Ted Kooser’s third book in the Pitt Poetry Series is a selection of poems published in literary journals over a ten year period by a writer whose work has been praised for its clarity and accessiblity, its mastery of figurative language, and its warmth and charm.

    Betrayal, lust, lies, murder, and love all come into play in this urban love story.The Alton brothers run the Detroit drug game, and it was a long time coming! Now these boys have their act together and plan on going all the way letting nothing or no one get in their way.When Sacario, the second youngest of the four, fall for an insecure waitress in the men’s popular hot spot- things get hectic.Will they stand the test of time or will the game of love prove to be just too Hard?

    The three long poems in Eye Against Eye convey the wrought particulars of intimate human relations, perceptions of the landscape, and the historical moment, tense with political exigencies. Mayan ruins invoke the collapsing Twin Towers, love between parents and child blister with tension, and a bicycle thief shatters the narcotic illusion of a private accord. Also contained is Late Summer Entry, a series of poetic commentaries on Sally Mann's landscape photographs. Eye Against Eye, Forrest Gander's third book with New Directions, cries out an ethical concern for the ways we see each other and the world, the potential to share a vision that acknowledges our commonality. As always with Gander's poetry, suspensions and repetitions drive toward a complex emotional experience, evoking the multifaceted, multi-vocal surge of our present.

    The word as talisman is another of her concerns, and finally, in the section that most typifies the lilt of grace notes, Dove considers the embellishments below the melody of daily life.

    Her poems take us to the flip side of human consciousness, where anything can happen at any time. Tinged with surrealism, her work makes visionary leaps from the quotidian to sudden, surprising epiphanies.

    Strange Light takes us back to the docks, to drama class and prom, an undersea conversation with Jacques Cousteau, and into his famous romantic howls. The epic poem, Strange Light, anchors this collection as one of the most inventive and potent collections of modern American poetry. About.com called his 2009 collection Scandalabra, one of the best books of the year. Everything hilarious and stirring is illuminated. The power of Strange Light is waiting.

    River Hymns is the lyrical journey of a young black man’s spiritual reckoning with his family history.

    Here in Bonfire Opera, grief and Eros grapple in the same domain. A bullet-hole through the heart, a house full of ripe persimmons, a ghost in a garden. Coyotes cry out on the hill, and lovers find themselves kissing, “bee-stung, drunk” in the middle of road. Here, the dust is holy, as is the dark, unknown. These are poems that praise the impossible, wild world, finding beauty in its wake.  Excerpt from “Bonfire Opera”   In those days, there was a woman in our circle who was known, not only for her beauty, but also for taking off all her clothes and singing opera. And sure enough, as the night wore on and the stars emerged to stare at their reflections on the sea, and everyone had drunk a little wine, she began to disrobe, loose her great bosom and the tender belly, pale in the moonlight, the Viking hips, and to let her torn raiment fall to the sand as we looked up from the flames.

    The much-awaited second book by a truly revolutionary poet, in the lineage of Gil Scott Heron, Allen Ginsberg, Audre Lorde.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    The Last American Valentine is a unique anthology of non-sappy love poetry and flash fiction. Poet Laureates, rock musicians, actors, famed prose writers and a few talented American barfly's have been handpicked, hunted down and crammed together with an artist the world has never met.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    After his older brother stepped down and passed him the throne, Ace is tasked with the difficulties of transitioning from being Underboss to H.N.I.C. The job was tough but flipping the culture of an established drug empire had to be done. His money along with his squad had his foremost attention for the longest time, all he wanted to do was get richer by any means necessary. He wasn't looking for love but there's always the exception to the rule.Bleu Majors was the exception to every rule. When he saw her, he knew he had to have her. She was gorgeous, smart, driven and he felt like she could handle a man of his caliber. But he forgot to read between the lines on the pages and took the woman off face value. You've heard of the saying don't judge a book by its cover right? The blue eyed beauty had an insatiable appetite for bad boys and the fast life, the rush of it all really did something to her. Ace offered her all of that in the most addictive way. But the problemwith living life in the fast lane, is that when you make it to your destination so quickly...you just might not be prepared. Follow them on this rollercoaster ride full of betrayal, steamy romance, lies, murder and deceit as they battle between love versus lust. Will love conquer all or will temptations get the best of the dynamic duo? You know what they say about those temporary fixes… Now ask yourself this question, are you ready for Ace & Bleu?

    The Boston-based writer has found his stronghold in the world of social media under the moniker of High Poets Society. His writing is most recognized for its mesmerizing rhyme scheme and clever wordplay.

    Harryette Mullen is the mixer. Street, jive, down-home post-mod speech meet at the meat market. Food may be the subject of these short prose-poems, but look at us, teasing ourselves with endless adverts to buy, consume more and better - so long as its packaged right, full color box and shrink-wrapped.