His gilded life lies in ruins. Seeking the Oracle he is given a new mission: pay penance by becoming the slave of his sworn enemy.Twelve impossible labours await him. To restore his reputation, he must face monsters and mythical beasts that will test him to his limits and beyond. For he has become a a pawn of Gods: of Zeus's pride and, above all, Hera's jealousy...Can he fight back? Or even survive?The astonishing new series from bestseller Glyn Iliffe takes us on an unforgettable journey of monsters, myth and man.

    With her signature fearlessness, honesty, and humor, Jeanne chronicles her long tenure in Hollywood and describes her life before, during, and away from the CBS soundstage."Not Young, Still Restless" follows Jeanne as she makes her way from small-town Taft, California, to the heart of the Los Angeles movie industry, where the list of her feature-film costars reads like a "Who's Who" of Hollywood's Golden Age--Maureen O'Hara, Raymond Burr, David Janssen, Robert Taylor, Tony Curtis, Shelley Winters, Glenn Ford, and Lee J. Cobb, to name just a few. Jeanne writes vividly of her first foray into the new phenomenon of television and how she found her home at "The Young and the Restless."Jeanne's story charts the ups and downs of a long and rich life, including the breakup of a marriage that produced the three great loves of her life--her daughter, Caren, and her sons Collin and the actor Corbin Bernsen--before it ended, leaving her a single working mother. She also speaks honestly and openly about her battles to overcome alcoholism, defeat breast cancer, and age gracefully in Hollywood, a process that made her the first reality-television star when her character's (and her own) face-lift was filmed live on "The Young and the Restless."In "Not Young, Still Restless," the Emmy Award-winning actress inspires readers with her ability not only to survive but thrive as an octogenarian in today's Hollywood.

    But why speculate about the possibilities when you can get the real scientific scoop from someone who’s been happily living and working there for years? Straight from the not-so-distant future, this intrepid pioneer’s tips for physical, financial, and social survival on the Red Planet cover:• How to get to Mars (Cycling spacecraft offer cheap rides, but the smell is not for everyone.)• Choosing a spacesuit (The old-fashioned but reliable pneumatic Neil Armstrong style versus the sleek new—but anatomically unforgiving—elastic “skinsuit.”)• Selecting a habitat (Just like on Earth: location, location, location.)• Finding a job that pays well and doesn’t kill you (This is not a metaphor on Mars.)• How to meet the opposite sex (Master more than forty Mars-centric pickup lines.)With more than twenty original illustrations by Michael Carroll, Robert Murray, and other renowned space artists, How to Live on Mars seamlessly blends humor and real science, and is a practical and exhilarating guide to life on our first extraterrestrial home.

    And it turns out that resting in peace isn't really a thing.

    

    . . And Awful Diseases covers the events, personages and ideas most commonly known as "medieval". This includes Geoffrey Chaucer, the Peasants revolt, the Scottish wars of independence, the Great Famine of 1315, the Black Death and the 100 Years War. Central to this time is King Edward III, who started the 100 Years War and defined the concept of chivalry, including England's order of the garter. His legacy continues to shape our view of England’s history and is crucial in understanding the development of Europe.

    At fourteen she is sold, separated from her mother without a chance to say goodbye. Bright, imaginative and well aware of everything she risks, Moinette at once begins to prepare for an opportunity to escape. Inspired by a true story, A Million Nightingales portrays Moinette’s experience–and the treacherous world she must navigate–with uncommon richness, intricacy, and drama.

    After a few interim owners, he was sold to a wealthy slaveowner who had a home near Memphis and plantation nearby in Mississippi. Hughes lived there as a house servant until near the end of the Civil War, when he escaped to the Union lines and then, in a daring adventure with the paid help of two Union soldiers, returned to the plantation for his wife. The couple made their way to Canada and after the war to Chicago and Detroit, eventually settling in Milwaukee. There Hughes became relatively comfortable as a hotel attendant and as an entrepreneur laundry operator. Self-educated and eloquent, Hughes wrote and privately published this memoir in 1897. It is a compelling account, by turns searing and compassionate about slavery, slaves, and slaveowners. No reader can be unmoved as Hughes tells about his five attempts to escape, about having to stand by helplessly while watching his wife whipped, of the joy of finally meeting again the brother whom he had not seen since they were little children in Virginia. Yet he also writes knowingly about the economics of slavery and the day-to-day business of the plantation, and the glass-house relationships between slaves and masters. Hughes died in Milwaukee in 1913.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    She goes shopping for a cheap, practical freighter, but she ends up buying a rare, beautiful, but crippled luxury ship. Getting it into space will take more than her technical skills. She'll have to go way outside her comfort zone to brave the dangers of safaris, formal dinners, a rude professor, and worst of all, a fashion designer. She may even have to make some friends... and enemies. "The Sculpted Ship" is set on the outskirts of an interstellar empire where FTL travel is commonplace but intelligent robots are rare and expensive. Though the Iris Empire has stood for a thousand years, a talented individual can find plenty of opportunity. But the nobility of this empire guards its privileges jealously.

    Witch Central goes to Costa Rica for summer vacation.

    Now, the land suffers under the tyranny of King Imre, whose savage oppression of the human population weighs heavily on Camber’s heart—a heart that is about to be shattered by a tragic loss that will lead him to confront the usurpers whose dark magic haunts the realm.  Saint Camber: The yoke of tyranny has finally been lifted in Gwynedd, but Camber’s job remains unfinished. The dangerous remnants of a conquered enemy still mass at the borders, and the new ruler is desperately unhappy wearing the crown. With the stability of a fragile kingdom at stake, its greatest champion must make the ultimate sacrifice: Camber of Culdi must cease to exist.  Camber the Heretic: The king’s heir is a mere boy of twelve, and the malevolent regents who will rule until young Alroy comes of age are determined to eliminate all Deryni. Suddenly, the future of Gwynedd hangs in the balance, and Camber—once adored as a saint, but now reviled as a heretic—must find a way to protect his people before everything and everyone he loves is destroyed in the all-consuming flames of intolerance and hate.   Filled with mysticism and magic, these sagas reminds us that “Kurtz’s love of history lets her do things with her characters and their world that no non-historian could hope to do” (Chicago Sun-Times).

    But when she’s offered a year’s wages to temporarily pose as a wealthy man’s bride, she suspects ulterior motives. She can’t lose the chance to open her own shop, but she won’t be any man’s lover, not even handsome, infuriating Alisdair Seymour’s…To prevent his visiting sister from parading potential brides in front of him, Alisdair has decided to present a fake wife. He lost his heart once, and had it broken—he doesn’t intend to do it again. But stubborn, spirited Starling is more alluring than he bargained for, and Alisdair will risk everything he has to prove his love is true…Set against the sweeping backdrop of 1866 South Australia, Starling is a novel of cherished dreams and powerful desires, and the young woman bold enough to claim them both…74,855 Words

    In this town, the coves are bottomless and the pier has no end in sight. There's a high tide and a low tide... and a vanishing tide. Dogs are a myth, but mermaids are totally real. And seaweed is the main ingredient in every meal-watch out, it might just start chewing you back!New kid Davy definitely thinks Topsea is strange. His mom keeps saying they'll get used to life in their new town-it's just the way things are on the coast! But after his first day at Topsea School, Davy finds himself wondering: Why is his locker all the way at the bottom of the school swimming pool? Why can't anyone remember his name? (It's Davy!) And why does everyone act like all of this is normal?!Through newspaper articles, stories, surveys, notifications, and more, follow Davy and the rest of Ms. Grimalkin's fifth grade class through the weird world of Topsea. (Whatever you do, don't make eye contact with the rubber ducks.)

    memory. In recent years, the culture wars over the way that slavery is remembered and taught have reached a new crescendo. From the argument about the display of the Confederate flag over the state house in Columbia, South Carolina, to the dispute over Thomas Jefferson's relationship with his slave Sally Hemings and the ongoing debates about reparations, the questions grow ever more urgent and more difficult.Edited by noted historians James Oliver Horton and Lois E. Horton, this collection explores current controversies and offers a bracing analysis of how people remember their past and how the lessons they draw influence American politics and culture today. Bringing together some of the nation's most respected historians, including Ira Berlin, David W. Blight, and Gary B. Nash, this is a major contribution to the unsettling but crucial debate about the significance of slavery and its meaning for racial reconciliation.Contributors: Ira Berlin, University of MarylandDavid W. Blight, Yale UniversityJames Oliver Horton, George Washington UniversityLois E. Horton, George Mason UniversityBruce Levine, University of IllinoisEdward T. Linenthal, University of Wisconsin-OshkoshJoanne Melish, University of KentuckyGary B. Nash, University of California, Los AngelesDwight T. Pitcaithley, New Mexico State UniversityMarie Tyler-McGraw, Washington, D.C.John Michael Vlach, George Washington University

    (Heinlein’s novel The Puppet Masters had been serialized in the September through November 1951 issues of Galaxy but Gold had merely acquired serial rights to a contract novel which had been written for Scribner’s.) Heinlein never again appeared in Gold’s Galaxy. This novelette, set in a near-future only subtly different from the McCarthyite and politically menacing present deals with social deterioration, cultural breakdown in a careful, documentary style which becomes terrifying. His romantically-linked leads are emotionally affecting but never sentimentalized, the background of chaos in which they enact their tragic, drowning love, is sparingly but furiously painted. Heinlein’s 1952 is clearly the apotheosis of those “Crazy Years” which he had noted in his famous chronological Future History, published a decade earlier in Astounding Science Fiction as a precis of his intended career. Perhaps no story of this period limns its political and cultural dysfunction as accurately as this novelette. Overshadowed by Heinlein’s juveniles and his famous later novels, The Year of the Jackpot may be the purest version of his portfolio and his most memorable work of less than novel length. It is one of his most exemplary stories and perhaps his best.