There is no swiping left. No creepy location tracker. Definitely no unsolicited pics of areas of the anatomy literally no one wants to see. She's made dating great again: personal, patient... and profitable. Her startup is going from strength to strength, the brand her very own happy marriage (her wedding went viral), and now she even has celebrities wanting to use her services.Caitlin is living the perfect life.Except it's all a perfect lie. And Caitlin doesn't know how long she can keep it up.In an era of social media and dating apps, when we have never been more connected yet more isolated, the matchmaker is a story about love, loss and loneliness, and learning to accept your reality.This is an emotionally charged, funny and warm novel, perfect for fans of THE MAN WHO DIDN'T CALL by Rosie Walsh, SOME KIND OF WONDERFUL by Giovanna Fletcher and IT STARTED WITH A TWEET by Anna Bell.

    But in the hood the Prince Charming are ballers and we dream of living happily ever Rich! Now imagine being swept off your feet and upgraded from a nobody into a ghetto superstar. Imagine a life of nothing but the best; clothes, jewels, whips and homes. Just picture your life as baller's bit*h! Ask yourself how much are you willing to sacrifice to be the hottest chick in the game? When Emerald found her ghetto Prince Charming Dollar he quickly upgraded her into a overnight ghetto superstar. Spoiling her with the hottest whips, the finest clothes, the fliest jewels and an unlimited cash allowance. Emerald represented a baller's chick to the fullest; she lived, breathe and swore by the hustlers anthem Balling! The night Dollar asked Emerald to marry him; she knew all her blood, sweat and spit had paid off. She'd be forever fly; Emerald knew the life of a baller's wife could only get more luxurious. But when a drop goes bad and Emerald back is pushed against the wall. How much will she be willing to sacrifice to stay at the top spot? Come ride along with Emerald while she discovers the truth about being a Baller's bit*h!

    From his own observations, recorded over the years in his diaries, to famous sayings by celebrated writers, poets and philosophers, this is a delightful compilation of thoughts on love, friendship and family. Told with the heartwarming simplicity that characterizes Ruskin Bond, this book, much like a good friend, is one you can turn to at any time, for comfort and company.

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."

    Tree, a six-foot-three-inch twelve-year-old, copes with his parents' recent divorce and his failure as an athlete by helping his grandfather, a Vietnam vet and recent amputee, and Sophie, a new girl at school.

    Now, on the anniversary of that ominous night, a girl-child ripens into the heritage of lost power. But before she can even comprehend her terrible new gift, the Dark Lord dispatches his winged monsters to capture her and bring him the embryonic magic she embodies.Fleeing the minions of darkness, Elena is swept toward certain doom-and into the company of unexpected allies. Aided by a one-armed warrior and a strange seer, she forms a band of the hunted and the cursed, the outcasts and the outlaws, to battle the unstoppable forces of evil and rescue a once-glorious empire...

    He's got a choice. Stay or leave. Go back to where it all went wrong, or simply get out of the county. Disappear. Start again as someone else.But it's not as simple as that.There's the matter of the man he killed. It wasn't murder, but even so. You tell that to the family. Especially when that family is the Mintons, who own half that's profitable and two-thirds of what's crooked between the Wolds and the coast. And who could have got to Matlock as easy as you like in prison, but who haven't touched him. Not yet.And like Matlock found out in prison, there's no getting away from yourself, so what would the point be in not facing up to other people?It's time to go home.East of England blends a rural take on the noir thriller with a fascination with the British industrialised countryside that lies east of the Wolds, between the Humber and the Wash. Unlit byways rather than the neon-bright and rain-slicked city. A world of caravan parks, slot machines, and low-rise battery farms.The flatlands of the east coast; decaying market towns and run-down resorts, and the distant throb of offshore windfarms. Where the smell you're trying to get out of your clothes is the cigarette taint of old phone boxes and bus shelters, and where redemption, like life, is either hard-earned or fought for, one way or another.

    When an old scrapbook stirs memories, Billy Bryan looks back to the year 1947 when he was playing winter ball in Cuba, enjoying Havana's decadent nightlife, and dreaming of a major-league career.

    While he's generous with his money, he also makes the community work for it. He's the same with his family. No free handouts. What he gives has strings attached. Dax decides it's time for his fiercely independent, almost-thirty year old granddaughters to settle down. He wants them to find love and give him great-grandchildren before his lights go out. And he knows how to make it happen. Prompted by love, guilt and a desire to own their own business, the Dawson triplets -- Joy, Noelle and Christi -- enter into a Christmas contract that will change their lives forever. Finding true love is a unique adventure, so each girl has their own story. The outcome for all three, however, funnels into one giant happily-ever-after.

    But as she and her daughter, Penelope, eagerly pursue their genealogical interests, they are also being pursued - by Callum MacGregor, an English police inspector who thinks he is cornering two art thieves, and by a pair of mysterious characters with more sinister motives. Who are the real thieves? Is anyone who she seems? Set among the ancient ruins, bustling city streets, and wild beauty of 1920s Scotland, Who Goes There? is full of intrigue and surprises. Best-selling author Susan Evans McCloud delivers again in a thriller that will keep readers entranced until the final page.

    The pay isn't great, and grouting and plumbing aren't dream work, but the rent is free, and it gives her more time to work with the disadvantaged inner-city kids she tutors.One of those kids, Travis, confides in Dana that he believes a fatal fire in a low-income housing building was actually the work of an arsonist, and not the accident it was deemed. Dana begins investigating, but her snooping unearths more questions than it answers. What does a wealthy real-estate mogul have to do with the fire? What does a teenage drug lord know about it? And can Dana-with the help of her wisecracking friends-solve the case between leaky faucets, loose tiles, and whiny tenants?

    Linda Pastan writes, "the art that mattered / was the life led fully / stanza by swollen stanza." That life is portrayed here, from memories of the poet's earliest childhood and the ambiguities of marriage and love to the surprises that come with age, always with a consciousness of what is happening in the larger world.

    His former identity as a successful investment banker and eligible bachelor has disappeared. A beleaguered graduate student, she's got no money, no man, and no Ph.D., yet. A year of predoctoral research in Haiti leaves Noire drained. And a trip home to Côte d'Ivoire offers Innocent little more than intermittent sexual gratification. In the aftermath of 9/11, Innocent and Noire are back in New York City and find solace in each other's bed. But even that arrangement collapses under the weight of Innocent's revelation that he has unfinished business in Africa. For Innocent and Noire, patching together their unraveling lives becomes an exercise in hope and humility. With Hunger, Turnipseed lives up to the promise of A Love Noire and has matured into a writer who fearlessly explores the intersection of sex, love, identity, and loss in a cross-cultural context.

    Casey LePointe West is heiress to one of the greatest fortunes in America. Now, as Hurricane Katrina roars toward New Orleans, these two women are finding common ground in a city of ghosts and grandeur...Alexa as the FBI’s representative in a case guaranteed to destroy careers, and Casey as a woman whose husband has gone missing—and who herself may be the next victim of a brilliant manipulator’s rage. From the violent wards of an insane asylum to the primordial Louisiana swamps, Alexa is entering the darkest corners of a deadly mystery, peeling back layers of family secrets, hidden relationships, and a twenty-five-year-old crime. And as a raging hurricane gathers strength, she is plunged into a frantic race against time, in the eye of a storm of violence...and just where a ruthless killer wants her to be.

    But when he retires, his Irish-born wife, Mary, wants to leave America and go home -- where the ocean is near and the butter has flavor.Somewhat grudgingly, Lyle agrees, but during their years in Galway, they discover that the surprises of life are not over. Going home is more complicated than butter and the bay, and thirty content years does not mean that a couple is immune to romantic intrigue. In this new life, while Mary and Lyle are rediscovering each other and building a richer life together, an unexpected event forces Lyle to decide where his home truly is.Told in "quiet stories with emotions like old stepping-stones that have sunk beneath the surface" (Christian Science Monitor), Beth Lordan's evocative and heartfelt novel explores the complex emotional terrain of mature marital relationships.