Hall's new poems further the themes of love, death, and mourning so powerfully introduced in his WITHOUT (1998), but from the distance of passed time. A long poem, "Daylilies on the Hill 1975 - 1989," moves back to the happy repossession of the poet's old family house and its history - a structure that "persisted against assaults" as its generations of residents could not. These poems are by turns furious and resigned, spirited and despairing - "mania is melancholy reversed," as Hall writes in another long poem, "Kill the Day." In this book's fourth and final section, "Ardor," the poet moves toward acceptance of new life in old age; eros reemerges.

    
 With their marriage facing rocky waters, Avian Linzy decides that what her and her husband, Marcellus, need is a trip to Mexico to set their union right again. However, on the day that they are set to leave, Marcellus announces to Avian that he wants a divorce. Broken hearted, Avian isn’t sure that she should go through with the vacation, but with the urging of her best friend, Lakeisha, she boards the plane to Mexico, alone. Lakeisha believes this trip can help Avian heal, but Avian remains skeptic until she unexpectedly meets the handsome Casyrius Knowlton. 
 Casyrius Knowlton is a man of means and has no problem getting what he wants, including his current position as a sports agent. In Mexico, Casyrius is planning to marry his high school sweetheart, Kiami Green. Casyrius’s love for Kiami runs deep, but that doesn’t stop him from having doubts when it comes to their upcoming nuptials. The ties to their relationship are hanging on by a slim thread, but completely snap when a would-be tragic event lands Avian in Casyrius’s arms. Literally. 
 Over the course of a week, Casyrius grows closer to Avian, but after his reason for being in Mexico is revealed, Avian disappears without a trace, and he’s determined to find the woman he’s unknowingly given a piece of his heart to. It won’t be easy, but Casyrius learns that anything worth having, rarely is. 
After getting her heart broken twice within a week, will Avian be able to find love again, or will she hold on to what could have been between her and Casyrius? If Casyrius finds her, will he be able to handle the secrets that she was hiding from him for so long?

    Her first book, Almanacs, was a travellers's litany, featuring a road movie in poems set in the north of Scotland. Nigh-No-Place is the liturgy of a poet passionately aware of the natural world." Nigh-No-Place reflects the breadth of ground she's covered. 'Ten-minute Break Haiku' is her response to working in a fish factory. 'Paternoster' is the Lord's Prayer uttered by a draught-horse. 'Prenatal Polar Bear' takes place in Churchill, Manitoba, surrounded by tundra.

    “In the night I brush / my teeth with a razor,” he tells us, in one of the collection’s piercing two-line poems. Capturing the strange silence of bereavement (“Not the storm / but the calm / that slays me”), Kevin Young acknowledges, even celebrates, life’s passages, his loss transformed and tempered in a sequence about the birth of his son: in “Crowning,” he delivers what is surely one of the most powerful birth poems written by a man, describing “her face / full of fire, then groaning your face / out like a flower, blood-bloom,/ crocused into air.” Ending this book of both birth and grief, the gorgeous title sequence brings acceptance, asking “What good/are wishes if they aren’t / used up?” while understanding “How to listen / to what’s gone.” Young’s frank music speaks directly to the reader in these elemental poems, reminding us that the right words can both comfort us and enlarge our understanding of life’s mysteries.

    Winner of the 2011 Norma Farber First Book Award from the Poetry Society of America. John Beer's first collection, THE WASTE LAND AND OTHER POEMS, employs the wit of a philosopher and the ear of a poet to stage ways of reading that are political, personal, and theoretical. The speaker of these poems also brings humor to the dissecting table, to prod the legacies of great works of the imagination while balancing irony and affection.

    Winner of the American Book Award.Sonia Sanchez is a poet, activist, and scholar and one of the most important writers of the Black Arts Movement. She is the author of sixteen books and lives in Philadelphia.

    I was guilty. And I used to not feel bad about having those feelings. My husband was evil and most days I hated him. I used to come up with outlandish schemes in my head to get rid of him without evidence coming back on me. I’ve watch Snapped many times. You had to play that shit careful or a jury wouldn’t believe your word.Ironically, now that my husband Marcos Beauchamp was laid up in the hospital, hanging on for dear life, I kind of felt guilty about my vindictive feelings. Did all of my hopeful wishes bring this about? I can’t lie; a part of me was laughing inside. Not a giggle laugh either. It was one of those deep from the belly that worked its way up to the throat and came out forceful like you had heard the funniest shit ever. That’s wrong; I know, but you don’t understand. This man has taken me through hell and it serves his ass right.~~ Nephia Beauchamp, mother of seven and wife of a woman beaterHate to Love You takes you deeper into the life of Nephia as she recalls a traumatic past that leads up to the near fatal death of her abusive husband. She finds herself at a crossroad and unsure of what direction she will go. Take this journey along with her and see if Nephia’s faith will allow her to stand by him or simply walk away and start anew.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.

    This set includes Singing And Swinging And Getting Merry, I Know Why The Caged Bird Sings, Maya Angelou: Poems and Wouldn't Take Nothing For My Journey Now.

    

    The Seventh Octave features some of this great young poets most revered poems. From "OHM," to "Sha Clack Clack," Saul's words are breathtaking and powerful with every read. The Seventh Octave is a must-have collection for any aspiring poet or seasoned writer. Lyrical and electric, full of brilliant imagery and truth. The Seventh Octave is for lovers of language and the magic poets can create.

    That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

    Henriksen opens ORDINARY SUN by insisting that "an eye is not enough." Resisting solipsism, these poems negotiate that conflict between the mind and what exists outside the mind. Though pain intrinsically resides in that conflict Henriksen strives for an honest happiness, a kind of gorgeous suffering that blesses our days. To this end, these poems emerge from images of all those innumerable things that embody both visceral and ethereal beauty rocks, trees, broken glass, baseball, angels.... Here we find immediacy immersed in the image, and in the reading of these poems becomes ourselves immersed in the immediate."

    Mary Ruefle is of their number. Her poems discover the full beauty and anguish of life that most of us dare not see, much less depict in luminous detail for the ages.