Moved from relative to relative, Ellen Montgomery astonishes by remaining faithful to her mother’s memory and to her Christian teachings.As Jane Tompkins notes in her afterword, Warner's (1819-1865) novel is "compulsively readable, absorbing, and provoking to an extraordinary degree. . . More than any other book of its time, it embodies, uncompromisingly, the values of the Victorian era."

    Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.

    At her death in 1964, O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications during her too-short lifetime. The keen writings comprising Mystery and Manners, selected and edited by O'Connor's lifelong friends Sally and Robert Fitzgerald, are characterized by the directness and simplicity of the author's style, a fine-tuned wit, understated perspicacity, and profound faith.The book opens with "The King of the Birds," her famous account of raising peacocks at her home in Milledgeville, Georgia. Also included are: three essays on regional writing, including "The Fiction Writer and His Country" and "Some Aspects of the Grotesque in Southern Fiction"; two pieces on teaching literature, including "Total Effect and the 8th Grade"; and four articles concerning the writer and religion, including "The Catholic Novel in the Protestant South." Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are widely seen as gems.This bold and brilliant essay-collection is a must for all readers, writers, and students of contemporary American literature.

    He was an early advocate of criticism as an independent branch of literature and stressed its vital role in the creative process. Scholars continue to debate many of Wilde's critical positions.Included in Richard Ellmann's impressive collection of Wilde's criticism, The Artist as Critic, is a wide selection of Wilde's book reviews as well as such famous longer works as "The Portrait of Mr. W.H.," "The Soul Man under Socialism," and the four essays which make up Intentions. The Artist as Critic will satisfy any Wilde fan's yearning for an essential reading of his critical work."Wilde . . . emerges now as not only brilliant but also revolutionary, one of the great thinkers of dangerous thoughts."—Walter Allen, New York Times Book Review"The best of Wilde's nonfictional prose can be found in The Artist as Critic."—Michael Dirda, Washington Post Book World

    The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is as physical or bodily an art as dancing.As Poet Laureate, Pinsky is one of America's best spokesmen for poetry. In this fascinating book, he explains how poets use the technology of poetry--its sounds--to create works of art that are performed in us when we read them aloud.He devotes brief, informative chapters to accent and duration, syntax and line, like and unlike sounds, blank and free verse. He cites examples from the work of fifty different poets--from Shakespeare, Donne, and Herbert to W. C. Williams, Frost, Elizabeth Bishop, C. K. Williams, Louise Gl�ck, and Frank Bidart.This ideal introductory volume belongs in the library of every poet and student of poetry.

    Campbell presents the epic tales of Texas history in a new light, offering revisionist history in the best sense--broadening and deepening the traditional story, without ignoring the heroes of the past. The scope of the book is impressive. It ranges from the archeological record of early Native Americans to the rise of the oil industry and ultimately the modernization of Texas. Campbell provides swift-moving accounts of the Mexican revolution against Spain, the arrival of settlers from the United States, and the lasting Spanish legacy (from place names to cattle ranching to civil law). The author also paints a rich portrait of the Anglo-Texan revolution, with its larger-than-life leaders and epic battles, the fascinating decade of the Republic of Texas, and annexation by the United States. In his account of the Civil War and Reconstruction, he examines developments both in local politics and society and in the nation at large (from the debate over secession to the role of Texas troops in the Confederate army to the impact of postwar civil rights laws). Late nineteenth-century Texas is presented as part of both the Old West and the New South. The story continues with an analysis of the impact of the Populist and Progressive movements and then looks at the prosperity decade of the 1920s and the economic disaster of the Great Depression. Campbell's last chapters show how World War II brought economic recovery and touched off spectacular growth that, with only a few downturns, continues until today. Lucid, engaging, deftly written, Gone to Texas offers a fresh understanding of why Texas continues to be seen as a state unlike any other, a place that distills the essence of what it means to be an American.

    Patrick O'Brian's biography of naturalist, explorer and co-founder of Australia, Joseph Banks, is narrative history at its finest. Published to rave reviews, it reveals Banks to be a man of enduring importance, and establishes itself as a classic of exploration."It is in his description of that arduous three-year voyage [on the ship Endeavor] that Mr. O'Brian is at his most brilliant. . . . He makes us understand what life within this wooden world was like, with its 94 male souls, two dogs, a cat and a goat."—Linda Colley, New York Times"An absorbing, finely written overview, meant for the general reader, of a major figure in the history of natural science."—Frank Stewart, Los Angeles Times"[This book is] the definitive biography of an extraordinary subject."—Robert Taylor, Boston Globe"His skill at narrative and his extensive knowledge of the maritime history . . . give him a definite leg up in telling this . . . story."—Tom Clark, San Francisco Chronicle

    In this brilliant book about metaphor James Geary is no less astonishing, as he deciphers the subtle implications embedded in advertising slogans, familiar slang and government double-talk…. You'll scarf down every page of I Is an Other and then ask for more.” —Michael Dirda, Pulitzer Prize-winning critic and author of Book by Book and Classics for PleasureFor lovers of language and fans of Blink and Freakonomics, New York Times bestselling author James Geary offers this fascinating look at metaphors and their influence in every aspect of our lives, from art to medicine, psychology to the stock market.

    This new and expanded third edition continues to offer students and readers the best one-volume introduction to the field.The bewildering variety of approaches, theorists and technical language is lucidly and expertly unraveled. Unlike many books which assume certain positions about the critics and the theories they represent, Peter Barry allows readers to develop their own ideas once first principles and concepts have been grasped.

    Employing examples of world literature from ancient times to the present, he provides a conceptual framework for the examination of literature. In four brilliant essays on historical, ethical, archetypical, and rhetorical criticism, he applies "scientific" method in an effort to change the character of criticism from the casual to the causal, from the random and intuitive to the systematic.Harold Bloom contributes a fascinating and highly personal preface that examines Frye's mode of criticism and thought (as opposed to Frye's criticism itself) as being indispensable in the modern literary world.

    Bachelard takes us on a journey, from cellar to attic, to show how our perceptions of houses and other shelters shape our thoughts, memories, and dreams."A magical book. . . . The Poetics of Space is a prism through which all worlds from literary creation to housework to aesthetics to carpentry take on enhanced-and enchanted-significances. Every reader of it will never see ordinary spaces in ordinary ways. Instead the reader will see with the soul of the eye, the glint of Gaston Bachelard." -from the new foreword by John R. Stilgoe

    Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burrows, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit. Kermode then discusses literature at a time when new fictive explanations, as used by Spenser and Shakespeare, were being devised to fit a world of uncertain beginning and end. He goes on to deal perceptively with modern literaturewith "traditionalists" such as Yeats, Eliot, and Joyce, as well as contemporary "schismatics," the French "new novelists," and such seminal figures as Jean-Paul Sartre and Samuel Beckett. Whether weighing the difference between modern and earlier modes of apocalyptic thought, considering the degeneration of fiction into myth, or commenting on the vogue of the Absurd, Kermode is distinctly lucid, persuasive, witty, and prodigal of ideas.

     Rather than abandoning his parish in search of the truth, Father Paul’s quest is a simple one: to find the true essence of Christianity. A Modern Day Apostle to the Downtrodden Set against the backdrop of a harsh and cold Russian countryside along the River Volga, with its unyielding poverty and hardships, The Archbishop follows Father Paul as he searches to understand God and the parlous state of the world around him. It is not until he meets the eponymous Archbishop that he finds revelations that do more than just answer his soul-searching questions. More than this, he finds a true shepherd determined to spread a more authentic message of Christ to the people who follow him. But even the divine truth that Father Paul finally finds in this dreary, cold hamlet where religion seems to be fading from relevance is not free from earthly machinations. Although he discovers something that will change his life forever, the realities of the world around him remain unyielding and unchanging. The Archbishop is a book that does not shy away from asking big questions – nor from answering them. Author Hieromonk Tihon’s identity has long since been lost to history and his fate unknown, but the vivid characters and intricately drawn world created in this book have indicated that The Archbishop may be an autobiographical work. Condemned, burned, and banned by iconoclastic Bolsheviks during the earliest years of Soviet Russia as it pushed an agenda of militant atheism, The Archbishop's spiritual guidance was almost lost among countless other Eastern Orthodox works. The Archbishop provides deep spiritual insight and guidance into a world distant from ours, despite the chasms of difference in culture, time, and space. Sometimes funny, often tragic, and other times angering, this hidden Orthodox gem does not shy away from asking big questions – nor from answering them. It remains a work full of spiritual lessons that will resonate profoundly with the modern-day American Orthodox clergy and their laity.

    On February 23, 1836, a Mexican army thousands of soldiers strong attacked a group of roughly 200 Americans holed up in an abandoned mission just east of San Antonio, Texas. For nearly two weeks, the massive force lay siege to the makeshift fort, spraying its occupants with unremitting waves of musket and cannon fire. Then, on March 6th, at 5:30 am, the Mexican troops unleashed a final devastating assault: divided into four columns, they rushed into the Alamo and commenced a deadly hand-to-hand fight. The Americans, despite being hugely outnumbered, fought valiantly--for themselves and for a division of an independent Texas. In the end, they were all slaughtered.Drawing upon newly available primary sources, THE BLOOD OF HEROES is the definitive account of this epic battle. Populated by larger-than-life characters--including Davy Crockett, James Bowie, and William Barret Travis--it is a dynamic story of courage, sacrifice, and redemption.

    They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure - William Wordsworth, from the Advertisment prefacing the original 1798 edition. When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to what had been voiced before. For Wordsworth, as he so clearly stated in his celebrated preface to the 1800 edition (also reproduced here), the important thing was the emotion aroused by the poem, and not the poem itself. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere.