It also restored in vivid detail the pulse and feel of a decade: the 1980s.Indeed, the show's creators--the Duffer Brothers--describe the series as "a love letter to the '80s." From its synth soundtrack, to its retro fonts, to its nostalgic nods to Spielberg and Stephen King, Stranger Things is populated with references, homages, and artifacts from the Reagan era. This book dives deep into that world, revealing everything you wanted to know about the series and its influences, including:The parallels to the show's biggest touchstone: the 1982 classic, E.T.: The Extra TerrestrialThe significance of The Clash's hit song, "Should I Stay Or Should I Go" The context behind Dungeons & Dragons--which incited a national panic in the '80s--and an explanation of how the game works in the show The connections to a host of '80s books and movies, including Stand By Me, IT, The Thing, Aliens, and The GooniesOther stops on this "curiosity voyage" include: explorations of arcades, Ataris, BMX bikes, MTV, Radio Shack, Carl Sagan, Ronald Reagan, Eggos, Steve's hair, and mom jeans. Packed with detail and insight, Stranger Things and the '80s is the ultimate companion to the hit show and the era that inspired it.

    Filled with anecdotes and insights covering all aspects of what television viewers see each week, as well as little-known stories of "Borg Tribbles," "Cardassian Bowling Alleys," and the "Funniest Joke in the Universe," this unprecedented behind-the-scenes chronicle is based on a year of research and exclusive observation of every stage of Star Trek: Deep Space Nine. From the earliest concepts for the show to the rigors of full-scale production, The Making of Star Trek: Deep Space Nine examines the other side of the camera, and provides a detailed look at every stage of television production -- from story breaking, to writing, casting, production design, to the show's magnificent model work and state-of-the-art computerized special effects, and final editing.

    The agency maverick and the female agent assigned to keep him in line.Their job: investigate the eeriest unsolved mysteries in modern America, from pyro-psychics to death row demonics, from rampaging Sasquatches to alien invasions. The cases the Bureau wants handled quietly, but quickly, before the public finds out what's really out there. And panics. The cases filed under "X."Something out there is killing people, remaining invisible and unseen by human eyes until it strikes with deadly force...

    How? Crafting. From the moment she picked up a cross stitch needle to escape the bullying chorus girls in her early performing days, she was hooked. Cross stitching led to crocheting, crocheting led to collages, which led to drawing, and so much more. Channeling her emotions into her creations centered Sutton as she navigated the significant moments in her life and gave her tangible reminders of her experiences. Now, in this charming and poignant collection, Sutton shares those moments, including her fraught relationship with her agoraphobic mother;  a painful divorce splashed on the pages of the tabloids; her struggles with fertility; the thrills she found on the stage during hit plays like Thoroughly Modern Millie, Anything Goes, and Violet; her breakout TV role in Younger; and the joy of adopting her daughter, Emily. Accompanying the stories, Sutton has included crochet patterns, recipes, and so much more! Witty and poignant, Hooked will leave readers entertained as well as inspire them to pick up their own cross stitch needles and paintbrushes.

    Boldly going where several other people have been before, Marcus Berkmann tells the story of this sturdy science fiction vehicle from its first five-year mission (rudely curtailed to three), through the dark years of the 1970s, the triumphant film series and The Next Generation, to the current 'reboot' films, with a younger cast taking on the characters of Kirk, Spock, McCoy and co.With wit, insight and a huge pile of DVDs, he seeks to answer all the important questions. Why did Kirk's shirt always get torn when he had a fist fight? What's the most number of times Uhura said 'Hailing frequencies open, sir' in a single episode? (Seven.) And what's the worst imaginable insult in Klingon? (Your mother has a smooth forehead.)

    Whedon fans will enjoy a discussion of issues that are both funny and profound, from the significance of Angel's mommy issues and the best way to conduct government experiments on vampires to what could drive a man to become a cannibalistic Reaver and the psychological impact of being one girl in all the world chosen to fight the forces of darkness.

    Alternating between personal anecdote, hilarious insight, and smart analysis, Luke Skywalker Can’t Read contends that Barbarella is good for you, that monster movies are just romantic comedies with commitment issues, that Dracula and Sherlock Holmes are total hipsters, and, most shockingly, shows how virtually everyone in the Star Wars universe is functionally illiterate. Romp through time and space, from the circus sideshows of 100 years ago to the Comic Cons of today, from darkest corners of the Galaxy to the comfort of your couch. For anyone who pretended their flashlight was a lightsaber, stood in line for a movie at midnight, or dreamed they were abducted by aliens, Luke Skywalker Can't Read is full of answers to questions you haven't thought to ask, and perfect for readers of Chuck Klosterman, Rob Sheffield, and Ernest Cline.

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.

    And when Earth’s new acquaintances become new neighbors, humanity might not be done with the moon yet — and it might not be done with Earth. Fortunately for humankind, it has Conn Garrow.They said Conn wasn’t qualified for astronaut training. To prove herself, all she’ll have to do is outwit alien races, escape from prison, run a huge business, survive assassination attempts, engineer impossible rescues — and walk on the moon. Never tell Conn there’s something she can't do.

    For thirteen months the town of Point Pleasant is gripped by a real-life nightmare that culminates in a tragedy that makes headlines around the world. Strange occurrences and sightings, including a bizarre winged apparition that becomes known as the Mothman, trouble this ordinary American community. Mysterious lights are seen moving across the sky. Domestic animals are found slaughtered and mutilated. And journalist John Keel, arriving to investigate the freakish events, soon finds himself an integral part of an eerie and unfathomable mystery...

    Reiss explains how the episodes are created, and provides an inside look at the show’s writers, animators, actors and celebrity guests. He answers a range of questions from Simpsons fans and die-hards, and reminisces about the making of perennially favorite episodes.In his freewheeling, irreverent comic style, Reiss reflects on his lifetime inside The Simpsons—a personal highlights reel of his achievements, observations, and favorite stories. Springfield Confidential exposes why Matt Groening decided to make all of the characters yellow; dishes on what it’s like to be crammed in a room full of funny writers sixty hours a week; and tells what Reiss learned after traveling to seventy-one countries where The Simpsons is watched (ironic note: there’s no electricity in many of these places); and even reveals where Springfield is located! He features unique interviews with Judd Apatow, who also provided the foreword, and Conan O'Brien, as well as with Simpsons legends Al Jean, Nancy Cartwright, Dan Castellaneta, and more.Like Cary Elwes’ As You Wish, Jennifer Keishin Armstrong’s Seinfeldia, and Chris Smith’s The Daily Show: An Oral History, Springfield Confidential is a funny, informational, and exclusive look at one of the most beloved programs in all of television land.

    Or April, the Neo-Nazi bringing up her twin daughters Lamb and Lynx (who have just formed a white-power folk group for kids called Prussian Blue), and her youngest daughter, Dresden. For a decade now, Louis Theroux has been making programs about offbeat characters on the fringes of U.S. society. Now he revisits the people who have most intrigued him to try to discover what motivates them, and why they believe the things they believe. From his Las Vegas base (where else?), Theroux calls on these assorted dreamers, schemers, and outlaws--and in the process finds out a little about the workings of his own mind. What does it mean, after all, to be weird, or "to be yourself"? Do we choose our beliefs or do our beliefs choose us? And is there something particularly weird about Americans? America, prepare yourself for a hilarious look in the mirror that has already taken the rest of the English-speaking world by storm: "Paul Theroux's son writes with just as clear an eye for character and place as his father.... And he's funny.... Theroux's final analysis of American weirdness is true and new." -- Literary Review (England)

    It was featured in the episode "The Angels Take Manhattan", with The Doctor reading it.The story of "The Angels Take Manhattan" is formed in The Angel's Kiss: A Melody Malone Story.Synopsis:On some days, New York is one of the most beautiful places on Earth.This was one of the other days…Melody Malone, owner and sole employee of the Angel Detective Agency, has an unexpected caller. It’s movie star Rock Railton, and he thinks someone is out to kill him. When he mentions the ‘kiss of the Angel’, she takes the case. Angels are Melody’s business…At the press party for Railton’s latest movie, studio owner Max Kliener invites Melody to the film set of their next blockbuster. He’s obviously spotted her potential, and Melody is flattered when Kliener asks her to become a star. But the cost of fame, she’ll soon discover, is greater than anyone could possibly imagine.Will Melody be able to escape Kliener’s dastardly plan – before the Angels take Manhattan?

    But the company that's been contracted to construct a new Mars base, has made promises they can't fulfill and is desperate enough to cut corners. The first thing to go is the automation . . . the next thing they'll have to deal with is the eight astronauts they'll send to Mars, when there aren't supposed to be any at all.Frank - father, architect, murderer - is recruited for the mission to Mars with the promise of a better life, along with seven of his most notorious fellow inmates. But as his crew sets to work on the red wasteland of Mars, the accidents mount up, and Frank begins to suspect they might not be accidents at all. As the list of suspect grows shorter, it's up to Frank to uncover the terrible truth before it's too late.Dr. S. J. Morden trained as a rocket scientist before becoming the author of razor-sharp, award-winning science fiction. Perfect for fans of Andy Weir's The Martian and Richard Morgan, One Way takes off like a rocket, pulling us along on a terrifying, epic ride with only one way out.

    Aside from the scavengers steadily stripping the empty city to its bones, only a few thousand people remain, content to live quietly among the crumbling metropolis. Many, like the narrator, are there to try to escape the demons of their past. He spends his time observing and recording the decay around him, attempting to bury memories of what he has lost. But it eventually becomes clear that things are unraveling elsewhere as well, as strangers, violent and desperate alike, begin to appear in the North End, spreading word of social and political deterioration in the South End and beyond. Faced with a growing disruption to his isolated life, the narrator discovers within himself a surprising need to resist losing the home he has created in this empty place. He and the rest of the citizens of the North End must choose whether to face outsiders as invaders or welcome them as neighbors. The City Where We Once Lived is a haunting novel of the near future that combines a prescient look at how climate change and industrial flight will shape our world with a deeply personal story of one man running from his past. With glowing prose, Eric Barnes brings into sharp focus questions of how we come to call a place home and what is our capacity for violence when that home becomes threatened.