This program of Bukowski's raucous poetry, recorded live in 1980, takes as its theme the poet's intimate relationship with the urban underbelly.

    Bambrick began writing poems in order to document the forms of violence she witnessed towards the people and the environment of the Columbia River. While working there she found that reservoirs foster a uniquely complex community--from fish biologists to the owners of luxury summer homes--and became interested in the issues and tensions between the people of that place. The idea of power, literal and metaphorical, was present in every action and encounter with bosses and the people using the river. The presence of a young woman on the crew irritated her older, male co-workers who'd logged, built houses, and had to suffer various forms of class discrimination their entire lives. She found throughout this experience that their issues, while not the same, were inherently connected to the suffering of the lands they worked. Introduction by Sharon Olds.

    Cultivated by the Motown star machine, Mary Wilson, Diana Ross, and Florence Ballard popped onto the charts with hits like "Baby Love" and "Where Did Our Love Go" and made the Supremes not only a household name, but rock and roll legends. The story of their journey to fame is one that fairy tales are made of-complete with battles, tragedies, and triumphs. It's a story that only one of the founders of this talented trio is able or willing to share with the world. In Dreamgirls & Supreme Faith: My Life as a Supreme, Supremes' co-founder Mary Wilson boldly brings to life all the intimate details of the group's struggle to top the charts. This is the first book to tell the complete story of Mary's courageous life from childhood through the height of the Supremes, to the turn of the century. This beautiful paperback edition combines the best-selling Dreamgirls with the sequel, Supreme Faith: Someday We'll Be Together, for the first time in one volume. The new afterword brings Mary's intriguing story up to date with details on. . . - The tragic car accident that claimed her son's life - The death of her mother, Johnnie Mae, and her dear friend, Mary Wells - Becoming a grandmother - Making her peace with Berry Gordy and Diana Ross - Being inducted into the Rock and Roll Hall of Fame and receiving a star on the Hollywood Walk of Fame The Supremes wonderful music isn't the only thing to remain in the public's mind. Diana Ross' push for dominance in the trio has become legendary. Mary Wilson speaks candidly about Ross' tactics to latch onto Berry Gordy, and force her will on the group's activities. For example, while on the early tours, Diana would threaten to call Gordy from the road if the men on the bus didn't behave to her approval. She also openly pushed for Flo's removal from the group. Wilson also openly shares her thoughts on . . .The group's never-ending b

    This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.

    Whether the focus of the individual poems is musical, digital, or historical, the otherness implicit in being of more than one racial background guides Matejka's work to the inevitable conclusion that all things-no matter how disparate-are parts of the whole.

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

    "The Flip Side of Sin" takes readers on a journey through the lives of a group of unforgettable characters who must overcome life's toughest challenges to find true happiness. It is a book in which worlds collide and people are forever transformed by the tumultuous changes that occur in one man's life. The story begins with Isaac Coleman, a man whose tragic mistakes cost him years away from everyone and everything that mattered to him -- especially his wife and son. Alone, confused, and bitter, Isaac can only become whole by learning to love again. But when he re-enters the world he left and attempts to get reacquainted with his now teenage son, Peyton, he finds heartbreaking rejection.As Isaac struggles to understand and change his plight, his only form of self-expression is found in the keys of his saxophone. When he later meets up with Miracall Lake, a woman with whom he shares a painful past, she surprisingly helps him to face his fears and reach for his dreams. In this case, love indeed conquers all -- or so it tries to in this tale of good versus evil and love versus hate. "The Flip Side of Sin" is a poignant and memorable work from a writer of immense talent.

    Yet despite the distinctive differences from poem to poem, Bernstein's characteristic explorations of how language both limits and liberates thought are present throughout. Modulating the comic and the dark structural invention with buoyant soundplay, these challenging works give way to poems of lyric excess and striking emotional range. This is poetry for poetry's sake, as formally radical as it is socially engaged, providing equal measures of aesthetic pleasure, hilarity, and philosophical reflection. Long considered one of America's most inventive and influential contemporary poets, Bernstein reveals himself to be both trickster and charmer.

    She was born in a two parent household and taught; in life, nothing is free. Her mom instilled in her, that if you want respect you have to earn it. Unfortunately, one night, her world came crashing down when someone lured her mother into a trap and murdered her. Jiao, made a promise as her mom laid there dying, that she would avenge her death. She finds him and takes matters into her own hands without any remorse. After being sent away for three years to keep the heat off what she did, Jiao returns and finds out things aren't what they seem. The biggest secret she had is revealed but at what cost? Andreek Puryear, and his best friend have the drug game on lock an neither of them are looking to get out anytime soon. Women are at his beck and call, and will do any and every thing to gain his attention. However, Jiao walks in his life and what one would think is love at first sight, its far from it. The two will encounter one another on plenty of occasions, but love isn't in either of their future. Jiao's past comes back to haunt her and instead of allowing anyone to know, she ignores the threat. Will Dreek save her when he finds out her secret, or will he be the one who takes her life himself?

    Lady Sondra and her family. Shortly after Lady Sondra is released from doing a ten year stint in Bellevue Mental Institution, tragedy strikes close to home testing her bad side and putting her on a vengeful mission for blood. Things go horribly wrong when she attempts to recruit her twin sons Rahmel and Jahmel to embark on a mission to build an untouchable drug empire all the while trying to keep her daughter Mahogany on the straight and narrow path. Lady Sondra is just one incident away from being sent back to the place she’s vowed never to visit again. Drama and betrayal send her spiraling down a dark bumpy road of no return. Get to know the Bells and learn all of the family secrets as you and those who betray Lady Sondra experience “A Bitch’s Bad Side”

    He turned his eye to the world, to the cultures and the people around him, and saw reflections of himself. In this collection, he works in both free verse and traditional forms, rendering scenes of exquisite detail that pry into the hearts of his characters and reveal the contradictions that bind father to son, lover to lover, and person to person. From the broken hills and drowsy river valleys around Paducah, Kentucky, to Houston diners and Gulf Coast shrimp boats, to the tropical cityscape of Miami, Bolton creates vivid scenes in which his characters confront the loneliness and the "little music" of their lives. With a richly musical voice and an ear for the cadences of everyday speech, Bolton gives his readers not the trappings of love and grief, but the very things themselves, rendered in lines that reverberate with the authority of sincerity and truth.

    He was a passionate Welsh patriot, but also an outspoken critic of his countrymen. His poems are an expression of his lifelong argument with himself, of his insistent search for God. In them he grapples with ideas of Welshness, with issues of technology, pollution, the decline of culture. He wrote too about love, about landscape, nature and birds. His is an urgent, prophetic and unique voice.

    It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to "Don't Stop Believin'." It's about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside—from Marvin Gaye to Nikola Tesla to his neighbor's dogs—to create a mirror, inside of which every angle presents a new possibility.

    The fourth collection of poetry from this former automotive die designer delivers more of the cunning brilliance that has become Hicok's hallmark.