His humor and short fiction appear in various publications throughout the Southeast.

    Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

    John HarrisonGahan WilsonThe anthology market these days is awash with small, themed works focused on very specific markets, like vampire erotica and tales of werewolves, or it features best of the year reprints. It has been years since anyone has dared to bring out a broad-reaching anthology that seeks to define the current state of the genre with all original tales from both masters and hot new writers.

    Born in 1894 into a poor Maryland family, Hammett left school at fourteen and held several jobs before joining the Pinkerton National Detective Agency as an operative in 1915 and, with time off in 1918 to serve at the end of World War I, he remained with the agency until 1922, participating alike in the banal and dramatic action of an operative. The tuberculosis he contracted during the war forced him to leave the Pinkertons--but it may well have prompted one of America's most acclaimed writing careers.While Hammett's life on center stage has been well-documented, the question of how he got there has not. That largely overlooked phase is the subject of Nathan Ward's enthralling The Lost Detective. Hammett's childhood, his life in San Francisco, and especially his experience as a detective deeply informed his writing and his characters, from the nameless Continental Op, hero of his stories and early novels, to Sam Spade and Nick Charles. The success of his many stories in the pulp magazine Black Mask following his departure from the Pinkertons led him to novels; he would write five between 1929 and 1934, two of them (The Maltese Falcon and The Thin Man) now American classics. Though he inspired generations of writers, from Chandler to Connelly and all in between, after The Thin Man he never finished another book, a painful silence for his devoted readers; and his popular image has long been shaped by the remembrance of Hellman, who knew him after his literary reputation had been made. Based on original research across the country, The Lost Detective is the first book to illuminate Hammett's transformation from real detective to great American detective writer, throwing brilliant new light on one of America's most celebrated and remembered novelists and his world.

    Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.

    We will be publishing it in 3 volumes, the first in 2003 and one each year following.RICHARD MATHESON: COLLECTED STORIES is the gathering together of 86 Richard Matheson short stories, beginning with Born of Man and Woman from 1950 and ending with Duel from 1971. The stories were arranged by Matheson himself roughly in chronological order of original publication. There are also several tributes to Richard Matheson throughout the volumes from admirers such as Stephen King, Ray Bradbury, Robert Bloch, William F. Nolan, and others. Finally, Matheson wrote a deeply revealing Introduction for the collection. As Matheson himself states in this Introduction, "A twenty-year period of creativity reduced to the psychological background of my output of fantasy and science-fiction stories. If this were a thesis, that would be my premise".For the Volume One, editor Stanley Wiater has included:> A "bibliophile" at the end of each story containing Matheson's very own commentary on the behind-the-scenes details of each story. Each story is also listed with it's original publication date and place of publication.> A brand new introduction written expressly for this version of the bookEach subsequent volume of RICHARD MATHESON: COLLECTED STORIES that we publish will include the Matheson bibliophiles with each story.

    They represent the crowning achievements of his career.O’Neill described Ah, Wilderness! as “the way I would have liked my boyhood to have been.” Set in the summer of 1906, it affectionately depicts the warm, close family of 16-year-old Richard Miller and the innocence with which he faces the trials of first love, strong drink, and sexual temptation.John Loving, hero of Days Without End, is split by his lack of faith into two selves: John and his Mephistophelian double Loving, who wears John’s death mask and plots his destruction. Burdened by guilt but desperately wanting to love, John struggles with Loving’s nihilistic hatred in what O’Neill termed his “modern miracle play.”In A Touch of the Poet, Irish tavern-keeper Con Melody is drawn by his proud past as a Byronic cavalry hero of the Napoleonic Wars toward a fatal confrontation with his wealthy Yankee neighbors, the Harfords.Throughout More Stately Mansions, the idealistic yet cunning Simon Harford, his wife, Sara Melody Harford, and his mother, Deborah, continually shift roles and alliances as they engage in an eerie psychological and sexual battle for possession of each other and their own maddeningly elusive dreams. This volume presents the never-before-published complete text of the revised typescript for this unfinished play.The derelict inhabitants of Harry Hope’s saloon in The Iceman Cometh find solace in their comradeship until their drifting calm is destroyed by the visiting salesman Theodore Hickey, who insists that they abandon all “pipe dreams” and face the truth about their lives. O’Neill carefully orchestrates the voices of over a dozen characters to form a chorus of overwhelming despair and surprising compassion.Hughie is a one-act dialogue between a reminiscing gambler and a weary hotel night clerk about the promise and loneliness of city life.Long Day’s Journey into Night unsparingly dissects the pain, rage, guilt, and love that drive a wounded family apart and bind it together. In their summer home the four Tyrones—James, a proud actor haunted by poverty, his devout, morphine-addicted wife, Mary, and their sons, Jamie, a cynical drunkard, and Edmund, an aspiring poet—slowly unveil the truth about their lives until they can no longer hope either to save or to escape one another. Published and produced posthumously, it won O’Neill his fourth Pulitzer Prize.In its elegiac coda, A Moon for the Misbegotten, Jamie Tyrone seeks the peace that has long eluded him in the arms of sharp-tongued Josie Hogan.The volume concludes with “Tomorrow” (1917), O’Neill’s only published short story.

    In an uncompromising, often irreverent survey of the genre from Edgar Allan Poe to Philip K. Dick to Star Trek, Thomas M. Disch analyzes science fiction's impact on technological innovation, fashion, lifestyle, military strategy, the media, and much more. An illuminating look at the art of science fiction (with a practitioner's insight into craft), as well as a work of pointed literary and cultural criticism, The Dreams Our Stuff Is Made Of reveals how this "pulp genre" has captured the popular imagination while transforming the physical and social world in which we live.

    Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography--the first full-length life of Keats in almost forty years--the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is possible with most writers; and there are times during the period of his greatest creativity when his personal as well as his artistic life can be followed week by week.The development of Keats's poetic craftsmanship proceeds simultaneously with the steady growth of qualities of mind and character. Mr. Bate has been concerned to show the organic relationship between the poet's art and his larger, more broadly humane development. Keats's great personal appeal--his spontaneity, vigor, playfulness, and affection--are movingly recreated; at the same time, his valiant attempt to solve the problem faced by all modern poets when they attempt to achieve originality and amplitude in the presence of their great artistic heritage is perceptively presented.In discussing this matter, Mr. Bate says, "The pressure of this anxiety and the variety of reactions to it constitute one of the great unexplored factors in the history of the arts since 1750. And in no major poet, near the beginning of the modern era, is this problem met more directly than it is in Keats. The way in which Keats was somehow able, after the age of twenty-two, to confront this dilemma, and to transcend it, has fascinated every major poet who has used the English language since Keats's death and also every major critic since the Victorian era."Mr. Bate has availed himself of all new biographical materials, published and unpublished, and has used them selectively and without ostentation, concentrating on the things that were meaningful to Keats. Similarly, his discussions of the poetry are not buried beneath the controversies of previous critics. He approaches the poems freshly and directly, showing their relation to Keats's experience and emotions, to premises and values already explored in the biographical narrative. The result is a book of many dimensions, not a restricted critical or biographical study but a fully integrated whole.,

    His illuminating and accessible discussion is a characteristically skillful and compelling synthesis of hard scientific theory, factual evidence, personal anecdotes, haunting reflection, and poetic prose.

    Unseen family photographs and 16 pieces of previously unpublished ephemera - such as handwritten manuscript notes, typed early drafts, lengthy journal entries, and doodles for King's college newspaper - complete this tangible tour. Packed with fascinating biographical details, literary interpretations, and personal memorabilia, The Stephen King Illustrated Companion is a must-have addition to any true fan's library.About the author: Bev Vincent is the Bram Stoker Award-nominated author of The Road to the Dark Tower, an authorized companion to King's Dark Tower series. Vincent has published more than fifty of his own short stories. He lives in Texas.

    One tale recounts the author's search for a Kafka story that can only be found in an elusive and quite possibly cursed edition. Other stories feature humans dressing in full-body protective exoskins in the personas of old Hollywood movie stars to barter old Earth movies for an alien aphrodisiac and a young boy coming to terms with creation and moulding his own man out of detritus from a nearby forest. In the title story, a great fantasy writer loses touch with the world he has created and pleads with his young assistant to help him visualise the story's end and enable him to complete his greatest novel ever.

    The original ASIN: B00K6N7K0O.THE NEW NOVEL FROM THE AUTHOR OF THE #1 BESTSELLER THE STONE MAN Hugo award-winning website Martin Hogan is being watched, all of the time. He just doesn't know it yet. It started a long time ago, too, even before his wife died. Before he started walking every day. Before the walks became an attempt to find a release from the whirlwind that his brain has become. He never walks alone, of course, although his 18 month old son and his faithful dog, Scoffer, aren't the greatest conversationalists. Then the walks become longer. Then the other dog starts showing up. The big white one, with the funny looking head. The one that sits and watches Martin and his family as they walk away. All over the world, the first attacks begin. The Brotherhood of the Raid make their existence known; a leaderless group who randomly and inexplicably assault both strangers and loved ones without explanation. Martin and the surviving members of his family are about to find that these events are connected. Caught at the center of the world as it changes beyond recognition, Martin will be faced with a series of impossible choices ... but how can an ordinary and broken man figure out the unthinkable? What can he possibly do with a head full of knives? Luke Smitherd (author of the Amazon bestseller THE STONE MAN and THE BLACK ROOM series) asks you once again to consider what you would do in his latest unusual and original novel. A HEAD FULL OF KNIVES is a supernatural mystery that will not only change the way you look at your pets forever, but will force you to decide the fate of the world when it lies in your hands.

    Illustrator Lucy Brighton loves her work. Her animal characters Izzy, Bizzy, and Lizzy have their own comic strip, card line, and children’s cartoon, and their popularity has given Lucy financial stability and freedom. Yet none of that quite erases the lingering ache of a cold, lonely childhood. Sent away to boarding school at ten, Lucy spent little time with her parents afterward, and her few visits home only seemed to widen the gap between them. Even though she still lives in the New Jersey house where she grew up, Lucy has had little contact with her parents since they moved to Florida five years ago. Then Lucy receives a call to say that her mother and father have been killed in a car crash. While settling their affairs in Florida, Lucy begins to realize how little she really knew about their lives. She has no way to explain the mysterious safe in their bedroom, with its cache of fake passports, cash, and weapons. Everything in the house is neat, scrupulously clean, almost too picture-perfect. What secrets were the Brightons keeping? Were they even who they claimed to be? When Luke Kingston, the developer who helped build her parents’ home, calls to pay his respects, he and Lucy strike up a friendship that promises more. But before Lucy can explore a future with him she knows she must uncover the truth—even if it changes everything she once believed about her parents, and about herself.

    Photos throughout.