This collection includes Elsa Beskow's "When Mother Troll Took in the King's Washing"; "The Magician's Cape" by Anna Wahlenberg; "The Seven Wishes" by Alfred Smedberg; "The Ring" by Helena Nyblom; "Stalo and Kauras" by PA. Lindholm; and "The Maiden in the Castle of Rosy Clouds" by Harald Ostenson.

    With the help of the entire creative collective, Gordon-Levitt culled, edited and curated over 8,500 contributions into this finely tuned collection of original art from 67 contributors. Reminiscent of the 6-Word Memoir series, The Tiny Book of Tiny Stories: Volume 1 brings together art and voices from around the world to unite and tell stories that defy size.

    Author Jancee Dunn and illustrator Scott Nash bring Teddy and friends back for more mischief in a high-spirited tale of uninhibited fun.

    Just say thanks. Give a smile. Offer help. When you are kind, others are too. Kindness is a precious quality that we all possess. It can be practiced anywhere and with anyone, it does not require commitment, study or sacrifice, and it makes those who practice it feel good and those who receive it. Isn't it amazing? A sweet pig, funny and above all, very kind, gives us the keys to being a good person.

    in full color. A madcap band of dancing, prancing monkeys explain hands, fingers, and thumbs to beginning readers.

    While Austin's brain power is unmatched, it appears as if his brother got all the athletic gifts and the family butt-chin, meaning their parents love Derek more than Austin, or so it seems. Join Austin on his journey through the tumultuous waters of middle school as he navigates the swampy and undeodorized hallways and explores the depths of the cafeteria's seafood surprise. Oh, and someone is plotting to take down the Halloween Dance, the one that Austin has his sights set on, so he can take Sophie Rodriguez, a girl way out of his league, but who doesn't seem to know it.  Can he stay one step ahead of the new principal who has it out for him? Will Austin figure out who the perpetrators are? Will he save the dance in time? Will he wear a diaper on a stakeout?  This first in a planned series of twelve will have you ROFLing like you never have before.  The funny and fast-paced nature of this series is meant for middle grade and early young adult readers.   Beware! This series has the tendency to turn reluctant readers into eager ones.

    Robert wants to bake a gigantic cake—the best in the world! But when Robert’s freshly created invitations blow out the window, Robert, his dad, and Mopsi the dog get an even bigger surprise. Just when they sit down to eat the cake, the doorbell rings again, and again, and again! With humor and a keen sense of the absurd, Anne-Kathrin Behl tells a delightful story about the big and little wonders of everyday life. Praise for Help, I Don’t Want a Babysitter, illustrated by Anne-Kathrin Behl: “The pencil drawing illustrations . . . [are] hilarious . . . and complement the text perfectly.”—School Library Journal

    Illustrated by award-winning artists.

    I can think of better things to ask than if I’m a boy or a girl. Another child comes along and says she gets asked why she always has her nose in a book. Someone else gets asked where they come from.One after another, children share the questions they’re tired of being asked again and again — as opposed to what they believe are the most important or interesting things about themselves. As they move around the playground, picking up new friends along the way, there is a feeling of understanding and acceptance among them. And in the end, the new kid comes up with the question they would definitely all like to hear: “Hey kid, want to play?”Sara O’Leary’s thoughtful text and Qin Leng’s expressive illustrations tell a story about children who are all different, all themselves, all just kids.

    Eugene and Tatiana had fallen in love that summer ten years ago. But certain events stopped them from getting to truly know each other and they separated never knowing what could have been. But one busy morning on the Paris metro, Eugene and Tatiana meet again, no longer the same teenagers they once were. What happened during that summer? Does meeting again now change everything? With their lives ahead of them, can Eugene and Tatiana find a way to be together after everything? Written in gorgeous verse, In Paris With You celebrates the importance of first love. Funny and sometimes bittersweet this book has universal appeal for anyone who has been in love.

    A company of men, women, and children went together just after the evening service in their church, and, standing around the tomb of the author of "A Visit from St. Nicholas," recited together the words of the poem which we all know so well and love so dearly. Dr. Clement C. Moore, who wrote the poem, never expected that he would be remembered by it. If he expected to be famous at all as a writer, he thought it would be because of the Hebrew Dictionary that he wrote. He was born in a house near Chelsea Square, New York City, in 1781; and he lived there all his life. It was a great big house, with fireplaces in it;—just the house to be living in on Christmas Eve. Dr. Moore had children. He liked writing poetry for them even more than he liked writing a Hebrew Dictionary. He wrote a whole book of poems for them. One year he wrote this poem, which we usually call "'Twas the Night before Christmas," to give to his children for a Christmas present. They read it just after they had hung up their stockings before one of the big fireplaces in their house. Afterward, they learned it, and sometimes recited it, just as other children learn it and recite it now. It was printed in a newspaper. Then a magazine printed it, and after a time it was printed in the school readers. Later it was printed by itself, with pictures. Then it was translated into German, French, and many other languages. It was even made into "Braille"; which is the raised printing that blind children read with their fingers. But never has it been given to us in so attractive a form as in this book. It has happened that almost all the children in the world know this poem. How few of them know any Hebrew! Every Christmas Eve the young men studying to be ministers at the General Theological Seminary, New York City, put a holly wreath around Dr.

    Oxford Street is a sea of long hair and flared jeans; prog rock prevails. But Ron Watts, the 100 Club’s “rock night” manager, has witnessed the impromptu and chaotic gigs at High Wycombe College of Art. He invites the Sex Pistols to start a residency in central London, and over the next eighteen months, everything changes.            Unlike many writers, Phil Strongman was actually at the 100 Club punk festival in September 1976 and witnessed punk’s violent and dramatic rise. After tracing its underground roots in New York and Detroit, Strongman shows how the Sex Pistols and the Clash, along with their confreres, took rock ’n’ roll closer to the edge than any band before them. But after the outrage over the Pistols’ legendary outburst on Bill Grundy’s TV show catapulted the band into the center of a press feeding frenzy, it was swiftly eclipsed by the blossoming of a new movement in time for the Queen’s Silver Jubilee. Punk had traveled from the underground to the mainstream in the space of six months.            Based on new interviews with Malcolm McLaren, Jah Wobble, Glen Matlock, Roadent, and many more, Strongman vividly re-creates the punk eruption and charts its spread across Britain and to the West Coast of the United States. Thirty years after its inception, UK punk has found its definitive account in Pretty Vacant.