Beah tells how, at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he’d been picked up by the government army, and became a soldier.My new friends have begun to suspect I haven’t told them the full story of my life.“Why did you leave Sierra Leone?”“Because there is a war.”“You mean, you saw people running around with guns and shooting each other?”“Yes, all the time.”“Cool.”I smile a little.“You should tell us about it sometime.”“Yes, sometime.” This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them. What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived.In A Long Way Gone, Beah, now twenty-five years old, tells a riveting story: how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he’d been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts. This is a rare and mesmerizing account, told with real literary force and heartbreaking honesty.

    On a chilly November night in 1407, Louis of Orleans was murdered by a band of masked men. The crime stunned and paralyzed France since Louis had often ruled in place of his brother King Charles, who had gone mad. As panic seized Paris, an investigation began. In charge was the Provost of Paris, Guillaume de Tignonville, the city's chief law enforcement officer -- and one of history's first detectives. As de Tignonville began to investigate, he realized that his hunt for the truth was much more dangerous than he ever could have imagined. A rich portrait of a distant world, Blood Royal is a gripping story of conspiracy, crime and an increasingly desperate hunt for the truth. And in Guillaume de Tignonville, we have an unforgettable detective for the ages, a classic gumshoe for a cobblestoned era.

    Helene grew up at Sugar Beach, a twenty-two-room mansion by the sea. Her childhood was filled with servants, flashy cars, a villa in Spain, and a farmhouse up-country. It was also an African childhood, filled with knock foot games and hot pepper soup, heartmen and neegee. When Helene was eight, the Coopers took in a foster child—a common custom among the Liberian elite. Eunice, a Bassa girl, suddenly became known as “Mrs. Cooper’s daughter.”For years the Cooper daughters—Helene, her sister Marlene, and Eunice—blissfully enjoyed the trappings of wealth and advantage. But Liberia was like an unwatched pot of water left boiling on the stove. And on April 12, 1980, a group of soldiers staged a coup d'état, assassinating President William Tolbert and executing his cabinet. The Coopers and the entire Congo class were now the hunted, being imprisoned, shot, tortured, and raped. After a brutal daylight attack by a ragtag crew of soldiers, Helene, Marlene, and their mother fled Sugar Beach, and then Liberia, for America. They left Eunice behind.A world away, Helene tried to assimilate as an American teenager. At the University of North Carolina at Chapel Hill she found her passion in journalism, eventually becoming a reporter for the Wall Street Journal and the New York Times. She reported from every part of the globe—except Africa—as Liberia descended into war-torn, third-world hell.In 2003, a near-death experience in Iraq convinced Helene that Liberia—and Eunice—could wait no longer. At once a deeply personal memoir and an examination of a violent and stratified country, The House at Sugar Beach tells of tragedy, forgiveness, and transcendence with unflinching honesty and a survivor's gentle humor. And at its heart, it is a story of Helene Cooper’s long voyage home.

    Soraya was a schoolgirl in the coastal town of Sirte, when she was given the honour of presenting a bouquet of flowers to Colonel Gaddafi, the Guide, on a visit he was making the following week. This one meeting - a presentation of flowers, a pat on the head from Gaddafi - changed Soraya's life forever. Soon afterwards, she was summoned to Bab al-Azizia, Gaddafi's palatial compound near Tripoli, where she joined a number of young women who were violently abused, raped and degraded by Gaddafi.In 2012, Cojean returned to Libya to continue her investigation. Her book, Gaddafi's Harem, takes Soraya as its starting point to recount the fates of so many other women. She has gone to remarkable lengths - rape is the highest taboo in Libya - to collect these women's stories. Heartwrenchingly tragic but ultimately redemptive, Soraya's story is the first of many that are just now beginning to be heard.In Gaddafi's Harem, Le Monde special correspondent Annick Cojean gives a voice to Soraya's story, and supplements her investigation into Gaddafi's abuses of power through interviews with other women who were abused by Gaddafi, and those who were involved with his regime, including a driver who ferried women to the compound, and Gaddafi's former Chief of Security.Gaddafi's Harem is an astonishing portrait of the essence of dictatorship: how power gone unchecked can wreak havoc on the most intensely personal level, as well as a document of great significance to the new Libya.

    When she was a child, the border zone was rumored to be an easier crossing point into the West than the Berlin Wall, and it swarmed with soldiers and spies. On holidays in the “Red Riviera” on the Black Sea, she remembers playing on the beach only miles from a bristling electrified fence whose barbs pointed inward toward the enemy: the citizens of the totalitarian regime.Kassabova discovers a place that has been shaped by successive forces of history: the Soviet and Ottoman empires, and, older still, myth and legend. Her exquisite portraits of fire walkers, smugglers, treasure hunters, botanists, and border guards populate the book. There are also the ragged men and women who have walked across Turkey from Syria and Iraq. But there seem to be nonhuman forces at work here too: This densely forested landscape is rich with curative springs and Thracian tombs, and the tug of the ancient world, of circular time and animism, is never far off.Border is a scintillating, immersive travel narrative that is also a shadow history of the Cold War, a sideways look at the migration crisis troubling Europe, and a deep, witchy descent into interior and exterior geographies.

    They were just some of the thousands of young men, known as “Lost Boys,” who had been orphaned or otherwise separated from their families in the chaos of a brutal conflict that has ravaged Sudan since 1983. The Lost Boys of Sudan focuses on four of these refugees. Theirs, however, is a typical story, one that repeated itself wherever the Lost Boys could be found across America.Jacob Magot, Peter Anyang, Daniel Khoch, and Marko Ayii were among 150 or so Lost Boys who were resettled in Atlanta. Like most of their fellow refugees, they had never before turned on a light switch, used a kitchen appliance, or ridden in a car or subway train—much less held a job or balanced a checkbook. We relive their early excitement and disorientation, their growing despondency over fruitless job searches, adjustments they faced upon finally entering the workforce, their experiences of post-9/11 xenophobia, and their undying dreams of acquiring an education.As we immerse ourselves in the Lost Boys’ daily lives, we also get to know the social services professionals and volunteers, celebrities, community leaders, and others who guided them—with occasional detours—toward self-sufficiency. Along the way author Mark Bixler looks closely at the ins and outs of U.S. refugee policy, the politics of international aid, the history of Sudan, and the radical Islamist underpinnings of its government. America is home to more foreign-born residents than ever before; the Lost Boys have repaid that gift in full through their example of unflagging resolve, hope, and faith.

    From "Bartleby the Scrivener" to The Office, from the steno pool to the open-plan cubicle farm, Cubed is a fascinating, often funny, and sometimes disturbing anatomy of the white-collar world and how it came to be the way it is—and what it might become.In the mid-nineteenth century clerks worked in small, dank spaces called “counting-houses.” These were all-male enclaves, where work was just paperwork. Most Americans considered clerks to be questionable dandies, who didn’t do “real work.” But the joke was on them: as the great historical shifts from agricultural to industrial economies took place, and then from industrial to information economies, the organization of the workplace evolved along with them—and the clerks took over. Offices became rationalized, designed for both greater efficiency in the accomplishments of clerical work and the enhancement of worker productivity. Women entered the office by the millions, and revolutionized the social world from within. Skyscrapers filled with office space came to tower over cities everywhere. Cubed opens our eyes to what is a truly "secret history" of changes so obvious and ubiquitous that we've hardly noticed them. From the wood-paneled executive suite to the advent of the cubicles where 60% of Americans now work (and 93% of them dislike it) to a not-too-distant future where we might work anywhere at any time (and perhaps all the time), Cubed excavates from popular books, movies, comic strips (Dilbert!), and a vast amount of management literature and business history, the reasons why our workplaces are the way they are—and how they might be better.

    Today the knowledge they safeguard faces purposeful destruction and willful neglect; deprived of funding, libraries are fighting for their very existence. Burning the Books recounts the history that brought us to this point.Richard Ovenden describes the deliberate destruction of knowledge held in libraries and archives from ancient Alexandria to contemporary Sarajevo, from smashed Assyrian tablets in Iraq to the destroyed immigration documents of the United Kingdom’s Windrush generation. He examines both the motivations for these acts—political, religious, and cultural—and the broader themes that shape this history. He also looks at attempts to prevent and mitigate attacks on knowledge, exploring the efforts of librarians and archivists to preserve information, often risking their own lives in the process.More than simply repositories for knowledge, libraries and archives inspire and inform citizens. In preserving notions of statehood recorded in such historical documents as the Declaration of Independence, libraries support the state itself. By preserving records of citizenship and records of the rights of citizens as enshrined in legal documents such as the Magna Carta and the decisions of the United States Supreme Court, they support the rule of law. In Burning the Books, Ovenden takes a polemical stance on the social and political importance of the conservation and protection of knowledge, challenging governments in particular, but also society as a whole, to improve public policy and funding for these essential institutions.

    Lawrence (1888-1935) first won fame for his writings and his participation in the British-sponsored Arab Revolt of WWI, but the adventurer known even in his day as "Lawrence of Arabia" is remembered today mostly as the subject of the 1962 film masterpiece based on his life. This splendid page-turner revitalizes this protean, enigmatic adventurer. That this colorful British scholar/Middle East warrior deserves a better fate is demonstrated amply in Michael Kordas' authoritative 784-page biography. Exciting, well-written, and relevant.699 pages of text, 762 with notes

    Now, THE OPERATORS will lead us even deeper into the war, its politics, and its major players at a time when such insight is demanded and desperately needed. Based on exclusive reporting in Afghanistan, Europe, the Middle East, and Washington, DC, this landmark work of journalism will elucidate as never before the United States' involvement in Afghanistan in vivid, unforgettable detail. Part wild travelogue, part expos, and part sobering analysis, THE OPERATORS promises an unprecedented behind-the-scenes account of the war from the only journalist uniquely poised to tell it.

    Now with a new afterword describing the security lapses that preceded the attacks of September 11, 2001, Body of Secrets takes us to the inner sanctum of America’s spy world. In the follow-up to his bestselling Puzzle Palace, James Banford reveals the NSA’s hidden role in the most volatile world events of the past, and its desperate scramble to meet the frightening challenges of today and tomorrow.Here is a scrupulously documented account–much of which is based on unprecedented access to previously undisclosed documents–of the agency’s tireless hunt for intelligence on enemies and allies alike. Body of secrets is a riveting analysis of this most clandestine of agencies, a major work of history and investigative journalism.

    There is the Kuwaiti sex therapist in a leather suit with matching red headscarf, and the Syrian engineer advocating a less political interpretation of the Koran. MacFarquhar interacts with Arabs and Iranians in their every day lives, removed from the violence we see constantly, yet wrestling with the region's future. These are people who realize their region is out of step with the world and are determined to do something about it--on their own terms.

    Based on his private journals and his public interviews, A Fist in the Hornet's Nest is Richard Engel's harrowing, fascinating, and informative view of Iraq from street level. Through his wartime reportage, Engel has emerged as one of the preeminent journalists of his generation and an invaluable source on Middle Eastern affairs. For those in search of an in-depth analysis or those trying to make sense of the recent war, Engel's book is as elucidating as it is riveting. His critical assessments for the future of the Gulf region and his analysis of where the American campaign succeeded and where, in some instances, it has failed constitute a book that is sure to be an invaluable contribution to the Middle Eastern debate for years to come.

    For six years Linda Melvern has worked on the story of this horrendous crime, and this book, a classic piece of investigative journalism, is the result. Its new and startling information has the making of an international scandal.The book contains a full narrative account of how the genocide unfolded and describes its scale, speed and intensity. And the book provides a terrible indictment, not just of the UN Security Council, but even more so of governments and individuals who could have prevented what was happening but chose not to do so.Drawing on a series of in-depth interviews, the author also tells the story of the unrecognized heroism of those who stayed on during the genocide - volunteer UN peacekeepers, their Force Commander the Canadian Lt.-General Romeo A. Dallaire, and Philippe Gaillard, the head of a delegation of the International Committee of the Red Cross, helped by medical teams from Medecins Sans Frontieres.The international community, which fifty years ago resolved that genocide never happened again, not only failed to prevent it happening in Rwanda, but, as this book shows, international funds intended to help the Rwandan economy actually helped to create the conditions that made the genocide possible. Documents held in Kigali, the Rwandan capital, as well as hitherto unpublished evidence of secret UN Security Council deliberations in New York, reveal a shocking sequence of events.What happened in Rwanda shows that despite the creation of an organisation set up to prevent a repetition of genocide - for the UN is central to this task - it failed to do so, even when the evidence was indisputable. At a time when increasing attention is being given to the need for UN reform, this book provides evidence to urgently accelerate and focus that process. Only by understanding how and why the genocide happened can there be any hope that this new century will break with the dismal record of the last.

    A magnificent blend of travel journal, cultural commentary, and historical insight, Black Lamb and Grey Falcon probes the troubled history of the Balkans, and the uneasy relationships amongst its ethnic groups. The landscape and the people of Yugoslavia are brilliantly observed as West untangles the tensions that rule the country's history as well as its daily life.