, controlling fuck boys. Sex, lies, abuse, jealousy, and even murder are the reoccurring themes in their lives and one by one they find themselves trapped between wanting to live a happy life and desperately trying to separate from their Bitter Baby Daddies. Will these women be able to break the volatile bonds that hold them? Or will these women succumb to the hell they live as the losers who control them refuse to let go? Come on this drama filled, explosive ride through the streets of Memphis and find out just what it takes to get rid of a Bitter Baby Daddy!

     Abandoned as a baby Maise never gave up hope that one day her mother would return to claim her as her own, but as she stood in the dirty river water that dream soon washed away. She soon learnt that life was like the river; dark, fast moving and dangerous. Life would teach her lessons she had never wanted to learn, but would fate mend what had been broken, before she succumbed to the Thames as so many had before her?

    The first part of what has come to be known as the Mercer Series, Leaving Home tells the story of a Newfoundland family that has emigrated and lost all sense of its place in the world.Leaving Home was named one of the "100 Most Influential Canadian Books" by the Literary Review of Canada.

    All of them are in one way or another frustrated and unhappy. Most of them are under the illusion that some day the things from which they suffer will be removed and they will be once more at peace. But when they come to see themselves, they realize that man is the sum of his past life, that they are incapable of any real revolt against their past, and that what they have made of themselves in earlier years is what they are when age approaches. Nor are they tragic figures. All of them are troubled average people, human, commonplace but they are studied with great understanding and a touch of intelligently unsentimental compassion."

    Poetry. Performance Studies. African & African American Studies. California Interest. Hybrid Genre. Winner of the 2016 Relentless Award from the American Playwriting Foundation. Introduction by Dawn Lundy Martin. Aleshea Harris' IS GOD IS is a classic revenge tale about two sisters that blends tragedy, typography, the Spaghetti Western, hip-hop and Afropunk. In this necessary new play, emotions are laid bare through gaps in language and characters are a window into the canon as well as our own broken times. A rigorous new work that unearths our deepest fears about humanity and who we think we are in relation to ourselves and the divine.--Dawn Lundy Martin Family, as the old tragedians knew, is our first country. Therefore, it's the earth from which we forge our first weapons, the fields of our first wars, the very turf over which we fight. With IS GOD IS, Aleshea Harris audaciously scours tragedy down with the rough edge of a rock. To read this merciless play is to get blood in your eye--and in Harris' sure grip, you'll recall that blood washes and stains, can run hot or cold, means both violence and family.--Douglas Kearney 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.

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    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    Love in the Dark'One of the most exciting, new and absolutely original aspects of Carr's writing is the manner in which the sexism of the language and religious imagery is exposed... Marina Carr is a playwright to be watched.' Sunday TribuneThe Mai'The writing is at once gentle and raucous... capable of articulating deep-seated woes and resentments in a manner you rarely find outside Eugene O'Neill.' ObserverPortia Coughlan'A play of precocious maturity and accomplishment.' Irish Times'Portia Coughlan packs a hell of a punch. It hurts to look at it. But it has to be seen.' Irish IndependentBy the Bog of Cats...'A poetic realism steeped in the past... Carr has an extraordinary ability to move between the mythic and the real.' Guardian'A great play... a great work of poetry... the word should soon carry across both sides of the Atlantic.' Independent

    He sees a year and a half of bloody fighting before heading west. At Atchison, Kansas, he picks up the Smoky Hill Trail and travels through Kansas, which is ruled by hostile Cheyenne and Arapaho Indians, who attack a stagecoach and capture a young woman named Ada Simmons. Nash is at the Army fort when the abduction is reported, and he insists on going out in the middle of the night to get the young woman from Cheyenne warriors. After he arrives in Denver, Nash sets up a detective business and prospers while the young woman he rescued becomes a consultant to the wealthy, many of whom hit it rich in the the gold and silver mines. As Nash and Ada pursue their vocations, their lives run together and they learn to care for one another. Nash learns to be a top-flight detective and protects his clients at all costs. Another exciting western from R. O. Lane with a touch of romance.

    Her father has gone to bring home a son missing because of the war. Loyal servants give her support and comfort and are at her side when she learns of her father’s death. She promises to fulfill her father’s dream but someone doesn’t want her to, the one person she should be able to trust. He sets out to defeat her until another man, a Northern stranger, comes to her aid.

    

    It's nothing like the suburb you might live in . . . Unless, that is, an insane, Listerine-guzzling Realtor sold you your house? Or perhaps your postman happens to have a disturbing relationship with his claw hammer? A grieving Dan LaBarbara knows something is different in Helltown as soon as he comes back home. Yeah, sure, the town always been a little off. You can feel that about the place, like if you stepped into a house whose only occupants were freshly murdered corpses in an upstairs bedroom. But this is something else entirely. Standing in his little brother Barbie's basement workshop, holding one of those dioramas Barbie's been building since the accident, the ones that seem to move when you hold them, Dan can feel Barbie's terror. Barbie must know something is coming, something big, something evil. He's trying to warn Dan in the only way he knows. Why else would Barbie build a diorama depicting a man-sized version of a cartoon rabbit with bloody teeth about to devour a trembling teenager? Why else would he spend so much time crafting an intricate model of Death standing over a pimply teenager in the school library? And let's not even talk about that little model of the mob of undead surrounding the massive tower of vicious black spines behind the high school. Hilltown has a story to tell, and the lonely brain-damaged man who builds magical dioramas in his basement workshop has been telling it all along. As the evil closes in around them, Dan and his new love interest Jessica must do the impossible: save everyone one in Hilltown before it's too late.

    Without hope, a horse, or even a pistol, Edgar gambles on a chance meeting with someone that will turn things around. Fortunately, luck smiles on him when he is assigned with the simple task of accompanying a cattle baron's livestock to another town. Little does he know that amongst the cattle there is a cargo much more valuable, that will get him into trouble and will put his life in grave peril. What will Edgar be willing to risk in order to accomplish a mission that isn't as innocent as it first seemed? Will he manage to protect the valuable shipment and defeat a murderous gang that disperses fear in its wake?While Edgar is running for his life, he crosses paths with his boss's daughter, who, determined to prove her worth, disguises herself and jumps on the same train with him. When Edgar discovers her true identity, he will do whatever it takes to protect her from the vicious outlaws who have invaded the train. The more time they spend together, the more he realizes that her braveness and wit have made him lose his mind. But as long as criminals are after them and his life is at stake, he has no time for love. Will Edgar help Rose survive the treacherous journey? Will he manage to get out of this train safe and sound, despite the endless challenges he encounters?Fierce crossfires and an unprecedented hide and seek, take Edgar and Rose on an adventure that will remain indelible in their minds. Will they endure the wild ride across the frontier west? Or will overpowering forces ruin their chance at happiness once and for all?A pulse-pounding drama, which will make you turn the pages with bated breath until the very last word. A must-read for fans of Western action and romance."Menace in the Mysterious Train" is a historical adventure novel of approximately 60,000 words. No cliffhangers, only pure unadulterated action.

    Multibillionaire Goddard Moss has a vision: a city rising tall on the South Dakota prairie dedicated to Art. Not art of the staid, traditional, edifying, entertaining variety, but the Modern—modern painting, modern theater, modern sculpture, modern dance, all as obscure, pretentious, and offensive as its creators can make it (and with luck, government-funded). As Culture City rises from the grassy fields, playwrights, performers, and artists prepare for the gala opening week. Gregory Lubin's expansive stage re-creation of the Tower of Babel story is awaited with particular anticipation. But revolution is brewing just yards beyond the city walls and as far away as rural Maine. Despite the money being lavished on it, it becomes doubtful that "the Artland in the Heartland" will survive past its premiere.

    . . a real page turner' Sheila Newberry 1860s London Orphaned at a young age, Rosa has always looked out for her younger sister, Grace, protecting her from the dangers and bullies of the workhouse.So when Grace is suddenly faced with a world without Rosa, she finds herself alone and forced to make difficult decisions about her future. Can she really walk away from everything she has built to protect the children Rosa has left behind?Returning to the gang-ruled streets of south-east London, Grace is determined to build a better future for herself and for the children of Bell Lane - no matter what the cost . . .