I am not impatient—My skin will wait to greet its old complexions.I'll lie here till the world swims back again. —from "Mummy of a Lady Named Jemutesonekh"Thomas James's Letters to a Stranger—originally published in 1973, shortly before James's suicide—has become one of the underground classics of contemporary poetry. In this new edition, with an introduction by Lucie Brock-Broido and four of James's poems never before published in book form, this fraught and moving masterpiece is at last available.Letters to a Stranger is a new book in the Graywolf Poetry Re/View Series, edited by Mark Doty, dedicated to bringing essential books of contemporary American poetry back into print.

    Our narrator doesn't know where she stands with Ilana, her not-quite-girlfriend. She has a complex history with her best friend, Ashi. She's haunted by the spectre of her emotionally abusive ex-boyfriend. And her period's now weeks late.Attraction is a meditative novel of connection, inheritance and the stories we tell ourselves. In lyrical fragments, Porter explores what it means to be and to belong, to create and to destroy.

    Day after day he attends funerals in the townships, dressed with dignity in a threadbare suit, cape, and battered top hat, to comfort the grieving families of the victims of the city's crime, racial hatred, and crippling poverty. At a Christmas day funeral for a young boy Toloki is reunited with Noria, a woman from his village. Together they help each other to heal the past, and as their story interweaves with those of their acquaintances this elegant short novel provides a magical and painful picture of South Africa today.

    Tell a lie. Protect the family. At all costs.A compulsively readable suspense thriller from Ngaio Marsh Award shortlisted author, Nikki Crutchley, which will keep you guessing and reading up until late into the night. Iluka has been the only home that 18-year-old Ana has ever known. The beautiful wild pine plantation overlooking the Pacific Ocean where her grandfather builds furniture, her aunt runs an artists' retreat and her uncle tends the land, is paradise, a private idyll safe from the outside world.But the place holds a violent secret and when a stranger arrives, Ana will need to make a choice: to protect everything - and everyone - she holds dear or tell the truth and destroy it all.An atmospheric, suspenseful, dark and twisty thriller in the tradition of Daphne du Maurier, Paula Hawkins, Anna Downes and JP Pomare.'An enthralling thriller, as beautiful and deadly as an ocean storm ... Crutchley achieves a perfect balance as she draws the reader into an eerie world filled with secrets, lies and twisted love.' Rose Carlyle, The Girl in the Mirror'Many things make this thriller stand out ... Crutchley's meticulous writing and propulsive storytelling give the book a strange power' North and South

    She lives simply in a tent or hut, and survives by hunting wild animals and foraging edible plants, relying on only minimal supplies. For the last six years she has lived this way, through all seasons, often cold, hungry and isolated in the bush. She loves her life and feels free, connected to the land, and happy.There's a lot of drama out there in the wild, and Miriam knows how to spin a good yarn. This is a gripping and engaging read reminiscent of both adventure writing like Wild and nature writing like H is for Hawk, and is perfect for anyone exploring the idea of living a more authentic, real life.'My life is free, random and spontaneous. This in itself creates enormous energy and clarity in body and mind.' Miriam Lancewood

    – Shubhangi Swarup (Latitudes of Longing)

    But [Flenniken] also wrote them to honor the people she grew up with." " - Seattle Times"The poems in "Plume" are nuclear-age songs of innocence and experience set in the "empty" desert West. Award-winning poet Kathleen Flenniken grew up in Richland, Washington, at the height of the Cold War, next door to the Hanford Nuclear Reservation, where "every father I knew disappeared to fuel the bomb," and worked at Hanford herself as a civil engineer and hydrologist. By the late 1980s, declassified documents revealed decades of environmental contamination and deception at the plutonium production facility, contradicting a lifetime of official assurances to workers and their families that their community was and always had been safe. Plume, written twenty years later, traces this American betrayal and explores the human capacity to hold truth at bay when it threatens one's fundamental identity.

    West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities--to their portrayal in the media--and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http: //sarahblake.site.wesleyan.edu.

    It is the early 1900s and brothers Yung and Shun, immigrants from China, eke out a living as greengrocers in Wellington. The pair must support their families back home, but know they must adapt if they are to survive and prosper in their adopted home. Meanwhile, Katherine McKechnie struggles to raise her rebellious son and her daughter following the death of her husband, Donald. A strident right-wing newspaperman, Donald terrorized his family, though was idolized by his son. One day, Katherine comes to Yung's shop and is touched by the Chinaman's unexpected generosity. Over time a clandestine relationship develops between the immigrant and the widow, a relationship Katherine's son Robbie cannot abide ...During the First World War, as young men are swept up on a tide of macho patriotism, Robbie takes his family's honour into his own hands. In doing so, he places his mother at the heart of a tragedy that will affect everyone and everything she holds dear. Powerful, moving and utterly unforgettable, "As the Earth Turns Silver" announces the arrival of a bold new voice in contemporary fiction.

    In Lecretia’s Choice, Matt tells the story of their life together, and how it changed when his proud, fiercely independent wife was diagnosed with a brain tumour and forced to confront her own mortality. The death she faced—slow, painful, dependent—was completely at odds with how she had lived her life. Lecretia wanted to die with dignity, to be able to say goodbye well, and not to suffer unnecessarily—but the law denied her that choice. With her characteristic spirit, she decided to mount a challenge in New Zealand’s High Court, but as the battle raged, Lecretia’s strength faded. She died on 5 June 2015, at the age of forty-two, the day after her family learned that the court had ruled against her. Lecretia’s Choice is not only a moving love story but compulsory reading for everyone who cares about the dignity we afford terminally ill people who want to die on their own terms. In 2015 Matt Vickers supported his wife, Lecretia Seales, in her campaign to gain the right to choose how she died. Lecretia’s Choice is his first book.

    The song-poems of this undisputed "bluesologist" triumphantly stand on their own, evoking the rhythm and urgency which have distinguished Gil Scott-Heron's career. This collection carries the reader from the global topics of political hypocrisy and the dangers posed by capitalist culture to painfully personal themes and the realities of modern day life. His message is black, political, historically accurate, urgent, uncompromising, and mature, and as relevant now as it was in the early 1970s.

    In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should ‘use no superfluous word, no adjective, which does not reveal something … it does not use images as ornaments. The image itself is the speech’. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, ‘imagistic ideas still lie at the centre of our poetic practice’.This anthology traces the complicated evolution of imagism through its poetry from "the pre-imagists" and the "period of the anthologies (1914-17)" to "the imagists after imagism".

    Its ceilings need plastering and some of the toilets leak appallingly, but its residents are far from desperate, though sometimes contentious and unforgiving. In these witty, poignant stories, Mistry charts the intersecting lives of Firozsha Baag, yielding a delightful collective portrait of a middle-class Indian community poised between the old ways and the new.

    Among his expansive and impressive body of work, Gitanjali is regarded as one of his greatest achievements, and has been a perennial bestseller since it was first published in 1910.

    No matter how hard you try.The body of a woman has been found on a pristine New Zealand beach – over a decade after she was murdered.Detective Matt Buchanan of the Auckland Police is certain it carries all the hallmarks of an unsolved crime he investigated 12 years ago: when Samantha Coates walked out one day and never came home.Re-opening the case, Buchanan begins to piece the terrible crimes together, setting into motion a chain of events that will force him to the darkest corners of society – and back into his deepest obsession… Sound of her Voice is an authentic, gritty, character-led police procedural by an elite former detective - for fans of Ian Rankin, Stuart Macbride, and Joseph Knox.