But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match -- and more -- in Nancy. She's a rich man's plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket. Because violence and double-cross are the name of this game -- and it's going to take every ounce of cunning Jack and Nancy possess to survive . . . each other.

    There are also keen and comical observations on life, a roadrunner pace, and a hardy but humane protagonist.

    Call them employees. Losers. Or call them Paris Scott. He microwaves hot dogs at a twenty-four-hour convenience store. His girlfriend just dumped him. And everyone is working his last nerve. Until a surprise encounter with a bum leads to a Bel Air mansion, a dead rock star's last gasp on tape, and a chance for Paris to flirt with a dream. Even if it is someone else's. It's worth his life. Even better, it's worth a million bucks.From the snarling vastness of Los Angeles to the neon-lit inferno of Las Vegas, John Ridley charts a one-way ride into a glittering hell of blood, bodies, and broken hearts. Dope dealers, Hollywood agents, two-bit felons, three-dollar strippers, honest Joes, and an increasingly desperate Paris Scott--no one comes out clean in this raucous ride that turns an obsession with fame and fortune into a dangerous game of truth and consequence. It's a wild place where dying large is a must, every crime is a thrill, and the finest pleasures are the guilty ones.

    So we're reissuing the first of five Mitchell Tobin mysteries that went largely unnoticed when originally published by Westlake, under the pseudonym Tucker Coe in the 1960s. With a new introduction by Westlake detailing how Tucker Coe and Mitchell Tobin came to be, this novel is classic Westlake. Mitch Tobin is a cop who betrayed those people closest to him. Losing the only job he knew how to do, he's a loner. Then mobster Arnie Rembek offers Tobin a task tailor-made for his talents and keen cop mind -- find out who killed his girlfriend. The alliance between these two men creates a gripping tale.

    That is, his specialty is opening safes. Every job is a little mystery, and he has yet to encounter a lock he can't break or a box he can't crack. But the day Holloway gets called in to open a rare, antique safe in a famous author's library, his skills open a door that should have remained closed.In this haunting and singular story, previously published anonymously, Michael Connelly proves once again that he is "superb at building suspense.... the reader can never be sure what sudden turns the plot may take" (Wall Street Journal).

    James is too late for Orville's funeral, but just in time to become ensnared in the deadly repercussions of his younger brother Rabbit's life of petty crime.When Rabbit is double crossed by his cousin in a robbery-turned-murder, James and a local bartender, the unsettling and alluring Marlena Bell, must come up with a plan to save Rabbit's skin. A whirlwind road trip across the desolate Florida panhandle ensues as James tries to stay one step ahead of the vengeful Alligator Mafia and keep his brother alive. With bullets in the air and the ghosts of heartache, betrayal and unspeakable rage haunting him at every turn, James must decide just how much he is willing to risk to protect his family and find a way home.

    Crouched next to her with his hands clamped over the knife wound in her abdomen, her husband, Daniel, screams at the couple's sister-in-law - and his ex-mistress - rooted in the doorway. Time slips away...

    Solitary and haunted, he prefers to be invisible. He doesn't allow himself friends or lovers and makes a living rescuing young girls from the deadly clutches of the sex trade. But when a high-ranking New York politician hires him to extricate his teenage daughter from a Manhattan brothel, Joe uncovers a web of corruption that even he may not be able to unravel. When the men on his trail take the only person left in the world who matters to him, he forsakes his pledge to do no harm. If anyone can kill his way to the truth, it's Joe...Novelist, essayist, creator of the beloved TV series Bored to Death and Blunt Talk, Jonathan Ames is celebrated not only for his comic sensibilities and devotion to the absurd but for his lurid attraction to inner demons. In this shocking and suspenseful thriller, the author goes darker than noir, with an ass-kicking and psychologically tormented guardian angel who rescues others but refuses to save himself.

    Like fiction, cars take us into a different world: from the tony enclaves of upper crust society to the lowliest barrio; from muscle car-driving con men to hardscrabble kids on the road during the Great Depression; from a psychotic traveling salesman to a Mexican drug lord who drives a tricked-out VW Bus. We all share the roads, and our cars link us together. Including entirely new stories from Michael Connelly, C.J. Box, George Pelecanos, Diana Gabaldon, James Sallis, Ace Atkins, Luis Alberto Urrea, Sara Gran, Ben H. Winters, and Joe Lansdale, The Highway Kind is a street-level look at modern America, as seen through one of its national obsessions.

    He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later?Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse, she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.

    But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed.It begins when Hank’s neighbor, Russ, has to leave town in a rush and hands over Bud in a carrier. But it isn’t until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it.Within twenty-four hours Hank is running over rooftops, swinging his old aluminum bat for the sweet spot of a guy’s head, playing hide and seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor.All because of two cowboys, two Russian mafia men, and some of the weirdest goons ever assembled in one place. All because of Bud. All because once, in another life, in another world, the only thing Hank wanted was to take third base—without getting caught.

    Nevermind that he was the last one to see her alive. But in a town filled with the likes of an amoral tabloid reporter known only as The Captain, a district attorney who'll do anything for a confession, and Bob's parents, who care as little for Bob as they do for each other, guilt and innocence are little more than a matter of perspective. In a masterfully woven tapestry of multiple points of view, The Criminal explores the nature of guilt and responsibility in a psychological thriller of an entire town under the spell of an act of brutal violence. Jim Thompson unlike you're ever read him before.

    David Young is a lieutenant in the United States Naval Reserve, returning to active duty. On his way to Norfolk Naval Base in the middle of the night, Young hitches a ride with Lawrence Wilson, an ill-tempered man who explains how he was recently fired from the Navy Department for alleged seditious activities. Young is suddenly attacked by the stranger and loses consciousness. When he awakens, he is laying in a hospital bed with his head wrapped in bandages. The nurse calls him "Mr. Wilson" and informs him that he is lucky to be alive after such a horrific car accident. Things get even stranger when his supposed wife -- a brunette bombshell named Elizabeth -- checks the still-sedated Young out of the hospital and takes him home. Without even realizing it, Young becomes the main target of a killer -- or killers -- involved in an intricate Communist plot that threatens the security of the nation. It's a testament to Hamilton's narrative brilliance that Night Walker is just as wildly compelling today as it was when it was originally released in 1954. This timeless pulp classic has it all: down-and-dirty fall guys, sexy damsels in distress, sadistic villains, elaborate conspiracies -- an absolute must-read for any and all discerning connoisseurs of mystery. Paul Goat AllenCover art for Dell First Edition 27 by Carl Bobertz

    Though he is an aid worker, the secret service minders who have protected him for twenty years have reactivated him: they want information about the man who perpetrated a massacre in a Muslim village in Bosnia. His target is the most ruthless killer in the whole war zone: Milan Pravic, codename the Scorpion. And the only eyewitness to the massacre is a twelve-year-old girl whom Pravic will do anything to silence-

    He's known only as The Preacher, an ex-Priest, ex-Special Forces commando, and now a professional gambler who has given up on his own salvation...but is determined to find justice for a murdered Vietnam vet...even if it means taking on the entire, God forsaken town.