Opening with his childhood in working-class Belfast, in a neighborhood of drinkers and dreamers, Branagh describes the fires of early ambition that drew him to the stage and to the plays of Shakespeare. At age twenty-four he founded his own actor's troupe with the goal of performing those plays; at twenty-eight, he directed and starred in the movie of "Henry V," the role that won him international fame. "Beginning" is crammed with colorful anecdotes and insights into the actor's and director's craft, including: Stories about Olivier, Gielgud, Finney, Jacobi, and a private audience with Prince Charles to research the role of Henry VAd-libbing Shakespeare when props are missingThe differences in performing on stage, television, and large-screen filmsA near-miss in landing the role of Mozart in the film "Amadeus": an actor's dream turned nightmareRaising millions from scratch and filming "Henry V" in seven weeksWritten with great humor and a natural storyteller's gift, "Beginning" is an intriguing book for anyone interested in theater and film.

    "Never go to a meeting without a strategy."  "Ride the horse in the direction it's going."  These are just two of the gems unearthed from the trenches of Hollywood by Lynda Obst, one of the most successful producers in the  movie business today.  In Hello, He Lied, Obst offers real, practical advice to would-be professionals in any field: "Thou shalt not cry at work," "thou shalt not appear tough," "thou shalt return all thy phone calls," and more.  She takes us inside high-pressure meetings with David Geffen, onto the set of Sleepless in Seattle, and into the heated negotiations for The Hot Zone and reveals what she's learned in more than twenty years in the business: how to swim with the sharks--and not get eaten.

    Read the great reviews for these dynamic new titles. Expect more titles to come.

    But then he loses their home and abandons her, leaving Eliza with no choice but to return to her parents’ house.She inadvertently attracts the attention of the ruthless mine owner Jonathan Moore. But can she sacrifice her reputation to protect her son?

    Admired for its clarity and zest, Impro lays bare the techniques and exercises used to foster spontaneity and narrative skill for actors. These techniques and exercises were evolved in the actors' studio, when he was Associate Director of the Royal Court and then in demonstrations to schools and colleges and ultimately in the founding of a company of performers called The Theatre Machine.Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills' and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific approaches which Johnstone has himself found most useful and most stimulating. The result is a fascinating exploration of the nature of spontaneous creativity.

    Chekhov's simple and practical method - successfully used by professional actors all over the world - trains the actor's imagination and body to fulfil its potential. This handbook for actors (and directors) has been revised and expanded by Mala Powers. It includes: a previously unpublished chapter on 'Psychological Gesture', translated into English by the celebrated director Andrei Malaev - Babel; a new biographical overview by Mala Powers; and a foreword by Simon Callow

    FOG The Yankee sharpshooter turned out to be a lousy judge of character. He had three officers in his sights, a captain and two lieutenants. If he killed the right one, the Union Army’s victory at the Battle of Martin’s Hill would be guaranteed. So he made his choice and killed the Rebel cavalry’s commanding officer, Captain von Hartz. Big mistake. He should have concentrated on the small, insignificant-looking first lieutenant instead. Because the death of Captain von Hertz put Dusty Fog in command of the Texas Light Cavalry’s hard-riding, harder-hitting Company ‘C’. And with Dusty at their head, there was going to be hell to pay for the Bluebellies. ABOUT THE AUTHOR John Thomas Edson was born at Worksop, Nottinghamshire, on February 17 1928, the son of a miner who was killed in an accident when John was nine. He left Shirebrook Selective Central School at 14 to work in a stone quarry and joined the Army four years later. As a sergeant in the Royal Army Veterinary Corps, Edson served in Kenya during the Emergency, on one occasion killing five Mau Mau on patrol. He started writing in Hong Kong, and when he won a large cash prize in a tombola he invested in a typewriter. On coming out of the Army after 12 years with a wife and children to support, Edson learned his craft while running a fish-and-chip shop and working on the production line at a local pet food factory. His efforts paid off when Trail Boss (1961) won second prize in a competition with a promise of publication and an outright payment of £50. The publishers offered £25 more for each subsequent book, and with the addition of earnings from serial-writing for the comic Victor, Edson was able to settle down to professional authorship. When the comic's owners decided that nobody read cowboy stories any more, he was forced to get a job as a postman (the job had the by-product of enabling him to lose six stone in weight from his original 18). Edson's prospects improved when Corgi Books took over his publisher, encouraged him to produce seven books a year and promised him royalties for the first time. In 1974 he made his first visit to the United States, to which he was to return regularly in search of reference books. He declared that he had no desire to live in the Wild West, adding: "I've never even been on a horse. I've seen those things, and they look highly dangerous at both ends and bloody uncomfortable in the middle. My only contact was to shoot them for dog meat." His heroes were often based on his favourite film stars, so that Dusty Fog resembled Audie Murphy, and the Ysabel Kid was an amalgam of Elvis Presley in Flaming Star and Jack Buetel in The Outlaw. Before becoming a recluse in his last years, JT's favourite boast was that Melton Mowbray was famous for three things: "The pie, Stilton cheese and myself but not necessarily in that order."

    Deprived of love and respect from his family, Eddie is renamed 'Dirk Diggler' and conquers the world of porn, but manages to retain his essential innocence. As the turbulent seventies shade into the hedonistic eighties, Dirk's career goes into a tailspin; but he is rescued by the safety net of the extended family fostered by hard-core movie director Jack Horner.Paul Thomas Anderson's screenplay is exemplary in its ability to interweave the stories of its large cast of characters. In accord with the wisdom of the Roman dramatist Terence (who claimed, 'Nothing human is alien to me'), Anderson has engaged with a side of life widely considered to be irredeemably sleazy, and has mined humour, sadness and compassion out of his unlikely subject matter.

    It is written in an easy-to-remember way which links the theory back to your practical driving experience to help you really understand.

    Internationally-renowned directing coach Weston demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis and preparation, how actors work, and shares insights into the director/actor relationship.

    

    Although still loving to his wife and daughter, Samuel struggles to settle down to normal, civilian life, and Faith seems unable to reignite their old passion. Then Leonie Bonnard, a shy young Frenchwoman arrives, telling Faith she is a war widow looking for a room to rent for herself and her young child. Faith takes her in, but when Samuel comes face to face with the 'lodger' he realises that his past has caught up with him: he is the father of her child. Leonie threatens to tell Faith everything, and insists that Samuel leave his family for her. How will Faith react when she realises her life has been wrecked by a trusted interloper?

    In this highly readable, witty and colourful autobiography, reissued by Aurum Press in B-format using the original uncensored text, Flynn reveals himself and his remarkable life as he did nowhere else.

    In How to Write a Selling Screenplay, he takes writers through the entire process, from developing a story to finding the best agent. Using an annotated version of an often-optioned screenplay of his own, and citing examples from movies ranging from Casablanca and Lethal Weapon to Sling Blade and The English Patient, he discusses how to create three-dimensional characters, find a compelling story, build an airtight plot structure, fine-tune dialogue, and much more. Keane's tips on the difference between writing for film and television, as well as his advice on dealing with Hollywood movers and shakers, make this an essential companion for people writing their first--or their fortieth--screenplay.

    My Own Private Idaho charts the pilgrimage of a narcoleptic hustler who is searching for his long-lost mother in a world absent of love.