Marada has captured the imagination since her first appearance in Epic Illustrated in 1982.Descended of Caesar, and preceeded by her legendary reputation as a warrior, Marada's adventures carry her across the Roman Empire.Written by X-Men co-creator Chris Claremont and stunningly illustrated by John Bolton, Marada the She-Wolf is collected in its totality for the first time, in full-color and accompanied by never-before-seen material.

    But behind the stern demeanor was a society coming apart at the seams. Clashes in class systems and the need for a nation to come together threaten to break up the old ways of warring samurai — these are tales of such struggles. This is the story of Japan’s history and the beginning of the end of the samurai era.

    (Among other things, three major cast members—Schroeder, Lucy, and Linus—initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!) Thus The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day, week by week, month by month.This volume is rounded out with Garrison Keillor's introduction, a biographical essay by David Michaelis (Schulz and Peanuts) and an in-depth interview with Schulz conducted in 1987 by Gary Groth and Rick Marschall, all wrapped in a gorgeous design by award-winning cartoonist Seth.

    government plans in secret to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts. To keep this from the public, the government creates a distraction, installing a new currency system using digital charge cards. Enter: Graham Brick. A career criminal never quite able to hit the big score, Graham intends to steal one of the charging stations, skip the country, and live off unlimited funds for the rest of his life. But the media has leaked news of the anti-crime signal one week before it was to go live, and now Graham and his team have just a few days to turn the crime of the century into the last crime in American history.

    This volume also includes stories from Gotham Knights #23 and #33, and Solo #1 and #5. Older teens.

    After dislocating his arm, a young boy is taken to see a doctor - an aged osteopath who was once the doctor of legendary gangster Al Capone.

    A stunning new original graphic novel from the legendary creative team of writer Roy Thomas, artist Esteban Moroto and the incredible talent of Santi Casas - presented here as an oversized hardcover and featuring a spectacular use of black, white and RED!Never before seen in English, this Hardcover OGN is an all-new tale, lost from, the Nemedian Chronicles - until now!The very origins of Sonja are cleverly teased as the masterful Roy Thomas weaves a tale of intrigue, deception and the search for eternal youth.

    by aiming down the sights of an ancient Enfield rifle! From Jody Houser & Jacob Edgar comes Moneypenny: On a ‘routine’ protection mission, Moneypenny discovers a complicated assassination plot that bears a startling resemblance to a terrorist attack from her childhood. Ibrahim Moustafa’s Solstice: 007 travels to Paris, in pursuit of a Russian, but is Bond the hunter, or the hunted? And Declan Shalvey & PJ Holden bring us M: A traumatic event from M’s early days comes back to haunt him, forcing M to return to the scene of a crime… HIS crime.

    Completing this collection are over 40 pages of never-before-seen developmental material such as character and layout sketches, sample script pages, sketches and more that provide a glimpse into the making of this contemporary classic.This volume collects Batman #404–407.

    After nearly two decades away, Miracleman uncovers his origins and their connection to the British military's "Project Zarathustra" - while his alter ego, Michael Moran, must reconcile his life as the lesser half of a god.

    The Scarlet Witch. Beginning a journey that will pit him against hero and foe alike, will his journey become his salvation or end?

    Scott Fitzgerald, Ernest Hemingway, Ezra Pound, and James Joyce walk into a Parisian bar... no, it's not the beginning of a joke, but the premise of Jason's unique new graphic novel.Set in 1920s Paris, The Left Bank Gang is a deliciously inventive re-imagining of these four literary figures as not only typical Jason anthropomorphics, but... graphic novelists! Yes, in Jason's warped world, cartooning is the dominant form of fiction, and not only do these four literary giants work in the comics medium but they get together to discuss pen vs. brush, chat about the latest graphic novels from Dostoevsky ("I can't tell any of his characters apart!") to Faulkner ("Hasn't he heard of white space? His panels are too crowded!"), and bemoan their erratic careers.Add in a hilarious sequence where Hemingway is lectured by an overbearing Gertrude Stein ("What kind of pencil are you using? You should be using a blue pencil, that way you don't have to erase, all right? Avoid captions. Don't ever write 'A little later.' You don't need that. The reader will figure it out."), guest appearances by Zelda Fitzgerald and Jean-Paul Sartre, and a few remarkable twists and turns along the way, and you've got one of the funniest and most playful graphic novels of the year.Like Jason's acclaimed Why Are You Doing This?, The Left Bank Gang is rendered in full spectacular color. This is Jason's eighth graphic novel in six years for Fantagraphics, and his audience continues to grow with every acclaimed release.2007 Eisner Award winner, Best U.S. Edition of International Material; 2007 Eisner Award nominee: Best Coloring (Hubert).

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    Adman Timothy Hole is about to get a crack at the the big one: selling the diet drink sensation Flite to the U.S.S.R. Except someone wants him dead. Little murders, tiny betrayals, the small homicides with which we ease the passage of our lives - these are the stuff of 'A Small Killing'.

    A handful of Families rule, jealously guarding what they have and exploiting the Waste who struggle to survive in their domains. Forever Carlyle defends her family's holdings through deception and force as their protector, their Lazarus. The 16 Families have gathered together in the exclusive luxury confines of Triton One to resolve the emerging conflict between Carlyle and Hock, and they've brought their Lazari with them. While Forever's romance with the Morray Lazarus, Joacquim, continues to blossom, she finds herself not only questioning her identity, but also her loyalty to her Family and her father, Malcolm, when orders her to kill her brother, Jonah. Collecting issues #10-15 of the critically acclaimed, New York Times bestselling series and the third story arc, "Conclave."