E. Cummings' most experimental poems as well as some of his most memorable. The volume includes such no-famous celebrations as "i sing of Olaf glad and big" and "if there are any heavens my mother will (all be herself) have," along with such favorites as "Space being (don't forget to remember) Curved," "a clown's smirk in the skull of a baboon," and "somewhere I have never traveled, gladly beyond."

    It contains his earliest poems - in nazm, ghazal and qita form - that set him on course to becoming the greatest and most-read Urdu poet of the 20th century.

    This is about growing up as a young woman torn between her immigrant roots and her desire to be like everyone else.The humour is sometimes offset with the more sombre reminder of the racism that has always existed in this country, from misguided quips to more serious stories of harassment. The impact of recent world events shows that, more than ever, marginalised voices are needed in our cultural discourse.

    The poems in Admission Requirements attempt to discover what is required of us when we cut across our material and psychic geographies. Simultaneously full and empty of its origins, the self is continually taxed of any certainties and ways of being. The speaker in these poems is engaged in a kind of fieldwork, surveying gardens, communities, and the haphazard cityscape, where the reader is presented with the paradoxes of subsumed histories. With understated irony and unsettling imagery, the poems address the internal conflicts inherent in contemporary living.

    Two children watch as their parents become immersed in the puzzling mechanisms of power. Siggi lives in the affluent ignorance of middle-class Berlin, her father a censor who excises prohibited words (“promise”, “love”, “mercy”) from books. Erich is an only child living a lush rural life near Leipzig, tending beehives, aware that he is shadowed by strange, unanswered questions.Drawn together as Germany’s hope for a glorious future begins to collapse, the children find temporary refuge in an abandoned theater amid the rubble of Berlin. Outside, white bedsheets hang from windows; all over the city people are talking of surrender. The days Siggi and Erich spend together will shape the rest of their lives.Watching over Siggi and Erich is the wish child, the mysterious narrator of their story. He sees what they see, he feels what they feel, yet his is a voice that comes from deep inside the wreckage of a nation’s dream.

    But the truth is life is threadbare and unpromising until the mysterious Bridget moves in to the Park. The wife of a disgraced Ponzi schemer, she brings with her glamour and wild dreams and an unexpected friendship. Drawn in, Kara forgets for a moment who she’s there to protect.

    These are stories about how some New Zealanders go missing - the wrong person in the wrong place at the wrong time.

    I felt it though. I let out an incredible whoop of joy and skipped into the air, laughing and laughing; there was so much joy inside me. For the first time in all my memory, I could not contain myself.As a boy in the early 1940s, young Boden Black finds his life changed for ever the day his neighbour Dudley drives him over the hills into the vast snow-covered plains of the Mackenzie country. Unexpectedly his world opens up and he discovers a love of landscape and a fascination with words that will guide him throughout his life, as he forges a career as a butcher and poet, spends a joyous summer building a hut on the slopes of Mount Cook and climbs to the summit in the company of Sir Edmund Hillary.A moving exploration of onw man's journey and the events which shape him, The Hut Builder is also an evocative celebration of the mountain world and the wonder of life.

    Ngati Wai chief Paratene Te Manu spends long sessions, over three long days, having his portrait painted by the Bohemian painter Gottfried Lindauer. Hearing of Lindauer's planned trip to England reminds him of his own journey there, twenty years earlier, with a party of northern rangatira. As he sits for Lindauer, Paratene retreats deeper and deeper into the past, from the triumphs in London and their meetings with royalty to the disintegration of the visit into poverty, mistrust, and humiliation. Based on a true story.

    We drifted through neighbourhoods in small packs, clinging to each other, all but alone. Our parents had given up. Packed their photos and furniture and moved to the forest to live simpler lives. But we stayed because there was nowhere else to go. We sold everything for rent — time, dignity, self-respect. Beneath the shiny new paint jobs and streets paved with debt lay our home."Stuck in a dead-end office job, Zlata hopes for a record deal so she can escape Auckland city. Then at party she meets Hamish, a graffiti artist and part-time drug dealer. Each has their own ideas about the other’s life, and surrounded by a makeshift family of friends and ex-lovers, their dreams of music, art and travel take shape.But as quickly as things come together, they can be torn apart — unravelling relationships and lives.

    

    She's got lots of friends, and her boyfriend is the school hunk. She's being encouraged to 'take the relationship to the next stage' by her friend Lizzie.Home is pretty much a non-event. Her mother seems distracted, her father breezes in and out but isn't really present, her brother is a stoner. Her life is turned upside down when Dad announces that he wants them to live on an off-shore island for a year and work to make it into a conservation island. Minna is horrified at the idea, as is her mother. All the more so when they discover that the whole venture is to be made into a reality TV series.To her utter dismay, Minna finds herself on an island, with only her family for company. There's no phone or email contact with the outside world. The helicopter ride to the island has made Mum sick and she doesn't seem to be recovering. Minna has to cope with new family dynamics, come to terms with the fact that her parents' marriage is doomed, and has to learn domestic arts that don't rate very highly on her excitement meter.Can you find a new you?

    Strongly autobiographical, it vividly conveys the intensely felt worlds of the adolescent - love, poetry and England - and the enthralling but sometimes painful experience of growing up female; and its picture of family life in early-twentieth-century Wellington, in all its physical details, emotional tensions, muddle and variety, lingers in the mind.

    With their famous humour and big-hearted personalities, the TVNZ and Netflix reality TV stars are changing the way we think about death and grief.Life as a Casketeer reveals how Francis and Kaiora grew up in families that had few possessions but were rich with love and tikanga, and how they came to work in their often misunderstood profession. It's also a book about the Maori world view and traditional funeral customs. The Tipenes make death feel less mysterious and life feel more precious.But most of all, Life as a Casketeer is a love story - for whanau, for culture and for each other. It is full of joy and sorrow, tears and laughter.

    In poised yet unrelenting lyric poems, Shanahan—queer and mixed-race—confronts the challenges of a complex cultural inheritance, informed by colonialism and his mother’s immigration to the United States from Morocco, navigating racial constructs, sexuality, family, and the globe in search of “who we are to each other . . . who we are to ourselves.” With poems that weave from Marrakesh to Zürich to London, through history to the present day, this book is, on its surface, an uncompromising exploration of identity in personal and collective terms. Yet the collection is, most deeply, about intimacy and love, the inevitability of human separation and the challenge of human connection. Urging us to reexamine our own place in the broader human tapestry, Into Each Room We Enter without Knowing announces the arrival of a powerful and necessary new voice.