Cult diva and connoisseur of mongrel video Carol Schwartz and her stellar cast of notable critics and scribbling outpatients, deliver 1,300 irreverent reviews of masterpieces and misfits, many of them rewritten and expanded. More than 250 are new to this edition, like 'Cannibal Holocaust', 'Switchblade Sisters' and Ed Wood's 'I Woke Up Early The Day I Died'. Carol adds anime, underground and Hong Kong flicks to the weird, wild and wonderful mix. This much fun ought to be illegal. Cult fans will appreciate the increased number of cinematographers, writers and cast members in the entries; DVD availability; a Cult Connections resource guide to help further fanatic pursuits; and more, yes more movie taglines and quotes.

    When Ivan-Tsarevitch, youngest son of the Tsar, goes on a quest for the amazing bird, he finds himself flying over mountains and woods on a talking wolf, confronting a wicked Baba Yaga, and rescuing an enchanted princess from Koshchei the Immortal. But when he returns from his magical journey, he brings home the most precious treasure of all. Gennady Spirin brings this original version of the Firebird tale from his native Russia and has illustrated it in his trademark rich, luminous style. This retelling of a classic is sure to become the new standard.

    Since then, the popular image of anarchism has been one of violence and terror. But this picture is wildly misleading, and the media has done more to obscure anarchism than to explain it. Focusing on the street fighting and confrontations with police, mainstream commentators are unable to understand what anarchism is or why a philosophy with roots in the nineteenth century has resurfaced with such power at the dawn of the new millennium. To understand anarchism, it is necessary to go beyond the caricature presented by the media. In this new biography of Mikhail Bakunin, Mark Leier traces the life and ideas of anarchism's first major thinker, and in the process revealing the origins of the movement.             There was little in Bakunin's background to suggest that he would grow up to be anything other than a loyal subject of the Russian Empire. Instead, he became one the most notorious radicals of the nineteenth century, devoting his life to the destruction of the tsar and feudalism, capitalism, the state, even God. In the process, he became a historical actor and political thinker whose ideas continue to influence world events.            Bakunin is of keen interest these days, though the attention paid to his image continues to obscure the man and his ideas. Using archival sources and the most recent scholarship, Leier corrects many of the popular misconceptions about Bakunin and his ideas, offering a fresh interpretation of Bakunin's life and thoughts of use to those interested in understanding anarchism and social change. Arguing for the relevance and importance of anarchism to our present world, Leier sheds light on the nineteenth century, as well as on today's headlines, as he examines a political philosophy that has inspired mass movements and contemporary social critics.              Mark Leier shows that the "passion for destruction" is a call to build a new world free of oppression, not a cult of violence. He argues that anarchism is a philosophy of morality and solidarity, based not on wishful thinking or naïve beliefs about the goodness of humanity but on a practical, radical critique of wealth and power. By studying Bakunin, we can learn a great deal about our own time and begin to recover a world of possibility and promise. It is often said that we are all anarchists at heart. This book explains why.

    This is the final volume in his magisterial history of the Russian Revolution, covering the period from the outbreak of the Civil War in 1918 to Lenin's death in 1924.

    In Bakhtin's view, the spirit of laughter and irreverence prevailing at carnival time is the dominant quality of Rabelais's art. The work of both Rabelais and Bakhtin springs from an age of revolution, and each reflects a particularly open sense of the literary text. For both, carnival, with its emphasis on the earthly and the grotesque, signified the symbolic destruction of authority and official culture and the assertion of popular renewal. Bakhtin evokes carnival as a special, creative life form, with its own space and time.Written in the Soviet Union in the 1930s at the height of the Stalin era but published there for the first time only in 1965, Bakhtin's book is both a major contribution to the poetics of the novel and a subtle condemnation of the degeneration of the Russian revolution into Stalinist orthodoxy. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.

    Many theories have been advanced about the death of one of Russia's greatest artists, none of them wholly satisfactory. Serena Vitale has opened the archives and studies the case more closely, and more imaginatively, than anyone before her. Her brilliant detective work unearths fascinating, revealing details, including a button missing from Pushkin's Kamerjunker uniform. "Pushkin's Button will keep all constituencies of reader fastened to their seats, as they watch Petersburg's lofty denizens leave no moment of the hurtling Pushkin scandal unrecorded or not speculated on."—Monika Greenleaf,Los Angeles Times"[A] deliciously entertaining whydunit, a book in which every page seduces with a riddle. . . . Vivacious, seductive, original."—Michael Dirda, Washington Post"A delightful combination of retrograde pleasures (court balls, the demise of a doomed genius) and primary sources. . . . Illuminating."—Richard Lamb, New York Times Book Review"A book almost impossible to put down."—George Steiner, New Yorker

    One night the stepmother sends Vasilisa to visit Baba Yaga, an errand from which the gentle girl has little chance of returning alive. "An engaging text and accomplished paintings set this version apart....A stylized and classy offering."--School Library Journal.

    Her drawings have an on-the-spot immediacy that I envy. She is one of the brave ones' - Joe Sacco, author of PalestineWhat does it mean to live in Russia today? What is it like to grow up in a forgotten city, to be a migrant worker or to grow old and seek solace in the Orthodox church?For the past eight years, graphic artist and activist Victoria Lomasko has been travelling around Russia and talking to people as she draws their stories. She spent time in dying villages where schoolteachers outnumber students; she stayed with sex workers in the city of Nizhny Novgorod; she went to juvenile prisons and spoke to kids who have no contact with the outside world; and she attended every major political rally in Moscow.The result is an extraordinary portrait of Russia in the Putin years -- a country full of people who have been left behind, many of whom are determined to fight for their rights and for progress against impossible odds. Empathetic, honest, funny, and often devastating, Lomasko's portraits show us a side of Russia that is hardly ever seen.

    But Dasha is more worried about her own challenges as she negotiates family, friendships and school without her mother. Just as she begins to find her own feet, she gets word that she is to join her mother in America — a place that seems impossibly far from everything and everyone she loves.This gorgeous and subtly illustrated graphic novel signals the emergence of Dasha Tolstikova as a major new talent.

    Music for Silenced Voices looks at Shostakovich through the back door, as it were, of his fifteen quartets, the works which his widow characterized as a "diary, the story of his soul." The silences and the voices were of many kinds, including the political silencing of adventurous writers, artists, and musicians during the Stalin era; the lost voices of Shostakovich's operas (a form he abandoned just before turning to string quartets); and the death-silenced voices of his close friends, to whom he dedicated many of these chamber works.Wendy Lesser has constructed a fascinating narrative in which the fifteen quartets, considered one at a time in chronological order, lead the reader through the personal, political, and professional events that shaped Shostakovich's singular, emblematic twentieth-century life. Weaving together interviews with the composer's friends, family, and colleagues, as well as conversations with present-day musicians who have played the quartets, Lesser sheds new light on the man and the musician. One of the very few books about Shostakovich that is aimed at a general rather than an academic audience, Music for Silenced Voices is a pleasure to read; at the same time, it is rigorously faithful to the known facts in this notoriously complicated life. It will fill readers with the desire to hear the quartets, which are among the most compelling and emotionally powerful monuments of the past century's music.

    The Zero Train has the intensity of Dostoevsky and a love affair as touching as that of Doctor Zhivago." "The setting is Siding No 9, a remote Soviet railway settlement run by the secret police and serving the so-called Zero Train. The cargo of this sealed 100-wagon train is unknown to the employees of the siding as is the train's provenance; some suspect something sinister and become obsessed by the mystery. The attempted disentanglement of the mystery, which leads to madness and murder, is at the heart of the novel. The train itself forms the basis of a dense web of symbols examining the nature of life lived in the service of an ideal neither known or understood, thus allowing The Zero Train to be read as a study of the ordinary individual under Stalin." The novel begins with Don Domino, an old man, watching a now almost deserted settlement unable to comprehend in his gathering insanity that the track is no longer there and that the Zero Train has stopped passing through. The narrative continues as a series of flashbacks which draw the reader into his life and the mysteries of the Line.

    The novel has been hailed as one of the most striking early examples of postmodernism and has become a famous test case for theories about reading because of the apparent impossibility of deciding between several radically different interpretations. Does the book have two narrators, as it first appears, or one? How much is fantasy and how much is reality? Whose fantasy and whose reality are they? Brian Boyd, Nabokov's biographer and hitherto the foremost proponent of the idea that Pale Fire has one narrator, John Shade, now rejects this position and presents a new and startlingly different solution that will permanently shift the nature of critical debate on the novel. Boyd argues that the book does indeed have two narrators, Shade and Charles Kinbote, but reveals that Kinbote had some strange and highly surprising help in writing his sections. In light of this interpretation, Pale Fire now looks distinctly less postmodern--and more interesting than ever.In presenting his arguments, Boyd shows how Nabokov designed Pale Fire for readers to make surprising discoveries on a first reading and even more surprising discoveries on subsequent readings by following carefully prepared clues within the novel. Boyd leads the reader step-by-step through the book, gradually revealing the profound relationship between Nabokov's ethics, aesthetics, epistemology, and metaphysics. If Nabokov has generously planned the novel to be accessible on a first reading and yet to incorporate successive vistas of surprise, Boyd argues, it is because he thinks a deep generosity lies behind the inexhaustibility, complexity, and mystery of the world. Boyd also shows how Nabokov's interest in discovery springs in part from his work as a scientist and scholar, and draws comparisons between the processes of readerly and scientific discovery.This is a profound, provocative, and compelling reinterpretation of one of the greatest novels of the twentieth century.

    "If your need is great, open the doll and help will come. But you may only do so three times. After that the magic will be gone." A wicked spell has changed a handsome young prince to a pale glassy figure made of "living ice," and his kingdom to a frozen landscape of night without moon, darkness without dawn. Katya knows that it's up to her to rescue the prince and undo the evil spell that has banished the sun. Armed with only the magic nesting doll and her own valiant heart, she is determined to succeed. But will the combined effort of her courage and the mysterious nesting doll be strong enough to prevail? Laurel Long's radiant paintings and Jacqueline K. Ogburn's enchanting original tale were inspired by Russian folk art and stories. This talented duo has created a modern classic that honors its folklore heritage while depicting a world in which a girl can be anything, including a hero.

    In this study, historian Richard Stites offers a vivid portrayal of revolutionary life and the cultural factors--myth, ritual, cult, and symbol--that sustained it, and describes the principal forms of utopian thinking and experimental impulse. Analyzing the inevitable clash between the authoritarian elements in the Bolshevik's vision and the libertarian behavior and aspirations of large segments of the population, Stites interprets the pathos of utopian fantasy as the key to the emotional force of the Bolshevik revolution which gave way in the early 1930s to bureaucratic state centralism and a theology of Stalinism.

    Seeking to address the various challenges of off-camera lighting, professional photographers and advanced amateurs alike will find a range of confidence-building instruction, beginning with basic how’s and why’s of lighting for creative effect, the types of equipment available and instruction about their proper use, clear definitions of various technical concepts such as managing shutter speed and controlling flash exposure, using ambient light as well as natural sunlight during a shoot, and incorporating off-camera flash into a portrait session. Concluding this lesson plan is a look at five different real-life photo sessions, each employing a different flash technique. Here, photographers get a deeper understanding of each concept put into practice, marrying the elements of lighting with the natural elements presented by the shoot.