There Anna Petrovna rules with an iron hand over her servants and family-until she loses power to the relentless scheming of her hypocritical son Porphyry. One of the great classic novels of Russian literature, The Golovlyov Family is a vivid picture of a condemned and isolated outpost of civilization that, for contemporary readers, will recall the otherwordly reality of Macondo in Gabriel García Márquez's One Hundred Years of Solitude.

    This satirical novel tells the story of the surgical transformation of a dog into a man, and is an obvious criticism of Soviet society, especially the new rich that arose after the Bolshevik revolution.

    His first mate, Mr. Jukes, is the perfect contrast as an imaginative man prone to speaking in figurative language. Though they are opposites, MacWhirr and Jukes respect each other and run a tight ship, until the crew notices the barometer predicting a serve storm. Jukes and the crew suggest alternate paths to MacWhirr, but he is unconvinced. Since MacWhirr has not experienced the storm yet, he doesn't believe that it really can be much of a problem, and if they sailed around it, they would waste time. Jukes is shocked at the decision, but respects MacWhirr's conviction. They keep their course, setting sail to go directly through the storm. Though the crew objects, Jukes and MacWhirr are convinced they each made the right call, but disastrous outcomes are inevitable when facts are ignored. Now in the heart of a great typhoon, MacWhirr and Jukes must work together to save their crew. Facing tuberous winds, powerful waves, and the sea's worst moods, the combination of MacWhirr's rationalism and Jukes' imagination prove to be vital.Based off of events in Joseph Conrad's sea life, Typhoon is an allegorical work that explores consequences of making decisions without considering facts or other perspectives, while hailing the importance of tolerance and collaboration. With satirical characters and a thrilling setting, Typhoon is both thought-provoking and adventurous. First published in 1902, Joseph Conrad's has been reprinted in many publications, including literary magazines and literary collections. Typhoon depicts a story of high stakes and adventure with a uniquely observant narrative style, shouldering Conrad's stylistic legacy of masterful prose.Previously published among other literary works, this edition allows Joseph Conrad's Typhoon stand on its own. Now with a new, eye-catching cover design and printed in a modern, easy-to-read font, Typhoon is accessible for a contemporary audience. Even nearly one-hundred and twenty years later, Conrad's adventurous, allegorical work is still relevant and intriguing as it acknowledges the various personalities required for human success and survival.

    Somerset Maugham–the author of the classic novels Of Human Bondage and Up at the Villa–introduces us to Julia Lambert, a woman of breathtaking poise and talent whose looks have stood by her forty-six years. She is a star UK stage actress–-so good, in fact, that perhaps she never stops acting.It seems that noting can ruffle her satin feathers, until a quiet stranger challenges Julia's very sense of self. As a result, she will endure rejection for the first time, her capacity as a mother will be affronted, and her ability to put on whatever face she desired for her public will prove limited. In Theatre, Maugham subtly exposes the tensions and triumphs that occur when acting and reality blend together, and–for Julia–ultimately reverse.

    "The Quiet Don") is 4-volume epic novel by Russian writer Mikhail Aleksandrovich Sholokhov. The 1st three volumes were written from 1925 to '32 & published in the Soviet magazine October in 1928–32. The 4th volume was finished in 1940. The English translation of the 1st three volumes appeared under this title in 1934. The novel is considered one of the most significant works of Russian literature in the 20th century. It depicts the lives & struggles of Don Cossacks during WWI, the Russian Revolution & Russian Civil War. In 1965, Sholokhov was awarded the Nobel Prize for Literature. The authorship of the novel is contested by some literary critics & historians, who believe it wasn't entirely written by Sholokhov. However, following the discovery of the manuscript, the consensus is that the work is, in fact, Sholokhov’s.

    Adrift in their acquisitive desires, they are vulnerable to the propaganda of the State — making this novel brilliantly foresightful in its understanding of politics and human nature at a crucial point in modern history.Ödön von Horváth’s scathing insight, in fact, led to his having to flee the very society he depicted when, living in Berlin, he drew the wrath of the Nazis. And yet this hilarious tour-de-force — written just after his escape, and just before his death in a tragic accident — eschews bitterness for rambunctious perseverance and compassion, and provides ample evidence of why von Horváth deserves renewed appreciation.

    Readers were captivated by the adventures of the poet Snodgrass, the lover Tupman, the sportsman Winkle &, above all, by that quintessentially English Quixote, Mr Pickwick, & his cockney Sancho Panza, Sam Weller. From the hallowed turf of Dingley Dell Cricket Club to the unholy fracas of the Eatanswill election, via the Fleet debtor’s prison, characters & incidents sprang to life from Dickens’s pen, to form an enduringly popular work of ebullient humour & literary invention.

    The Master is about his infective influence—on his younger, less attractive brother Henry; on Henry's wife Alison; and on those narrators whom Stevenson so skilfully employs to present their experiences of this charming, ruthless, and evil man.

    Zhivago, Adolescence of Zhenya Luvers explores how a thirteen-year-old girl ceases to be a child and becomes a woman in Russia just before the Communist Revolution. The story examines the world through the reminiscences of a young girl and explores such themes as nature and how we are able to shape the world around us by how we perceive it. The novelette gives readers a prime example of Pasternak s signature style and use of poetics, imagery, and lyricism in prose. Adolescence of Zhenya Luvers is one of Pasternak s first stories, and it originally appeared in a collection by the same name published in 1925. Author: Boris (Leonidovich) Pasternak was a Russian philosopher, poet, writer, and translator. He is famous worldwide for his novel Doctor Zhivago, which won him the Nobel Prize in Literature in 1958. Born in Moscow in 1890 to a painter father and concert-pianist mother, Pasternak first pursued a formal education in musical composition at the University of Moscow, studying under the composer Scriabin. After six years, he gave up music and, following a brief stint in Germany studying philosophy, he returned to Russia to devote his life to writing. With the release of two major works of poetry My Sister Life (1922) and Themes and Variations (1923), Pasternak found himself among the leading poets in Russia. He went on to publish works of fiction, including Adolescence of Zhenya Luvers (1924), several short story collections, and an acclaimed autobiography. As his writing grew more political in the 30s and 40s, Pasternak was unable to publish his own poetry, and instead turned to translating great literary works, including his mentor Rainer Marie Rilke, into Russian. In 1957, only three years before his death, he published Doctor Zhivago to instant international acclaim and a Nobel Prize nomination. In Russia, however, the book s politics were not well received. It was banned and Pasternak was expelled from the Union of Soviet Writers. This tumultuous political spotlight forced him to decline the award. Since his death in 1960, however, Pasternak s works have grown in popularity and he remains one of the most influential Russian writers of the twentieth century.

    Working as a carriage man for a Count, Ivan accidentally causes the death of a monk, which leads to his being ostracized by the local peasantry . . . until the dead monk returns as a ghost to guide him through trouble upon trouble.

    The menagerie of characters include Coral Musker, a beautiful chorus girl; Carleton Myatt, a rich Jewish businessman; Richard John, a mysterious and kind doctor returning to his native Belgrade; the spiteful journalist Mabel Warren; and Josef Grunlich, a cunning, murderous burglar.What happens to these strangers as they put on and take off their masks of identity and passion, all the while confessing, prevaricating, and reaching out to one another in the "veracious air" of the onrushing train, makes for one of Graham Greene's most exciting and suspenseful stories. Originally published in 1933, Orient Express was Greene's first major success. This Graham Greene Centennial Edition features a new introductory essay by Christopher Hitchens.

    However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    Maxim Gorky, pseudonym of Alexei Maksimovich Peshkov, Soviet novelist, playwright and essayist, who was a founder of social realism. Although known principally as a writer, he was closely associated with the tumultuous revolutionary period of his own country. The Mother, one of his best-known works, is the story of the radicalization of an uneducated woman that was later taken as a model for the Socialist Realist novel, and his autobiographical masterpiece Childhood.

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    These seemingly undistinguished possessions, stuffed into a worn-out suitcase, take on a riotously funny life of their own as Dovlatov inventories the circumstances under which he acquired them, occasioning a brilliant series of interconnected tales: A poplin shirt evokes the bittersweet story of a courtship and marriage, while a pair of boots (of the kind only the Nomenklatura can afford) calls up the hilarious conclusion to an official banquet. Some driving gloves—remnants of Dovlatov’s short-lived acting career—share space with neon-green crepe socks, reminders of a failed black-market scam. And in curious juxtaposition, the belt from a prison guard’s uniform lies next to a stained jacket that once belonged to Fernand Léger.Imbued with a comic nostalgia overlaid with Dovlatov’s characteristically dry wit, The Suitcase is an intensely human, delightfully ironic novel from “the finest Soviet satirist to appear in English since Vladimir Voinovich.”