Only the next moment, though, your laptop appears out of thin air and the pristine view is replaced by an excel sheet. Welcome to Atharv’s life!A free-spirited soul, Atharv is an IIT-IIM graduate who has had an accomplished career, till he lands up with Mandira, a difficult, bordering-on-insane boss who makes her team dance to her tunes. Atharv grapples with the mounting work and the daily pressures of an urban Indian man, as Mandira finds new ways to shatter his confidence and determination. While he battles it out with this virus of a boss and her insane ways of managing work, another virus strikes the world and enters his life.At times hilarious, at times dramatic, witness this corporate slave’s roller-coaster ride as he plans his retribution from the two viruses and Dares to LIVE!

    Big sister and guardian of her family, she is thrown to the world without a harness, no guidance, and no help. Dahlia is not afraid to get her hands dirty or do the unthinkable to make sure her and her sister aren't separated. Love is foreign and get it by any means reigns supreme for her. Raising her sister was her only concern, but as her sister Deja prepares to set sail on her own journey, Dahlia is forced to focus on picking up the pieces and finding her own way. What was supposed to be a favor for his little brother turns into so much more as Ty'Key spends time peeling back the layers of Dahlia Starks. Ty' Key Patterson is handsome, strong, and willing to suffer the catastrophe of any damage Dahlia brings his way as long as she is. Both alike in so many ways, they run into different situations that could not only damage them personally but damage a long-standing friendship. Will they be able to clean up the damage or crumble like ashes scattered amongst the rubbish?

    Even all the way in California, no one’s safe. In the 5th installment of the Coke Dreams series, all your favorite couples are back and once again they are racing the clock to fight for love in this ever gripping tale where nothing is what it appears to be. Lines are crossed and battle lines are drawn. Who will come out on top and who will pay the ultimate price with their life?

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

    But these circumstances have changed their lives irreversibly, and each woman begins to look for something to satiate the cravings that she had never allowed to surface before...Joanna is dying for cake. Clare is longing to paint again. Susan want's to claw back all the time she's lost. Wendy is trying to forget the past. And Evelyn? Well, nobody knows what Evelyn wants. But how can she not want her baby back?

    Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014.

    But hidden there is a secret no one wants to confront, and when they stumble upon it the friends set off an unstoppable chain of events. A supernatural thriller of suburban teenagers fleeing a mysterious plague.

    But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    It is time to rewrite the stories. We are no longer the hero’s love interest. Neither do we believe in happily ever after. We do not wish to dance to anybody else’s tunes. We choose our path. We make mistakes. We learn from them. We love. We lose. We age. We evolve. These are stories of women. Different women. For we cannot and should not stereotype women. These stories are of relationships. These stories touch upon social issues. These stories may inspire you. These stories make you feel like you are not alone. These stories may surprise you. These stories may entertain you. I hope everybody would be able to pick something they like.

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi

     5,000 additional words completed with sex, lies, and secrets A preview of Part 2 raw, unedited, and edge of the seat drama Follow Lakisha Johnson on social media: Instagram @KishaJohnson Twitter @_LakishaJohnson