"SHORTA not uncommon story is here captured with astonishing beauty" the childhood of a gifted daughter whose immigrant parents must struggle in order to provide her with the educational and social opportunities not available to them or, for that matter, to most blacks of her generation. In vivid prose that re-creates the heady impressions of youth, June Jordan takes us to the Harlem and Brooklyn neighborhoods where she lived and out into the larger landscape of her burgeoning imagination. Exploring the nature of memory, writing, and familial as well as social responsibility, Jordan re-creates the world in which her identity as a social and artistic revolutionary was forged.

    Howe's theme is the exile of the spirit in this world and the painfully exciting, tiny margin in which movement out of exile is imaginable and perhaps possible. Her best poems are simultaneously investigations of that possibility and protests against the difficulty of salvation. Boston is the setting of some of the early poems, and Ireland, the birthplace of Howe's mother, is the home of O'Clock, a spiritually piquant series of short poems included in Selected Poems. The metaphysics and the physics of this world play off each other in these poems, and there is a toughness to Howe's unique, fertile nervousness of spirit. Her spare style makes a nest for the soul: Zero built a nest in my navel. Incurable Longing. Blood too— From violent actions It's a nest belonging to one But zero uses it And its pleasure is its own—from The Quietist

    Hesiod's straightforward account of family conflict among the gods is the best and earliest evidence of what the ancient Greeks believed about the beginning of the world. Includes Hesiod's "Works and Days", lines 1-201, and material from the Library of Apollodorus.

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

    But deeper under the surface are his observations on war, environmental degradation, language, and history, as a father—troubled by violence and human mismanagement of the world—offers advice to a newborn son.

    He is considered by Octavio Paz to be instrumental to the genesis of modern Latin American poetry and “one of the best poets” of the Spanish language. Toward the end of his life, he had published for over fifty years and brought in crowds of more than 3,000 to a readings in his native country. Coined the “Sniper of Literature” by Cuban poet Roberto Fernández Retamar, Sabines brought poetry to the streets. His vernacular, authentic poems are accessible: meant not for other poets, or the established or elite, but for himself and for the people.In this translation of his fourth book, Tarumba, we find ourselves stepping into Sabines’ streets, brothels, hospitals, and cantinas; the most bittersweet details are told in a way that reaffirms: “Life bursts from you, like scarlet fever, without warning.” Eloquently co-translated by Philip Levine and the late Ernesto Trejo, this bilingual edition is a classic for Spanish- and English-speaking readers alike. Secretive, wild, and searching, these poems are rife with such intensity you’ll feel “heaven is sucking you up through the roof.” Jaime Sabines was born on March 25, 1926 in Chiapas, Mexico. In 1945, he relocated to Mexico City where he studied Medicine for three years before turning his attention to Philosophy and Literature at the University of Mexico. He wrote eight books of poetry, including Horal (1950), Tarumba (1956), and Maltiempo (1972), for which he received the Xavier Villaurrutia Award. In 1959, Sabines was granted the Chiapas Prize and, in 1983, the National Literature Award. In addition to his literary career, Sabines served as a congressman for Chiapas. Jaime Sabines died in 1999; he remains one of Mexico’s most respected poets.  Philip Levine (translator) was born in Detroit, Michigan, in 1928. He is the author of sixteen books of poetry, most recently Breath (Alfred A. Knopf, 2004). His other poetry collections include The Mercy (1999); The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the first American Book Award for Poetry; 7 Years From Somewhere (1979), which won the National Book Critics Circle Award; and The Names of the Lost (1975), which won the Lenore Marshall Poetry Prize. He has received the Ruth Lilly Poetry Prize, the Harriet Monroe Memorial Prize from Poetry, the Frank O'Hara Prize, and two Guggenheim Foundation fellowships. Philip Levine lives in New York City and Fresno, California, and teaches at New York University.

    

    Last volume (E) of the anthology of the American literature from its sixteenth-century origins to the present.

    But now Stan knew he didn’t want to be the shallow bad boy Marilyn had described. He wanted to be the man Carrie Moon had loved. Loving him was all that had kept her alive. The emptiness of her marriage had made the ache of lost love burrow deeper into her heart and soul. Carrie stood transfixed between worlds: life, but emotional death if she left alone as he wanted, or death in all forms if she stayed, and the fires reached them. On a cool October evening in 1994, attorney Karen Moon enters an enchanting little jazz club, in San Diego and unexpectedly falls hopelessly in love with the star attraction, trumpeter Stan Benedict. Although Stan is a world class flirt, who has every woman in the audience longing to go home with him, Karen hears a deeper truth in his music. Behind the performer’s confident, shallow mask is a vulnerable, lonely man longing to be loved. Karen risks her chance of partnership at Warrick, Thompson by secretly crossing ethical boundaries to save the club from destruction by her client, Waterfront Development. She and Stan begin a tumultuous affair that culminates in an unplanned pregnancy and a hasty marriage. But their relationship is increasingly threatened by the demands of Karen’s job as a highly paid securities lawyer and by the rising crescendo of Stan’s frequent infidelities. Through mounting heartbreak, Karen struggles to hold on to Stan until they are swept apart by a tide of personal and professional loss. Thirteen years later, longing for forgiveness, Stan reappears in Karen’s life. Now a superior court judge and married to Warrick, Thompson partner Howard Morgan, Karen is faced with Howard’s threats to destroy her if she leaves their marriage. Ride Your Heart ‘Til It Breaks is an unforgettable, intricately woven tale of passion, loss, self-discovery, and redemption.

    While clearly guilty of lust and murder, these unsavoury characters become startlingly heroic under pressure, challenging both conventional moral judgements and oppressive social forces."This revised student edition contains a lengthy new introduction with background on the author, date and sources, theme, critical interpretation and stage history. The introduction discusses Webster's radical experimentation with tragic modes, his interest in the heroic potential of women, and evaluates the handling of both in recent stage productions.

    The paintings are in brilliant color and each features the Japanese parasol.Matsuo Basho (1644 - 1694) was born Matsuo Kinsaku during the early Edo period in Japan. During his lifetime, Basho was recognized for his work in a poetic form that was a precursor to the haiku. Over the course of time, Basho became recognized as an unparalleled master of the haiku. His work is internationally renowned, and his poems are reproduced at many historical sites in Japan.

    --Hanoi to Hoboken: a round trip ticket --Living with other women --Take a lesbian to lunch --The last straw --The shape of things to come --Roxanne Dunbar --Gossip --Leadership vs. stardom --The last picture show --A manifesto for the feminist artist --Love song for feminists from Flamingo Park --I am a woman --The good fairy --It's all Dixie cups to me --The lady's not for burning.

    To make Oedipus more accessible for the modern reader, our Prestwick House Literary Touchstone Classics includes a glossary of the more difficult words, as well as convenient sidebar notes to enlighten the reader on aspects that may be confusing or overlooked. We hope that the reader may, through this edition, more fully enjoy the beauty of the verse, the wisdom of the insights, and the impact of the drama.

    It was nominated for all three major American book awards: the National Book Critics Circle Award, the Pulitzer Prize for Poetry, and the American Book Award.

    this Almanack, which all ladies should carry about with them, as the Priest his Breviary, as the Cook his Recipes, as the Doctor his Physic, as the Bride her Fears, and as the Lion his Roar!'Djuna Barnes wrote her Ladies Almanack for fun, a 'slight satiric wigging', as she called it in her Foreword, to amuse her circle of expatriate friends with the tale of Evangeline Musset who took her whip in hand and 'set out upon the Road of Destiny'. It has since become a cult classic, a unique work that combines visual artistry with literary parody, bawdy humour and an unconstrained zest for the sensual pleasures of love and friendship between strong-minded women.