With an emphasis on critical self-reflection, Reflect & Relate gives students the practical skills to work through life's many challenges using better interpersonal communication. The sound theory, clear explanations, lively writing, practical activities, and vibrant design all work toward a single goal: Teaching students to make better communication choices so they can build happier and healthier interpersonal relationships.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Relates French grammatical terms to corresponding terms in English, covering verb conjugation, objects, modifiers, pronouns, prepositions, conjunctions, and gender.

    In keeping with the popular level of this theater, Schikaneder himself supplied Mozart with the libretto about the rescue of a good fairy's daughter from a wicked magician by a hero armed with a magic flute. After a good deal of the music was written, the composer and librettist — both Freemasons — grafted Masonic ideals onto the plot, transforming a simple fairy tale into a moralistic allegory and a Singspiel into one of the world's greatest operas.This handsome, moderately priced volume, reprinted directly form an authoritative edition, will enable musicians, music students, and opera lovers to gain a fuller appreciation of Mozart's mastery of operatic language, orchestral color, and dramatic expression. A helpful feature of this edition is the inclusion of all spoken dialog, usually abbreviated in other editions.

    Tired of fetching water by pail, the apprentice enchants a broom to do the work for him — using magic in which he is not yet fully trained. The floor is soon awash with water, and the apprentice realizes that he cannot stop the broom because he does not know how.Not knowing how to control the enchanted broom, the apprentice splits it in two with an axe, but each of the pieces becomes a new broom and takes up a pail and continues fetching water, now at twice the speed. When all seems lost, the old sorcerer returns, quickly breaks the spell and saves the day. The poem finishes with the old sorcerer's statement that powerful spirits should only be called by the master himself.

    Is it permissible to laugh at Hitler? This is a question that is often debated in Germany today, where, in light of the dimension of the horrors committed in the name of its citizens, many people have difficulty taking a satiric look at the Third Reich. And whenever some do, accusations arise that they are downplaying or trivializing the Holocaust. But there is a long history of jokes about the Nazis. In this groundbreaking volume, Rudolph Herzog shows that the image of the “ridiculous Führer” was by no means a post-war invention: In the early years of Nazi rule many Germans poked fun at Hitler and other high officials. It’s a fascinating and frightening history: from the suppression of the anti-Nazi cabaret scene of the 1930s, to jokes about Hitler and the Nazis told during WWII, to the collections of “whispered jokes” that were published in the immediate aftermath of the war, to the horrific accounts of Germans who were imprisoned and executed for telling jokes about Hitler and other Nazis. Significantly, the jokes collected here also show that not all Germans were hypnotized by Nazi propaganda—or unaware of Hitler’s concentration camps, which were also the subject of jokes during the war. In collecting these quips, Herzog pushes back against the argument, advanced in aftermath of World War II, that people were unaware of Hitler’s demonic maneuvering. The truth, Herzog writes, is more troubling: Germans knew much about the actions of their government, joked about it occasionally . . . and failed to act.

    It is only in recent decades that the confusions, disorientations and very different world views that arise as a result of communication have become an independent field of research. One of the experts who has been working in this field is Dr. Paul Watzlawick, and he here presents, in a series of arresting and sometimes very funny examples, some of the findings.

    A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics.A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote "Mimesis," publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, "Mimesis" is among the finest works of literary criticism ever written.

    

    But Jeffrey, Susan and John Greyling find an old map of where the treasure is hidden, when they are staying with their grandparents. So they decide they must find the hidden treasure and keep it in the family, before their grandparents sell the family home to Mr Potts, whom the children nickname – Mr Pots of Money! But Mr Potts is also interested in finding the Greylings' Treasure, and so it is a race against time of who will find the treasure first. Mr Pots of Money or the children, who want to save their family home.

    These top guns of tournament poker are frequent winners in today's highly competitive online scene, as well as in live tourneys. Their collective experience and track record is staggering: more than 35,000 tournaments played, more than 1,000 final tables made, over 200 major wins, and more than $6,000,000 in cashes. They regularly outplay fields consisting of other top professionals victories that are documented by detailed online hand histories.Are you ready to learn winning ways from today's true tournament experts?The authors are not only consistent winners, but powerful teachers as well. Step-by-step, they reveal their decision-making processes, using hands drawn from actual play not examples contrived to fit a particular poker theory.Reading this book is like attending a master class in tournament poker.You'll see the way cutting-edge pros use their wisdom and incredibly extensive experience to analyze almost every poker situation imaginable. Deep-stacked or short-stacked, against single or multiple opponents, you'll learn the skills that will make you a winner, including: - When and how to play aggressively or tightly- When to make moves- When to make continuation bets and when to hold back- How to induce and pick off bluffs- How to accumulate chips without constantly risking your tournament life.Poker is a fun game, but it's even more fun when you win.If you want to become a great tournament player, shouldn't you be learning from the best? NOW You can!

    Lyric Novella is her story of a young man’s obsession with a Berlin variété actress. Despite having his future career mapped out for him in the diplomatic service, the young man begins to question all his family values under Sibylle’s spell. His family, future, and social standing become irrelevant when set against his overriding compulsion to pick her up every night from the theater so they can go for a drive. Schwarzenbach’s clear, psychologically acute prose makes this novella an evocative narrative, with many intriguing parallels to her own life. In fact, she admitted after publication that her hero was in fact a young woman, not a man, leaving little doubt that Lyric Novella is a literary tale of lesbian love during socially and politically turbulent times. Praise for the German Edition “The subject of Annemarie Schwarzenbach’s story is not failed love— Sibylle’s apparent emotional coldness—but the failure of love—the protagonist’s helpless inability, in the crucial moment, to accept his human responsibility toward the beloved.”— Neue Zürcher Zeitung “The work bears the face of its time, but it is so gentle, silent and veiled that one can barely exclude the person behind the mask. A mask is in fact this face, because the hero is a heroine who does not want to be seen.”—Frankfurter Allgemeine Zeitung

    Favell Lee Mortimer had something nasty to say about them. Their faults, according to Mrs. Mortimer, might have amounted to just about anything. The Irish "are very kind and good-natured when pleased, but if affronted, are filled with rage." In Italy, "the people are ignorant and wicked." In Sweden, "Nothing useful is well done...The carpenters and the blacksmiths are very clumsy in their work."Remarkably, all of these assertions come from a woman who only twice set foot outside of her native England. But lack of personal experience never kept Mrs. Mortimer from dispensing her horrifying wisdom about the evils of just about every nation on earth. Whether describing Europe ("It is dreadful to think what a number of murders are committed in Italy"), Asia ("The religion of Taou teaches men to act like madmen"), Africa ("The worst quality in any character is hypocrisy, and this is to be found in the Egyptian"), or America ("New Orleans is a dangerous place to live in, both for the body and the soul"), Mrs. Mortimer's views are consistently appalling. One hundred fifty years later, three of her forgotten classics have been compiled into one volume, The Clumsiest People in Europe, reviving the comically misinformed and startling prejudices of this unique Victorian eccentric.

    A box set consisting of three Bill Bryson books, 'Notes from a Small Island', 'Notes from a Big Country' and 'A Walk in the Woods'.

    The greatly esteemed essayist, novelist, and philosopher reflects on the art of translation and on Rainer Maria Rilke's Duino Elegies and gives us his own translation of Rilke's masterwork.