. . different from other kids' parents. As Amy explains it, when she was a girl she got to 48 inches tall and then stopped growing right there. It's the perfect height, in Sydney's opinion: big enough to reach the ice cream at the supermarket, but small enough to be special. Anyway, Sydney's big sister Jade is always there to help out with the stuff on the highest shelves. And though Sydney's dad died when she was only five, she's never felt alone or that there isn't enough love to go around. But when they are forced to move to another neighborhood, things get more difficult for their little family. Sydney and Jade have to get used to different routines, make a whole new set of friends, and deal with the bullies at their new school.And then there's the whole business of growing up. But Sydney doesn't want to grow up--not if it means getting taller than her mom.

    The number of orphans rises continually, but who can say what happens to their parents? Plenty of the bodies are never found. This is not the stuff of happy, careless childhoods, it is instead fertile ground for personal demons. In Hopeless, the demons are not always abstract concepts. Some of them have very real teeth, and very real horns. The island has been isolated for a very long time. Partly because of being small and forgotten, partly because the rocks and currents do not encourage visitors, Hopeless is surrounded by fog and overrun with nightmarish creatures, from small things with tentacles to demons and vampires. It's a peculiar place. Here, almost anything can happen, from the weird and unsettling to the darkly funny. With a cast of freaks, nutters and the odd power crazed psychopath, life in Hopeless is seldom dull. Hopeless is also about who you choose to be. The tale is a protest against apathy, and against the small evils that everyone takes for granted. The worst monsters frequently aren't the ones with the obvious teeth--who are merely dangerous by nature--but the apparently ordinary people who choose to do hideous things.

    What is it about vampires, zombies, skeletons, and other mutants brought to life in the darkest recesses of the imagination? Goth-Icky celebrates modern-day goths, their culture, and the morbid monstrosities that inspire them. Containing over 200 images from the print and advertising archives of the Charles S. Anderson Design Company in combination with a hilarious text by the legendary Michael J. Nelson, this book is an amazingly rich and weird testament to the pervasiveness of goth aesthetics, the appeal of kitsch, and our love of horror.