She knows she is different, that she is destined to become a feted authoress, owner of great riches and of Paradise House . . .After reading The Lady Irania, publishers Brace and Gilchrist are certain the novel will be a success, in spite of - and perhaps because of - its overblown style. But they are curious as to who could have written such a book: 'Some old lady, romanticising behind lace-curtains' . . . 'Angelica Deverell is too good a name to be true . . . she might be an old man. It would be an amusing variation. You are expecting to meet Mary Anne Evans and in Walks George Eliot twirling his moustache.' So nothing can prepare them for the pale young woman who sits before them, with not a seed of irony or a grain of humour in her soul.

    L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.

    This novel of an enclosed world invaded by public events also embodies in its characters the shifts in England's class structures at the beginning of the twentieth century.

    Eighty years old, Ebenezer has lived his whole life on the Channel Island of Guernsey, a stony speck of a place caught between the coasts of England and France yet a world apart from either. Ebenezer himself is fiercely independent, but as he reaches the end of his life he is determined to tell his own story and the stories of those he has known. He writes of family secrets and feuds, unforgettable friendships and friendships betrayed, love glimpsed and lost. The Book of Ebenezer Le Page is a beautifully detailed chronicle of a life, but it is equally an oblique reckoning with the traumas of the twentieth century, as Ebenezer recalls both the men lost to the Great War and the German Occupation of Guernsey during World War II, and looks with despair at the encroachments of commerce and tourism on his beloved island.G. B. Edwards labored in obscurity all his life and completed The Book of Ebenezer Le Page shortly before his death. Published posthumously, the book is a triumph of the storyteller’s art that conjures up the extraordinary voice of a living man.

    On the brink of twenty, Charles High-way preps desultorily for Oxford, cheerfully loathes his father, and meticulously plots the seduction of a girl named Rachel -- a girl who sorely tests the mettle of his cynicism when he finds himself falling in love with her.

    It was his third novel and it is certainly well-written and very readable. It is, too, an enjoyable romp, all about a stranded theatrical group the Dinky Doos rescued by Miss Trant and coverted into the Good Companions, and involving their adventures with such characters as Jess Oakroyd, the middle-aged joiner from Bruddersford, who breaks free from his miserable domestic existence, Susie Dean and Inigo Jollifant. It is the sort of long, colourful novel which was one of Priestley's hallmarks, and it is clear that Priestley enjoyed himself writing it. He regarded the job as not so much a task, more a kind of holiday.One of the ironies of the success of The Good Companions is that when he discussed his idea for the book with his publishers they told him that such a book would not appeal to the current reading public. However, the germ of the story was embedded deep into his mind and heart, and writing the novel became something of an obsession. He had made up his mind to write a novel that he himself could enjoy even if nobody else did...and, in the event, a great many others also loved it! (The novel arrived at a time when the country was in depression, and someone commented that The Good Companions "soared out of the gloom like a fairy tale to lift thousands of minds into a world of literary enchantment."David Hughes in "J.B. Priestley:An Informal Study of His Work", wrote: "The Good Companions is a simple book, plainly constructed and straightforwardly told. Like so much of Priestley's work, its action begins on a note of rebellion, while its impulse is the search for romance without losing sight of reality; indeed, staring into the very heart of reality for the magic. Jess Oakroyd is pitched into loneliness by the drab quarrrelling of his family. Miss Trant, suddenly relieved in early middle age of a burden that might have lasted her lifetime, turns against the trivial monotony of her genteel days in a Cotswold village. Inigo Jollifant, surrounded in the prep school where he teaches by petty rulings, is refused permission to play the piano by the headmaster's wife, gets drunk and escapes into the night. Three separate rebellions against the frustrations of life put three characters on the road for what is probably the longest picaresque novel in English since Pickwick."Priestley started to write The Good Companions in January 1928, and he delivered the manuscript to Heinemann in March 1929.At least two films have been made of The Good Companions, and it has been turned into a play on several occasions.

    In one horrifying moment that replays itself over the years that follow, Stephen realizes his daughter is gone. With extraordinary tenderness and insight, Booker Prize–winning author Ian McEwan takes us into the dark territory of a marriage devastated by the loss of a child. Kate's absence sets Stephen and his wife, Julie, on diverging paths as they each struggle with a grief that only seems to intensify with the passage of time. Eloquent and passionate, the novel concludes in a triumphant scene of love and hope that gives full rein to the author's remarkable gifts. The winner of the Whitbread Prize, The Child in Time is an astonishing novel by one of the finest writers of his generation.

    Different people draw different words from me."Innovative and deeply poetic, The Waves is often regarded as Virginia Woolf's masterpiece. It begins with six children-three boys and three girls-playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.

    She anticipates her first dance, the greatest yet most terrifying event of her restricted social life, with tremulous uncertainty and excitement. For her pretty, charming elder sister Kate, the dance is certain to be a triumph, but what will it be for shy, awkward Olivia?Exploring the daydreams and miseries attendant upon even the most innocent of social events, Rosamond Lehmann perfectly captures the emotions of a girl standing poised on the threshold of womanhood.

    End of mission. The great bomber had been giving the crew trouble since leaving Italy. Finally over occupied France, it settles like a weary, wounded eagle on what seemed to Franklin a hard, smooth field. The five members of the crew were welded by the crash into a single whole, one tiny forged weapon in the vast territory of the enemy--weak and ineffectual--yet confident as only men can be whose minds are free. Francoise's family accepted them calmly. In Francoise it was faith, a simple piety so humble, so complete that all the mechanized myrmidons of the Reich could not touch her spirit. In her father it was stubbornness, that glorious pigheadedness of the French peasant who won't be pushed around. In her grandmother it was a kinship with the infinite. Having survived two wars, she remained unmoved by the swaggering vainglory of the Nazi. And in Pierre it was hatred, a hatred so deep that only rarely did it flash on the surface. It was natural that Francoise should be so strongly drawn to Franklin, the pilot. His gentle strength, his sensitive mind, the careful restrained warmth of his emotion found a calm, sure response in the simple innocence and candor of the girl. All through the delirious pain of his torn, wounded arm, Franklin felt the girl's presence like a cool, comforting hand. In the end it was her courage and, above all, her faith which saved him--saved him--not only from the enemy but from himself.

    Emerging from his angst-filled childhood, he rushes into the throes of the twentieth century on the Western Front during the Great War, and quickly changes his role on the battlefield from cannon fodder to cameraman. When he becomes a prisoner of war, he discovers Rousseau's Confessions, and dedicates his life to bringing the memoir to the silver screen. Plagued by bad luck and blind ambition, Todd becomes a celebrated London upstart, a Weimar luminary, and finally a disgruntled director of cowboy movies and the eleventh member of the Hollywood Ten. Ambitious and entertaining, Boyd has invented a most irresistible hero.

    The sort of atmosphere where mistakes could be made? For Maurice Castle it is the end of the line anyway and time for him to retire with his African wife, Sarah.The Human Factor is Greene’s most extensive attempt to incorporate into fiction what he had learned of espionage when recruited by MI6 during World War II . . . What it offers is a veteran excursion into Greene’s imaginative world . . . Sometimes seen as a brooding prober into the dark recesses of the soul where sins and scruples alike fester, he is equally at home in sending a narrative careering along at break-neck pace . . . Raising the demarcation line between ‘serious’ fiction and fast-plotted entertainment, Greene ensures that components of both jostle energizingly together in his pages.” –from the Introduction by Peter Kemp --

    Nancy Mitford's most famous novel, The Pursuit of Love satirizes British aristocracy in the twenties and thirties through the amorous adventures of the Radletts, an exuberantly unconventional family closely modelled on Mitford's own.The Radletts of Alconleigh occupy the heights of genteel eccentricity, from terrifying Lord Alconleigh (who, like Mitford's father, used to hunt his children with bloodhounds when foxes were not available), to his gentle wife, Sadie, their wayward daughter Linda, and the other six lively Radlett children. Mitford's wickedly funny prose follows these characters through misguided marriages and dramatic love affairs, as the shadow of World War II begins to close in on their rapidly vanishing world.

    Social climber Alroy Kear is flattered when he is selected by Edward Driffield's wife to pen the official biography of her lionized novelist husband, and determined to write a bestseller. But then Kear discovers the great novelist's voluptuous muse (and unlikely first wife), Rosie. The lively, loving heroine once gave Driffield enough material to last a lifetime, but now her memory casts an embarrissing shadow over his career and respectable image. Wise, witty, deeply satisfying, Cakes and Ale is Maugham at his best.

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.