The pictures have "the hazy softness of air in snow." A little boy rushes out into the wintry day to build a snowman, which comes alive in his dreams that night. The boy invites him home and in return is taken on a flight high above the countryside.

    Illuminated by Star’s rays, Fox forages for food, runs with the rabbits, and dances in the rain—until Star suddenly goes out and life changes, leaving Fox huddling for warmth in the unfamiliar dark. To find his missing Star, Fox must embark on a wondrous journey beyond the world he knows—a journey lit by courage, newfound friends, and just maybe, a star-filled new sky. Inspired by the Arts and Crafts movement and the art of William Blake, The Fox and the Star is a heartwarming, hopeful tale which comes alive through Bickford-Smith’s beloved illustrations, guiding readers both young and grown to “look up beyond your ears.”

    He is going to play a sneaky trick on his friend, Square. Or so Triangle thinks. . . . With this first tale in a new trilogy, partners in crime Mac Barnett and Jon Klassen will have readers wondering just who they can trust in a richly imagined world of shapes. Visually stunning and full of wry humor, here is a perfectly paced treat that could come only from the minds of two of today's most irreverent—and talented—picture book creators.

    But Leo's mother isn't. She knows her son will do all those things, and more, when he's ready.With its message of patience and humor, Leo the Late Bloomer is more timely than ever. As Children's Books and Their Creators commented: "Leo's reassuring 'I made it!' at the end delights young listeners who may have been scrutinized for early blooming by well-intentioned moms and dads. Deserves space on any parenting shelf."

    Meg is a cute well-meaning witch who lives with Mog and her owl. In Meg and Mog, we are introduced to a witch wardrobe and a witch's breakfast. Later Meg flies off to meet her witch friends for some spell-making at a Halloween Party. Unfortunately the spell does not go exactly to plan... The illustration is simple and with very bold, deep colours. Designed specifically to appeal to very young children, Meg and Mog has short simple sentences on each page, allowing the illustration to play an important part in the storytelling. If you enjoy the first Meg and Mog, enjoy more adventures in Meg on the Moon and Mog at the Zoo. (Ages 1 to 3 years.) --Victoria MacKenzie

    As the pages turn, her imagination takes flight and she discovers that the greatest storyteller of all might come from within. A celebration of reading and the power of the imagination, Pamela Zagarenski's debut as an author reminds us that we each bring something different to the same book.

    "Warmly satisfying....Hughes has a way of zeroing in on the foibles of childhood with remarkable accuracy; this doesn't miss its mark."--Booklist.

    One day the unthinkable happens: Evan’s dog dies. Heartbroken, Evan destroys the garden and everything in it. The ground becomes overgrown with prickles and thorns, and Evan embraces the chaos.But beauty grows in the darkest of places, and when a twisting vine turns into an immense pumpkin, Evan is drawn out of his misery and back to the county fair, where friendships—old and new—await.

    Their favorite activities are eating, sleeping, and digging holes. Here, in the words of one unusually articulate wombat, is the tongue-in-cheek account of a busy week; eating, sleeping, digging holes . . . and training its new neighbors, a family of humans, to produce treats on demand. This entertaining book, with its brief, humorous text and hilarious illustrations, will endear the wombat to young children, who may recognize in the determined furry creature some qualities that they share.

    After a pelican mother is shot, Storm Boy rescues the three chicks, and nurses them back to health. He names them Mr Proud, Mr Ponder and Mr Percival. After he releases them, his favourite, Mr Percival, returns. The story then concentrates on the conflict between his lifestyle and the externally imposed requirement for him to attend a school, and the fate of the pelican.

    He’s learned that each civilization needs a staple food crop, so he decides to sow a garden and start his own - civilization, that is. He turns over a plot of earth, and plants begin to grow. They soon tower above him and bear a curious-looking fruit. As Wesley experiments, he finds that the plant will provide food, clothing, shelter, and even recreation. It isn’t long before his neighbors and classmates develop more than an idle curiosity about Wesley - and exactly how he is spending his summer vacation.

    She is unashamedly, irrefutably, irrepressibly wild. That is, until she is snared by some very strange animals that look oddly like her, but they don't talk right, eat right, or play correctly. She's puzzled by their behavior and their insistence on living in these strange concrete structures: there's no green here, no animals, no trees, no rivers. Now she lives in the comfort of civilization. But will civilization get comfortable with her?In her debut picture book, Hughes brings an uncanny humor to her painterly illustrations. Her work is awash with color, atmosphere, and a stunning visual splendor that will enchant children while indulging their wilder tendencies. Wild is a twenty-first-century answer to Maurice Sendak's children's classic—it has the same inventiveness, groundbreaking art, and unmissable quirkiness.Emily Hughes is a talented young illustrator. Her book Nana Shaped Like a Banana won second prize in the 2012 Macmillan Children's Book Awards.

    We’re going on a bear hunt. We’re going to catch a big one.. Will you come too? For more than twenty-five years readers have been swishy swashing and splash sploshing through this award-winning favorite. Join in the fun!

    "La la la . . . la." A little girl stands alone and sings, but hears no response. Gathering her courage and her curiosity, she skips farther out into the world, singing away to the trees and the pond and the reeds -- but no song comes back to her. Day passes into night, and the girl dares to venture into the darkness toward the light of the moon, becoming more insistent in her singing, climbing as high as she can, but still there is silence in return. Dejected, she falls asleep on the ground, only to be awakened by an amazing sound. . . . She has been heard. At last.

    But the little wolves' increasingly sturdy dwellings are no match for the persistent porker, who has more up his sleeve than huffing and puffing. It takes a chance encounter with a flamingo pushing a wheelbarrow full of flowers to provide a surprising and satisfying solution to the little wolves' housing crisis. Eugene Trivizas's hilarious text and Helen Oxenbury's enchanting watercolors have made this delightfully skewed version of the traditional tale a contemporary classic.