. . The book as a whole offers a fascinating look at how this movie tells a timeless story.” —The Washington PostMrs. Robinson, you’re trying to seduce me. Aren’t you? When The Graduate premiered in December 1967, its filmmakers had only modest expectations for what seemed to be a small, sexy art-house comedy adapted from an obscure first novel by an eccentric twenty-four-year-old. There was little indication that this offbeat story—a young man just out of college has an affair with one of his parents’ friends and then runs off with her daughter—would turn out to be a monster hit, with an extended run in theaters and seven Academy Award nominations. The film catapulted an unknown actor, Dustin Hoffman, to stardom with a role that is now permanently engraved in our collective memory. While turning the word plastics into shorthand for soulless work and a corporate, consumer culture, The Graduate sparked a national debate about what was starting to be called “the generation gap.” Now, in time for this iconic film’s fiftieth birthday, author Beverly Gray offers up a smart close reading of the film itself as well as vivid, never-before-revealed details from behind the scenes of the production—including all the drama and decision-making of the cast and crew. For movie buffs and pop culture fanatics, Seduced by Mrs. Robinson brings to light The Graduate’s huge influence on the future of filmmaking. And it explores how this unconventional movie rocked the late-sixties world, both reflecting and changing the era’s views of sex, work, and marriage.

    Read about the curiosities and cons of the most notorious hornswogglers and flimflam men of the nineteenth century; be astounded at the imposters, pretenders, and tricksters of the twentieth. The Queen of England, Jimmy Carter, the editors of The New York Times-no one is immune to the cunning of history's hoaxers. From the origin of April Fools' Day to the Taco Liberty Bell, from Bigfoot to the War of the Worlds-and filled with photographs and illustrations .

    Fans of The Hunger Games had hotly debated which actors would bring their beloved characters to life in the upcoming movie. The movie's director, Gary Ross, had finally selected the lead character, Katniss. His pick: Jennifer Lawrence. Jennifer started acting professionally in 2004 at age fourteen. But she quickly proved her major talent. For the 2008 movie The Burning Plain, she earned a best new young actress award at the Venice Film Festival. And for her performance in the 2010 movie Winter's Bone, Jennifer received nominations for both a Golden Globe and an Academy Award. The Hunger Games's author, Suzanne Collins, celebrated the selection of Katniss. "I never thought we'd find somebody this amazing for the role," she said. And Jennifer—who is a huge fan of the books—was thrilled to play such a complex character. Did she pull it off? Fans will be the judge!

    . . a real work from the heart” are just a few words readers have used to describe Realer than Real, a true story of a Nebraska family’s journey to find grace, hope, and healing amidst tragedy, regret, and disappointment. The tale is told by Ryan, the Wilkins family’s only son, who chronicles a life-changing loss the family suffered in 2004, the tragedy’s impact on the family, and the unique, winding, complex spiritual paths each family member walked before intersecting in the wake of new misfortune. With candor and perceptiveness, Ryan develops characters the reader feels he or she knows. He displays a remarkable willingness to be transparent and vulnerable in all aspects of the personal struggle, grief, and suffering that his family endured, individually and collectively. He seamlessly weaves humor and insight around heavy subjects—including death, disability, divorce, and abuse, among others—and breathes life into the family’s high and lows, incredible miracles and devastating tragedies, in a way that is both honest and instructive.Cumulatively, the Wilkins family’s struggles and setbacks over the past decade seemingly defy all probability that one group could endure so many traumatic events over a relatively short period of time and come through it stronger, not weaker. But through reliance on their Christian faith and an outpouring of community support, the family withstood and grew through these trials, learning much about God and themselves in the process. With insight and vulnerability, Realer than Real captures the struggle, pursuit, perseverance, and restoration that accompany faith. The book will captivate readers across walks of life, inspiring them to behold their blessings and to trust God through their trials. “Once you begin reading, it is almost impossible to stop.”

    Over three decades, his affliction has spawned immeasurable chaos, destruction and debauched good times. While his rivals have graced the covers of Spin and Rolling Stone, Shubaly's projects inevitably flame out in the eleventh hour. Is he finally ready to give up his lifelong dream for good?

    In this case they’re investigating the local District Attorney, who may have committed the ultimate ethical wrong - murder.Novelist Vincent Scarsella draws on his over 18 years of real life experience as head of the Eighth Judicial District Grievance Committee in Buffalo, New York to craft a gripping, suspenseful novel about lawyers gone bad.But the story is more than a crime novel. It concerns friendship, loss, unrequited love, and ultimately, justice. It seeks to answer the question, does what goes around, come around?

    Decadence is defined as "the act or process of falling into an inferior condition or state; deterioration; decay" or my favorite, "unrestrained or excessive self-indulgence." For a decade that brought us Cabbage Patch Kids, Garbage Pail Kids, leg-warmers and New Wave, was it really a state of deterioration?! For one kid growing up in the Central Valley of California, it was a time of self-discovery . . . a transformation from a kid, to a teenager, to a young adult . . . his growing up years. At times utterly hilarious, at times poignant and powerful, Tom relives his teenage years in this true-to-the-last-word memoir. Where were you when John Lennon died? When the Space Shuttle blew up? When Lawrence Taylor ended Joe Theisman's career on live TV? When the Loma Prieta earthquake rocked Game 3 of the 1989 World Series? Tom will tell you where he was and what it meant to him. You'll also hear about first kisses, first loves, a joke about your Uranus, avoiding fistfights, the joys of minimum-wage jobs, college roommates, and WHOLE LOT MORE. If you're one of the 70 million Americans who can claim at least one teen year in the decade, you can relate to the era . . . if your kids can't understand your fondness for your Breakfast Club and Princess Bride DVDs, this book may teach them a thing or two about YOUR growing up years.

    Has your dog ever surprised you by doing something you said the first time? You are not alone! Here are 50 stories about amazing dogs who understood what their humans said. Some even saved lives in the process!Chloe the golden Beagle braved a hurricane to obey the new command, "I need Dad, Girl." Ellie the Coonhound helped her human family escape from an angry bear by obeying the new command, "Get it!" When her human brother said jokingly, "Maybe Cocoa could dig again and find it," Cocoa did just that!

    At a prominent showroom in downtown Bangalore. A pregnant woman swoons. Glittering crystals disperse. Chaos reigns. Siddhartha, English teacher-turned-conman, pulls off a diamond heist. With unconditional support from his theatre-artiste wife. Abhimanyu, the authoritarian business baron, retaliates. With a policy master stroke that will push Siddhartha into financial jeopardy. And renew Siddhartha’s streak to wreak vengeance. A devious plot unfolds. Involving the royal heirloom belonging to Abhimanyu. Provoked beyond limits, Abhimanyu pulls out all the stops. Even as he confronts the identity conflicts of a hitherto unknown son that has appeared. Stage-managed bank deposits. Orchestrated raid. A hostile alliance. Until he faces a sordid truth revealed by the blue-blooded mother he worships. How does this dynastic drama play out?

    Sometimes we tell these stories to make people laugh. Sometimes we tell them to make people think. Sometimes we tell them so we can increase the chances we'll see the other person naked.Paul Shirley's stories are about an adulthood spent all over the world: living in Spain, playing in the NBA, and having his heart (and spleen) broken. But they're also stories about growing up in small-town Kansas: triumphant spelling bees, catastrophic middle school dances, and a Sex Ed. class taught by his mother.They're funny stories. They're vulnerable stories. Most of all, they're universal stories, just as the stories we tell on dates should be.

    A woman at the precipice of adulthood often finds herself with more questions than answers, with more disenchantment than direction. How is she supposed to “lean in” to a successful career while also building deeply meaningful relationships? How can she care for the community around her while simultaneously developing a global mindset and changing the world? How can she be all that she is destined to be without feeling paralyzed by the pressure of so many prospects?In Twenty-Two, the author becomes the mentor she was looking for. Drawing from her own experience and from the wisdom of others, she offers advice and counsel in a series of personal letters to “Ashley,” a fictional college student looking for mentorship from someone one step ahead in life.Over the course of twenty-two letters, Trowbridge addresses a wide range of practical issues and ties them to larger concerns such as identity, loss, social impact as a lifestyle, wisdom in the ordinary moments, and the profound way God’s work is realized in how we live every day.

    From Dandy Don Meredith, Roger Staubach and America's Team to the dynasty of the mid-nineties that won three Super Bowls and the glitzy soap opera team of today, the Cowboys have been delighting their fans and infuriating their rivals since 1960.What sets the Cowboys apart from all other NFL franchises is that they have never been just about football. With their overbearing, ego-driven owner, players who can't stay out of the tabloids, a palatial new home field that sets the standard for modern stadiums, fans as enthusiastic as cheerleaders, and cheerleaders who are nearly as famous as the team itself, the Cowboys have become a staple of Americana. There is enough star power in the history of the team to drive an entire narrative, but THE DALLAS COWBOYS will be more than that.Cowboys' stories abound, involving everything from the team's founder to its coaches, from running backs to quarterbacks. Joe Nick Patoski will plumb all these anecdotes, going to the locker rooms as well as to the boardrooms and the backrooms, and writing a book that will be not just an account of the team, but a very rich portrait of a time, a place, and a culture.

    But it turns out there are challenges one can't imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theater history. Song of Spider-Man is playwright Glen Berger's story of a theatrical dream - or nightmare - come true. Renowned director Julie Taymor picked Berger to cowrite the book for a $25 million Spider-Man musical. Together - along with U2's Bono and Edge - they would shape a work that was technically daring and emotionally profound, with a story fueled by the hero's quest for love - and the villains' quest for revenge. Or at least, that's what they'd hoped for. But when charismatic producer Tony Adams died suddenly, the show began to lose its footing. Soon the budget was ballooning, financing was evaporating, and producers were jumping ship or getting demoted. And then came the injuries. And then came word-of- mouth about the show itself. What followed was a pageant of foul-ups, falling-outs, ever-more-harrowing mishaps, and a whole lot of malfunctioning spider legs. This "circus-rock-and-roll-drama," with its $65 million price tag, had become more of a spectacle than its creators ever wished for. During the show's unprecedented seven months of previews, the company's struggles to reach opening night inspired breathless tabloid coverage and garnered international notoriety. Through it all, Berger observed the chaos with his signature mix of big ambition and self-deprecating humor. Song of Spider-Man records the journey of this cast and crew as a hilarious memoir about friendship, collaboration, the foibles of hubris, and the power of art to remind us that we're alive.

    Yet, as Textual Poachers argues, fans already have a "life," a complex subculture which draws its resources from commercial culture while also reworking them to serve alternative interests. Rejecting stereotypes of fans as cultural dupes, social misfits, and mindless consumers, Jenkins represents media fans as active producers and skilled manipulators of program meanings, as nomadic poachers constructing their own culture from borrowed materials, as an alternative social community defined through its cultural preferences and consumption practices.Written from an insider's perspective and providing vivid examples from fan artifacts, Textual Poachers offers an ethnographic account of the media fan community, its interpretive strategies, its social institutions and cultural practices, and its troubled relationship to the mass media and consumer capitalism. Drawing on the work of Michel de Certau, Jenkins shows how fans of Star Trek, Blake's 7, The Professionals, Beauty and the Beast, Starsky and Hutch, Alien Nation, Twin Peaks, and other popular programs exploit these cultural materials as the basis for their stories, songs, videos, and social interatctions.Addressing both academics and fans, Jenkins builds a powerful case for the richness of fan culture as a popular response to the mass media and as a challenge to the producers' attempts to regulate textual meanings. Textual Poachers guides readers through difficult questions about popular consumption, genre, gender, sexuality, and interpretation, documenting practices and processes which test and challenge basic assumptions of contemporary media theory.

    From the trilogy's darker themes of violence and social control to fashion and weaponry, the collection's exploration of the Hunger Games reveals exactly how rich, and how perilous, protagonist Katniss' world really is.• How does the way the Games affect the brain explain Haymitch's drinking, Annie's distraction, and Wiress' speech problems?• What does the rebellion have in common with the War on Terror?• Why isn't the answer to "Peeta or Gale?" as interesting as the question itself?• What should Panem have learned from the fates of other hedonistic societies throughout history and what can we?The Girl Who Was On Fire covers all three books in the Hunger Games trilogy.