Mystery, the marvellous, a city transmuted by love, Sanglot's pursuit of the siren Louise Lame, such are the essential ingredients of this the last masterpiece of early Surrealism to remain untranslated into English. It was originally published in 1924 to immediate and lasting acclaim - except from the public authorities who immediately censored whole sections (here restored). Impossible to describe a novel of such virtuosity and bravura, and one which consistently refuses to behave as one expects, characters appear and vanish according to whim or desire, they walk underwater, nonchalantly accept astounding coincidences. It's a hymn to the erotic, an adventure story darkly illumined by the shades of Sade, Lautreamont and Jack the Ripper, a dream both violent and tender, an obsession, in fact the perfect embodiment of the Surrealist spirit: at once joyful, despairing, and effortlessly scandalous.

    In his portrait of Crab, Éric Chevillard gives us a character who is genuinely strange and curiously like ourselves. A postmodernist novel par excellence, The Crab Nebula parodies literary conventions, deconstructs narrative and meaning, and brilliantly combines absurdity and hopelessness with irony and humor. What distinguishes it most of all is the startling originality of Chevillard’s voice and vision. There is whimsy and despair in this novel, pathos and laughter, satire and warm affection. The Crab Nebula is the fifth novel—and the first to be translated into English—by the brilliant young French author Éric Chevillard. His sympathetic yet outrageous portrait of Crab calls to mind works by Melville, Valéry, and Kafka, while never being less than utterly unique.

    This rich collection, filled with interviews, essays, and color reproductions of testosterone-heavy thirty-five-cent magazines with names like Man's Exploits, Rage, and Escape to Adventure (to name a few), illustrates the culture created to help veterans confront the confusion of jobs, girls, and the Cold War on their return from World War II and the Korean War.Contributions from the original men's magazine talent like Bruce Jay Friedman, Mario Puzo, and Mort Künstler bring the reader inside the offices, showing us how the writers, illustrators, editors, and publishers put together decades of what were then called "armpit slicks." Reproductions of original paintings from Norman Saunders, Künstler, and Norm Eastman are featured within, and Bill Devine's annotated checklist of the many thousands of adventure magazines is essential for collectors of the genre.The expanded paperback edition includes wartime illustrations and advertisements from mass-produced magazines that preview the xenophobia and racist ideas later seen throughout men's adventure magazines of the '50s and '60s.

    It tells the story of one man drifting through America, east coast to west, main stem to side street, endlessly searching for "three hots and a flop"--food and a place to sleep. Kromer scans, in first-person voice, the scattered events, the stultifying sameness, of "life on the vag"--the encounters with cops, the window panes that separate hunger and a "feed," the bartering with prostitutes and homosexuals.In "Michael Kohler," Kromer's unfinished novel, the harsh existence of coal miners in Pennsylvania is told in a committed, political voice that reveals Kromer's developing affinity with leftist writers including Lincoln Steffens and Theodore Dreiser. An exploration of Kromer's proletarian roots, "Michael Kohler" was to be a political novel, a story of labor unions and the injustices of big management. Kromer's other work ranges from his college days, when he wrote a sarcastic expose of the bums in his hometown titled "Pity the Poor Panhandler: $2 an Hour Is All He Gets," to the sensitive pieces of his later life--short stories, articles, and book reviews written more out of an aching understanding of suffering than from the slick formulas of politics.Waiting for Nothing remains, however, Kromer's most powerful achievement, a work Steffens called "realism to the nth degree." Collected here as the major part of Kromer's oeuvre, Waiting for Nothing traces the author's personal struggle to preserve human virtues and emotions in the face of a brutal and dehumanizing society.

    Coot cat Reverend Ivan Stang, high holy of the Church of the SubGenius, has compiled a bestiary of American creeps and crazies so that you can write to them and receive mail that is weird, horrible, wonderfully absurd, or a combination of all three. Each entry has a paragraph or two and the last known mailing address of some fringe loonies. The book is only current through 1988, though; the only thing wrong with it is that it's high time for an update--with URLs, of course. Let's see ... there are catalogs of perpetual motion machines; brochures from South American flying saucer cults; something called "The Battle Cry of Aggressive Christianity" (Christian, not likely--aggressive, you bet); and bizarre roundups such as "News of the Weird," the Church of Beaver Cleaver, and so on. What makes this book so funny is the author's willingness to list (and ridicule) any group, no matter how repulsive. This means, too, that High Weirdness contains a group to offend everyone; consider yourself warned. In fact, if you aren't offended by some of these groups, you must be pretty offensive yourself. So there.

    The true author, according to Oliver, was Phylos the Thibetan, a spirit and one-time inhabitant of the lost continent of Atlantis. Oliver claimed not to have written any of the text, asserting here that he was merely transmitting that which Phylos revealed to him. In fact, professed Oliver, the manuscript was dictated to him out of sequence (much of it backward) so that he could not interfere with the outcome. In this classic of new age and spiritual literature, Phylos describes in rich detail the culture, politics, architecture, and science of Atlantis, as well as its demise. He addresses karma and reincarnation, and predicts technological innovations in the 20th century that match and even exceed those of Atlantis. Supporters maintain that many of those predictions came true. Read for yourself and decide.

      Santiago Ramón y Cajal (1852–1934) was the father of modern neuroscience and an exceptional artist. He devoted his life to the anatomy of the brain, the body’s most complex and mysterious organ. His superhuman feats of visualization, based on fanatically precise techniques and countless hours at the microscope, resulted in some of the most remarkable illustrations in the history of science. Beautiful Brain presents a selection of his exquisite drawings of brain cells, brain regions, and neural circuits with accessible descriptive commentary.   These drawings are explored from multiple perspectives: Larry W. Swanson describes Cajal’s contributions to neuroscience; Lyndel King and Eric Himmel explore his artistic roots and achievement; Eric A. Newman provides commentary on the drawings; and Janet M. Dubinsky describes contemporary neuroscience imaging techniques. This book is the companion to a traveling exhibition opening at the Weisman Art Museum in Minneapolis in February 2017, marking the first time that many of these works, which are housed at the Instituto Cajal in Madrid, have been seen outside of Spain.  Beautiful Brain showcases Cajal’s contributions to neuroscience, explores his artistic roots and achievement, and looks at his work in relation to contemporary neuroscience imaging, appealing to general readers and professionals alike.

    

    It is a journey to places where, according to the author, many of us have already been but about which we have forgotten. It is also a journey within, into that psychological space where our ideas and beliefs about God, spirituality, and religion reside. During both journeys, we are likely to encounter wonder and recognition, skepticism and acceptance, rejection and admiration, confusion and long-sought understanding. For some, this journey will be the start of a much larger one; for some it is but one more leg of a journey undertaken earlier; in any case, The Rose of the World is not a final destination." Completed in 1959, hidden from the Soviet secret police for twenty years, The Rose of the World was first made public through excerpts in the magazine Novy Mir in 1989. The Rose of the World is a unique and poetic cosmological treatise, passionately written out of personal spiritual experience. It offers a prophetic call for the spiritual reunification of all people and an open and harmonious relationship among the great world religions. For Daniel Andreev, The Rose of the world is a spiritual flower whose roots are in heaven; each petal is a unique image of the great world religions and cultures, and the whole flower is their joint co-creation with God.Lindisfarne Books is proud to publish the first English translation of this masterpiece of contemporary Russian spiritual literature, a work that belongs to Russian religious thought in the tradition of Vladimir Soloviev, and to the West in the tradition of Dante and Blake--truly a work for the twenty-first century.

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    She's the golden darling of a wealthy genius. A child-prodigy. Yogi adept. And dying of brain tumor. She wants to heal herself, but the courts and the doctors cry "no" - and enter her brain with an incredible million-dollar probe that cures her body, while it splits her soul -- and sends it hurtling into a psychic hell... Only Anatol Klane knows of his daughter's spirit-death. Now he must take her life... and convince an astonished world that he has set her free...

    A rich compendium of looniness!

    While most of Humanity finds the event fascinating, two British explorers know the horrible truth. The rotating moon is the legendary sign that foreshadows the return of a prehistoric demon, the monstrous destroyer of Atlantis, an unkillable colossus known only as the deadly, dreaded Squid God.Racing around the world, and against the clock, Prof. Einstein and Lord Carstairs battle the fanatical legions of Squid God worshippers in a valiant effort to stop the ghastly rebirthing ceremony and keep the demonic mollusk locked in the stygian depths of its unearthly lair. Authors Nick Pollotta & James Clay have lovingly crafted a splendid Fantasy/Adventure, heavily laced with their classic off-the-wall humor, and sprinkled with a light dusting of parody toward the legendary works of H.P. Lovecraft, H.G. Wells, Jules Verne, Sir Arthur Conan Doyle, and just about everything else from the golden glory days of Victorian England."Rewrites literary history, remodels London worse than the Blitz, and convinces that it is wise never to deny the supremacy of British womanhood! What more can you ask?" --ANALOG

    The hilarious saga of Alfred Budd of Bivalve, New Jersey - a Candide-like innocent and part-time pornographer, written with what Diane DiPrima called Patchen's "tender silliness" - is sure to inspire a new generation of readers.

     Within days, the lethal Medusa virus is burning across the globe like a wildfire. Society crumbles as a terrified populace seeks refuge from the horrifying spread of the disease. In Virginia, Dr. Adam Fisher struggles to save his dying patients while he remains inexplicably immune. In New York City, Sarah Wells, an Army captain harboring a tragic secret, is ordered to maintain a military quarantine at all costs. And in Georgia, aging football star Freddie Briggs grieves as his family falls, one by one, to the disease. For these three survivors, staying alive was just the beginning. VOID Civilization is but a memory, and this is the dismal world left behind. As Adam, Sarah, and Freddie trek across a ruined American landscape, the challenges mount, including the horrifying prospect that the Medusa virus may not yet be done with the survivors. EVERGREEN Adam and his fellow travelers take refuge in Evergreen, a lonely town in Oklahoma that promises a better future for all of them. But as Adam acts on the thinnest of leads regarding his quest, a new threat from within may prove his downfall. CITADEL Every apocalypse has an end. Having lost everything, Adam embarks on a dangerous journey to find a missing loved one. To save her, he will venture deep into the heart of darkness, where he will come face to face with the shocking truth about the plague that destroyed humanity. THE LIVING Thirteen years have passed since the Medusa virus wiped out nearly 99 percent of the world's population and pushed humanity to the brink of extinction. Climate change triggered by nuclear skirmishes in the last fevered days of civilization decimated agriculture and livestock, and the hardened survivors battle for what few resources remain. Eleven-year-old Will Callahan is one of the lucky ones. In their small community in Nebraska, he and his parents have access to food, clean water, weapons, and medical care. More importantly, he's the only child known to have survived infancy since the plague. But everything changes when someone comes looking for him. A POST APOCALYPTIC EPIC SPANNING NEARLY 1,000 PAGES AND TWO DECADES