A biting satire about the downfall of a businessman-polygamist who assumes the role of the colonialist in French-speaking Africa.

    It is here that Kazu’s life in Tokyo began, as a labourer in the run up to the 1964 Olympics, and later where he ended his days, living in the park’s vast homeless ‘villages’, traumatised by the destruction of the 2011 tsunami and enraged by the announcement of the 2020 Olympics.Akutagawa-award-winning author Yū Miri uses her outsider’s perspective as a Zainichi (Korean-Japanese) writer to craft a novel of utmost importance to this moment, a powerful rebuke to the Imperial system and a sensitive, deeply felt depiction of the lives of Japan’s most vulnerable people.

    Impulsive, reckless and heroic, Meaulnes embodies the romantic ideal, the search for the unobtainable, and the mysterious world between childhood and adulthood.

    Heartsnatcher is Boris Vian's most playful and most serious work. The main character is Clementine, a mother who punishes her husband for causing her the excruciating pain of giving birth to three babies. As they age, she becomes increasingly obsessed with protecting them, going so far as to build an invisible wall around their property.

    Kathrine, a priest, is flying home from a Bible seminar, questioning her marriage. Journalist Jostein is out drinking for the night, while his wife, Turid, a nurse at a psychiatric care unit, is on a nightshift when one of her patients escapes. Above them all, a huge star suddenly appears blazing in the sky. It brings with it a mysterious sense of foreboding.Strange things start to happen as nine lives come together under the star. Hundreds of crabs amass on the road as Arne drives at night; Jostein receives a call about a death metal band found brutally murdered in a Satanic ritual; Kathrine conducts a funeral service for a man she met at the airport - but is he actually dead? The Morning Star is about life in all its mundanity and drama, the strangeness that permeates our world, and the darkness in us all. Karl Ove Knausgaard's astonishing new novel goes to the utmost limits of freedom and chaos, to what happens when forces beyond our comprehension are unleashed, and the realms of the living and the dead collide.

    The people of Segu, the Bambara, are guided by their griots and priests; their lives are ruled by the elements. But even their soothsayers can only hint at the changes to come, for the battle of the soul of Africa has begun. From the east comes a new religion, Islam, and from the West, the slave trade. Segu follows the life of Dousika Traore, the king’s most trusted advisor, and his four sons, whose fates embody the forces tearing at the fabric of the nation. There is Tiekoro, who renounces his people’s religion and embraces Islam; Siga, who defends tradition, but becomes a merchant; Naba, who is kidnapped by slave traders; and Malobali, who becomes a mercenary and halfhearted Christian.Based on actual events, Segutransports the reader to a fascinating time in history, capturing the earthy spirituality, religious fervor, and violent nature of a people and a growing nation trying to cope with jihads, national rivalries, racism, amid the vagaries of commerce.

    And business is brisk at The Suicide Shop. Run by the Tuvache family for generations, the shop offers an amazing variety of ways to end it all, with something to fit every budget. The Tuvaches go mournfully about their business, taking pride in the morbid service they provide. Until the youngest member of the family threatens to destroy their contented misery by confronting them with something they ve never encountered before: a love of life.

    It is a long narrative prose poem which celebrates the principle of Evil in an elaborate style and with a passion akin to religious fanaticism. The French poet-critic Georges Hugnet has written of Lautréamont: "He terrifies, stupefies, strikes dumb. He could look squarely at that which others had merely given a passing glance."Little is known of the author of Maldoror, Isidore Ducasse, self-styled Comte de Lautréamont, except that he was born in Montevideo, Uruguay in 1846 and died in Paris at the age of twenty-four. When first published in 1868-9, Maldoror went almost unnoticed. But in the nineties the book was rediscovered and hailed as a work of genius by such eminent writers as Huysmans, Léon Bloy, Maeterlinck, and Rémy de Gourmont. Later still, Lautréamont was to be canonized as one of their principal "ancestors" by the Paris Surrealists.This edition, translated by Guy Wernham, includes also a long introduction to a never-written, or now lost, volume of poetry. Thus, except for a few letters, it gives all the surviving literary work of Lautréamont.

    But since its original prewar translation there has been no completely new version in English. Now, Penguin brings Proust's masterpiece to new audiences throughout the world, beginning with Lydia Davis's internationally acclaimed translation of the first volume, Swann's Way.Swann's Way is one of the preeminent novels of childhood: a sensitive boy's impressions of his family and neighbors, all brought dazzlingly back to life years later by the taste of a madeleine. It also enfolds the short novel "Swann in Love," an incomparable study of sexual jealousy that becomes a crucial part of the vast, unfolding structure of In Search of Lost Time. The first volume of the work that established Proust as one of the finest voices of the modern age — satirical, skeptical, confiding, and endlessly varied in its response to the human condition — Swann's Way also stands on its own as a perfect rendering of a life in art, of the past re-created through memory.

    Now for the first time in English, all of Borges' dazzling fictions are gathered into a single volume, brilliantly translated by Andrew Hurley. From his 1935 debut with The Universal History of Iniquity, through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language. Together these incomparable works comprise the perfect one-volume compendium for all those who have long loved Borges, and a superb introduction to the master's work for those who have yet to discover this singular genius.

    Salvation Army is a coming-of-age novel that tells the story of Taia's life with complete disclosure - from a childhood bound by family order and latent (homo)sexual tensions in the poor city of Sal', through an adolescence in Tangier charged by the young writer's attraction to his eldest brother, to a disappointing arrival in the Western world to study in Geneva in adulthood. In so doing, Salvation Army manages to burn through the author's first-person singularity to embody the complex m'lange of fear and desire projected by Arabs on Western culture. Recently hailed by his native country's press as "the first Moroccan to have the courage to publicly assert his difference," Taia, through his calmly transgressive work, has "outed" himself as "the only gay man" in a country whose theocratic law still declares homosexuality a crime. The persistence of prejudices on all sides of the Mediterranean and Atlantic makes the translation of Taia's work both a literary and political event.

    Together they embark upon a riotously Bohemian life, full of gaiety, color and bustle. And then there is Kate, the enigmatic German girl with the mysterious smile.Capricious, untamed and curiously innocent, Kate steals their hearts in turn, and so begins the moving and tender story of three people in love, with each other and with life. Francois Truffaut, whose film of the novel is one of cinema's greatest achievments, has called Jules et Jim "a perfect hymn to love."Henri-Pierre Roch devoted his life to the arts, numbering Duchamp, Brancusi, Braque, Satie and Picasso amongst his closest friends. Jules et Jim, an autobiographical novel, was originally published in France in 1953 and was followed by Deux Anglaises et le Continent, which Truffaut also made into a film."A delightful account of people sharing and unsharing each other."?Times Literary Supplement

    Composed after a five-year term in prison, the semi-autobiographical story follows a recently released political prisoner as he wanders through Cairo, adrift in his native city. Living under house arrest, he tries to write of his tortuous experience, but instead smokes, spies on the neighbors, visits old lovers, and marvels at Egypt’s new consumer culture. Published in 1966, That Smell was immediately banned and the print-run confiscated. The original, uncensored version did not appear in Egypt for another twenty years.For this edition, translator Robyn Creswell has also included an annotated selection of the author’s Notes from Prison, Ibrahim’s prison diaries—a personal archive comprising hundreds of handwritten notes copied onto Bafra-brand cigarette papers and smuggled out of jail. These stark, intense writings shed unexpected light on the sources and motives of Ibrahim’s groundbreaking novel. Also included in this edition is Ibrahim’s celebrated essay about the writing and reception of That Smell.

    Smart and precocious, endearing but uncompromising, she fights against ingrained chauvinism to find her place in a world run by lesser men.When Olga falls in love with her neighbor, Herbert, the son of a local aristocrat, her life is irremediably changed. While Herbert indulges his thirst for exploration and adventure, Olga is limited by her gender and circumstance. Her love for Herbert goes against all odds and encounters many obstacles, but even when they are separated, it endures.Unfolding across decades—from the late nineteenth to the early twenty-first century—and across continents—from Germany to Africa and the Arctic, from the Baltic Sea to the German south-west—Olga is an epic romance, and a wrenching tale of a woman’s devotion to a restless man in an age of constant change. Though Olga exists in the shadows of others, she pursues life to the fullest and her magnetic presence shines—revealing a woman complex, fascinating, and unforgettable. Told in three distinct parts, brilliantly shifting from different points of view and narrative formats, Bernhard Schlink’s magnificent novel is a rich, full portrait of a singular woman and her world.Translated from the German by Charlotte Collins

    When he receives an astronomical invoice from a random national bureaucratic agency, everything will tumble into madness as he calls the hotline night and day to find out why he is the recipient of the largest bill in the entire country. What is the price of a cherished memory? How much would you pay for a beautiful summer day? How will our carefree idealist, who is content with so little and has no chance of paying it back, find a way out of this mess? All these questions pull you through The Invoice and prove once again that Jonas Karlsson is simply a master of entertaining, intelligent, and life-affirming work.