Faced with constant attack from all the peoples who followed them, the last of the Bushmen have retreated to the scorching depths of the Kalahari Desert in southern Africa. After a gruelling trek, van der Post finds the Bushmen, thriving in one of the world’s most inhospitable landscapes, with their physical peculiarities, their cave art and their joyful music-making intact.

    Seized by the reports, American diplomat John Lloyd Stephens and British artist Frederick Catherwood—both already celebrated for their adventures in Egypt, the Holy Land, Greece, and Rome—sailed together out of New York Harbor on an expedition into the forbidding rainforests of present-day Honduras, Guatemala, and Mexico. What they found would upend the West’s understanding of human history.In the tradition of Lost City of Z and In the Kingdom of Ice, former San Francisco Chronicle journalist and Pulitzer Prize finalist William Carlsen reveals the remarkable story of the discovery of the ancient Maya. Enduring disease, war, and the torments of nature and terrain, Stephens and Catherwood meticulously uncovered and documented the remains of an astonishing civilization that had flourished in the Americas at the same time as classic Greece and Rome—and had been its rival in art, architecture, and power. Their masterful book about the experience, written by Stephens and illustrated by Catherwood, became a sensation, hailed by Edgar Allan Poe as “perhaps the most interesting book of travel ever published” and recognized today as the birth of American archaeology. Most important, Stephens and Catherwood were the first to grasp the significance of the Maya remains, understanding that their antiquity and sophistication overturned the West’s assumptions about the development of civilization.By the time of the flowering of classical Greece (400 b.c.), the Maya were already constructing pyramids and temples around central plazas. Within a few hundred years the structures took on a monumental scale that required millions of man-hours of labor, and technical and organizational expertise. Over the next millennium, dozens of city-states evolved, each governed by powerful lords, some with populations larger than any city in Europe at the time, and connected by road-like causeways of crushed stone. The Maya developed a cohesive, unified cosmology, an array of common gods, a creation story, and a shared artistic and architectural vision. They created stucco and stone monuments and bas reliefs, sculpting figures and hieroglyphs with refined artistic skill. At their peak, an estimated ten million people occupied the Maya’s heartland on the Yucatan Peninsula, a region where only half a million now live. And yet by the time the Spanish reached the “New World,” the Maya had all but disappeared; they would remain a mystery for the next three hundred years.Today, the tables are turned: the Maya are justly famous, if sometimes misunderstood, while Stephens and Catherwood have been nearly forgotten. Based on Carlsen’s rigorous research and his own 1,500-mile journey throughout the Yucatan and Central America, Jungle of Stone is equally a thrilling adventure narrative and a revelatory work of history that corrects our understanding of Stephens, Catherwood, and the Maya themselves.

    will stay with me for a long time.’ Elizabeth LairdMore than a hundred years ago, a boy named Samkad thinks he knows everything about the world. He knows the mountains he lives in. He knows his people. He knows his blood enemy, the Mangili. And he wants to become a man, to be given his own shield, spear and axe to fight with. His best friend, Luki, wants all the same things – but she is a girl, and no girl has ever become a warrior.But everything changes when a new boy arrives in the village. He calls himself Samkad’s brother, yet he knows nothing of the ways of the mountain. And he brings news of a people called ‘Americans’, who are bringing war and destruction right to his home . . .

    Turnbull lived among the Mbuti people for three years as an observer, not a researcher, so he offers a charming and intimate firsthand account of the people and their culture, and especially the individuals and their personalities. The Forest People is a timeless work of academic and humanitarian significance, sure to delight readers as they take a trip into a foreign culture and learn to appreciate the joys of life through the eyes of the Mbuti people.

    Starts with an M. Ends with a U. Has a lechon named after it. #travelTwenty-something travel blogger Five thinks she has hit the jackpot when she gets invited to glittering Macau for an all-expense-paid bloggers tour. Think majestic old churches, sparkling casinos, exhilarating bungee jumps, and the world's most unforgettable egg tarts. The trip is practically perfect, except for one little glitch. She gets assigned to be travel buddies with Jesse, the world's most infuriating photo blogger, and it's definitely war at first sight. Will Five let Jesse turn her dream vacation into a total nightmare? Or will falling in love be on the itinerary?

    He moved in rarefied circles, a friend to presidents, vaudeville stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent’s original inhabitants before the old ways disappeared.An Indiana Jones with a camera, Curtis spent the next three decades traveling from the Havasupai at the bottom of the Grand Canyon to the Acoma on a high mesa in New Mexico to the Salish in the rugged Northwest rain forest, documenting the stories and rituals of more than eighty tribes. It took tremendous perseverance - ten years alone to persuade the Hopi to allow him into their Snake Dance ceremony. And the undertaking changed him profoundly, from detached observer to outraged advocate. Eventually Curtis took more than 40,000 photographs, preserved 10,000 audio recordings, and is credited with making the first narrative documentary film. In the process, the charming rogue with the grade school education created the most definitive archive of the American Indian. His most powerful backer was Theodore Roosevelt, and his patron was J. P. Morgan. Despite the friends in high places, he was always broke and often disparaged as an upstart in pursuit of an impossible dream. He completed his masterwork in 1930, when he published the last of the twenty volumes. A nation in the grips of the Depression ignored it. But today rare Curtis photogravures bring high prices at auction, and he is hailed as a visionary. In the end he fulfilled his promise: He made the Indians live forever.

    Contrary to stereotype, he says, it is the farmers and their colonizing descendants—ourselves—who are the true nomads, doomed to the geographical and spiritual restlessness embodied in the story of Genesis. By contrast, the hunters have a deep attachment to the place and ways of their ancestors that stems from an enviable sense, distinctively expressed in thought, word, and act, of being part of the fabric of the natural and spiritual worlds.

    This book is the story of the life of Nisa, a member of the !Kung tribe of hunter-gatherers from southern Africa's Kalahari desert. Told in her own words--earthy, emotional, vivid--to Marjorie Shostak, a Harvard anthropologist who succeeded, with Nisa's collaboration, in breaking through the immense barriers of language and culture, the story is a fascinating view of a remarkable woman.

    Eric Pearl had with one of his patients? What was it about that encounter that would not only radically accelerate the trajectory of his life, but ultimately affect the lives of millions . . . and will most likely profoundly affect your life as well? What is this phenomenon? In his international bestseller, The Reconnection: Heal Others, Heal Yourself, Dr. Pearl taught readers how to access and tap into a comprehensive spectrum of energy, light, and information previously inaccessible to anyone, anywhere. In doing so, he allowed us to entirely transcend complex healing "techniques" and bring about dramatic, often instantaneous, lifelong healings and life transformations! Since then, the world has clamored for Eric’s second book. His response? When I have something else to say. Today Dr. Pearl, in collaboration with Frederick Ponzlov, indeed has something else to say. You might have to reconsider everything you’ve read up until now about healing, consciousness, and our four-dimensional existence here on Earth. As guided by the spirit of Solomon, a multidimensional intelligence that speaks through Frederick Ponzlov, experience firsthand the insights imparted during the evolution of this unique transmodality known today as Reconnective Healing. Now you can discover these insights and apply them to your life—insights that have revolutionized the healing world and given us the key to access the immense power that we each have within our lives. Solomon speaks. . . .

    “When the buffalo went away the hearts of my people fell to the ground,” he said, “and they could not lift them up again. After this nothing happened.” It is precisely this point that of a people faced with the end of their way of life that prompts the philosophical and ethical inquiry pursued in Radical Hope. In Jonathan Lear’s view, Plenty Coups’ story raises a profound ethical question that transcends his time and challenges us all: how should one face the possibility that one’s culture might collapse? This is a vulnerability that affects us all insofar as we are all inhabitants of a civilization, and civilizations are themselves vulnerable to historical forces. How should we live with this vulnerability? Can we make any sense of facing up to such a challenge courageously? Using the available anthropology and history of the Indian tribes during their confinement to reservations, and drawing on philosophy and psychoanalytic theory, Lear explores the story of the Crow Nation at an impasse as it bears upon these questions and these questions as they bear upon our own place in the world. His book is a deeply revealing, and deeply moving, philosophical inquiry into a peculiar vulnerability that goes to the heart of the human condition.

    Adrian is rich, innocent, handsome—the son of a leading family; Anna has been widowed in the rebel struggle and was herself detained and tortured by the military; Eliza, the beautiful daughter of a courtesan, is now the object of the perverted desires of the depraved Colonel Amor, Anna's tormentor.As the heat of the carnival brio rises, so do intimations of revolution, for somewhere in the jungle the rebel leader Guevara is plotting a terrorist act: a bomb will be placed at the speakers' stand timed to explode when the governor appears. Anna makes contact with the rebels, while Eliza plots to kill Amor for what he has done to her friend. And Adrian is captured and drugged by the colonel.As the tension builds, the novel moves back in time, in the Book of Numbers, on a headlong, magical, sometimes hallucinatory reprise of Filipino history and the history of the families of the three young people. We learn of the Japanese atrocities, Filipino greed and treachery, American coldness and venality. We learn how Adrian's fortune was made, how Anna became the strange and silent thinker she is, how Eliza is distantly related by European blood to Anna. And we meet characters whose literally fabulous—a woman who forces icons to respond prayers, a distillery owner who is also master of forty-two ways of self-indulgence, a self-contained maid who determines her master's fat, a boy who falls in love with saxophone, a teenage Chinese girl with bound feet who dreams of the return of the Manchu Dynasty, a German chemist unable to brew beer...Finally, in the Book of Revelations, we reawaken to the present: once again we are at the festival on K_____, about to witness the novel's shattering conclusion, its terrifying finale.Like Isabel Allende's The House of The Spirits, Ninotchka Rosca's novel is both a work of art and a powerful illumination of an entire culture and a country in conflict. Her achievement is timeless as well as masterful.

    . . Patterns of Culture is a signpost on the road to a freer and more tolerant life." -- New York TimesA remarkable introduction to cultural studies, Patterns of Culture is an eloquent declaration of the role of culture in shaping human life. In this fascinating work, the renowned anthropologist Ruth Benedict compares three societies -- the Zuni of the southwestern United States, the Kwakiutl of western Canada, and the Dobuans of Melanesia -- and demonstrates the diversity of behaviors in them. Benedict's groundbreaking study shows that a unique configuration of traits defines each human culture and she examines the relationship between culture and the individual. Featuring prefatory remarks by Franz Boas, Margaret Mead, and Louise Lamphere, this provocative work ultimately explores what it means to be human."That today the modern world is on such easy terms with the concept of culture . . . is in very great part due to this book." -- Margaret Mead"Benedict's Patterns of Culture is a foundational text in teaching us the value of diversity. Her hope for the future still has resonance in the twenty-first century: that recognition of cultural relativity will create an appreciation for 'the coexisting and equally valid patterns of life which mankind has created for itself from the raw materials of existence.'" -- from the new foreword by Louise Lamphere, past president of the American Anthrolopological AssociationRuth Benedict (1887-1948) was one of the most eminent anthropologists of the twentieth century. Her profoundly influential books Patterns of Culture and The Chrysanthemum and the Sword: Patterns of Japanese Culture were bestsellers when they were first published, and they have remained indispensable works for the study of culture in the many decades since.

    Knowing the strength and resilience of the young American nation, Little Crow counseled caution, but anger won the day. Forced to either lead his warriors in a war he knew they could not win or leave them to their fates, he declared, “[Little Crow] is not a coward: he will die with you.” So began six weeks of intense conflict along the Minnesota frontier as the Dakotas clashed with settlers and federal troops, all the while searching for allies in their struggle. Once the uprising was smashed and the Dakotas captured, a military commission was convened, which quickly found more than three hundred Indians guilty of murder. President Lincoln, embroiled in the most devastating period of the Civil War, personally intervened in order to spare the lives of 265 of the condemned men, but the toll on the Dakota nation was still staggering: a way of life destroyed, a tribe forcibly relocated to barren and unfamiliar territory, and 38 Dakota warriors hanged—the largest government-sanctioned execution in American history. Scott W. Berg recounts the conflict through the stories of several remarkable characters, including Little Crow, who foresaw how ruinous the conflict would be for his tribe; Sarah Wakefield, who had been captured by the Dakotas, then vilified as an “Indian lover” when she defended them; Minnesota bishop Henry Benjamin Whipple, who was a tireless advocate for the Indians’ cause; and Lincoln, who transcended his own family history to pursue justice.Written with uncommon immediacy and insight, 38 Nooses details these events within the larger context of the Civil War, the history of the Dakota people, and the subsequent United States–Indian wars. It is a revelation of an overlooked but seminal moment in American history.

    Cabahug" - one of over 600 overseas Filipino workers who return as corpses to this airport every year. The real Aurora, however, is very much alive, a karaoke-bar singer in the distant town of Paez; the woman in the box must be her sister Soledad who used Rory's identity to secure a job in Saudi Arabia. No one knows for sure how this woman died; the body bears signs of foul play and abuse, and now waits to be claimed at the airport.A Paez policeman, Walter, is assigned to drive out to Manila to pick up the body, accompanied by Rory. Both Walter and Rory, who vaguely know each other, find their own lives redefined by the sudden return of the dead: Walter has been left by his wife and son for a new life in England; Rory feels herself standing on the brink of great prospects, ambitions that her sister never achieved. Somewhere on its long way home, the body gets stolen, and things get even more confused than ever.

    Only four chambers, but with infinite space like memory, where there is room even for those whom we do not love. Fish-Hair Woman is a novel of many rooms running between love and war. In 1987 the Philippine government fights a total war against communist insurgency. The village of Iraya is militarised. The days are violent and the nights heavy with fireflies in the river where the dead are dumped. With her twelve-metre hair, Estrella the Fish Hair Woman, trawls the corpses from the water, which now tastes of lemongrass. She falls in love with the visiting Australian writer Tony McIntyre who disappears in the conflict. Ten years later, his son Luke is reading this story in a mysterious manuscript sent to Australia with love letters. Tony left Australia when Luke was six. Now at nineteen, he travels to the Philippines because his father is supposedly dying. On arrival he is caught in a web of betrayal that spins into the dark, magical tale of the manuscript. What is fact, what is fiction? Luke meets Stella, who could be Tony’s lover — or the Fish Hair Woman? But where is Tony? Whose story is being told? Who is telling the story? Poetic and eclectic in style, this epic tale threads a multitude of voices and stories from the Philippines to Australia, to Hawai’i, and to the reader’s world. The pool of grief, and of joy, is yours, mine, ours.