Including classic pieces such as Postcard from Rome, and his observations on Margaret Thatcher, it contains funny examinations of characters like Barry Humphries, while elsewhere showcasing James's more reflective and analytical style.

    J.G. Ballard finally achieved world recognition when Steven Spielberg filmed his autobiography (childhood til age 15) in Empire of the Sun. But Ballard has been a visionary iconoclast since the 50s, beginning with his trilogy of disaster novels, The Burning World, The Drowned World, and The Crystal World, and most notoriously, his automobile death-wish classic, Crash, about the psychopathology of the car crash. He predicted Ronald Reagan as president 15 years before it happened! This volume contains long interviews, including one by soundtrack composer/SPK founder Graeme Revell, stories, a biography, bibliography, and many provocative quotations. Ballard is possibly the most futuristic philosopher of the 20th century.

    As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar.Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

    It is literature which draws on popular culture, and engages in speculation about science, history, and all varieties of social relations. This volume brings together essays by scholars and practitioners of science fiction, which look at the genre from different angles. It examines science fiction from Thomas More to the present day; and introduces important critical approaches (including Marxism, postmodernism, feminism and queer theory).

    As reported by a much-followed columnist and awarded journalist, these rich, fascinating, and occasionally disturbing stories of settlements follow people living throughout New Zealand, from Kawakawa in the north to Mosgiel in the south, and Samoa and Antarctica overseas. Funny, moving, and at times terrifying, this book provides a platform from which New Zealand reveals itself and proves that rarely are people and places as they first appear.

    They shield themselves from the tabloids, hide their personalities behind professionalism, and in the words of the cliché, 'do their talking on the pitch'. This book gets up close to them. The Football Men is not a series of celebrity profiles, and it doesn't attempt to unearth secrets in the players' private lives. Rather, it portrays these men as three-dimensional human beings. It describes their upbringings, the football cultures they grew up in, the way they play, and the baggage that they bring to their relationships at work. This multimillion-pound, multinational world is mostly inhabited by ordinary men. The profiles in this book are sometimes funny, but never breathless or sensational. Some of the profiles in this book are based on interviews; others are the results of time the author spent with that person; sometimes the profile is a story of a country. All are fascinating and shed light on their subject to reveal things you wouldn't expect. From one of the great sports writers of our time this is a penetrating and surprising collection of articles on the figures that have defined the modern sporting world.

    He seemed pointed toward stardom, but would it be in basketball, his true favorite, or maybe in track, where he qualified for the 2008 U.S. Olympic Trials as a hurdler? As for playing football, the only sport that really mattered in Griffin’s small Texas town, first he had to overcome his mother’s objections to the violence and danger—which he did by making a “Pinkie Promise” with her that no one would catch him. Eventually, he began to realize that all of his remarkable talents—unrivaled speed, pinpoint accuracy, exceptional intelligence, single-minded drive—combined into a potent force that few quarterbacks could rival. What followed seemed almost destined: a football scholarship to Baylor University, three exceptional seasons capped by winning the Heisman Trophy, and the 2012 draft—where Griffin, as the second overall pick, became the franchise quarterback for one of the oldest and most storied football teams in the country.In RG3: The Promise, Washington Post reporter Dave Sheinin provides an in-depth, behind-the-scenes look at Griffin’s first year in the NFL, from his record-breaking first game to the frightening knee injury that ended the Redskins’ playoff hopes. An award-winning journalist himself, Sheinin has reported on Griffin’s rookie season every step of the way, and now has written a unique, intimate look inside the transformation of one of the NFL’s brightest young stars.

    A pioneering noise musician and countercultural maven, from the late 1970s to the present Rice has worked in an array of capacities, playing the roles of: musician, performer, artist, photographer, essayist, interviewer, editor, occult researcher, filmmaker, actor, orator, deejay, gallery curator and tiki bar designer, among others. First coming to prominence as an avant-garde audio experimentalist (recording under the moniker NON), Rice was a seminal founder of the first wave of industrial music in the late 1970s. In the 1980s, through collaborations with Re/Search Publications, Rice further established his position in underground with recountings of his uproarious pranks and the promotion of "incredibly strange" cult films and "industrial" culture. Rice's influence on subculture was further exerted through his vanguard exhibition of found photographs and readymade thrift store art, as well as his adamant endorsements of outsider music, tiki culture and bygone pop culture in general. Rice is also notorious for his public associations with nefarious figures both infamous and obscure, including friendships and ideological collusions with the likes of cult leader Charles Manson and Church Of Satan founder Anton LaVey, among others. His work continues to profoundly affect the countercultural underground at large, inspiring and enraging in equal measure. STANDING IN TWO CIRCLES contains: Essays 1986-2007 / Lyrics 1988-2007 / Art & Photography (38 plates) STANDING IN TWO CIRCLES also includes an extensive biography of Boyd Rice from the 1970s to the present, by the book's editor, Brian M Clark.

    Kilkenny were beaten in that final by Tipperary but Tyrrell’s inner-most thoughts from his diary, both in the lead-up to, and after the game, provide the narrative to a compelling life story. His unique insights paint the picture of a relentless individual and a relentless team – the most successful side in the history of Irish male sport. The intrigue and aura around Kilkenny coach Brian Cody and his players was always heightened because very little ever emerged from the camp, or the dressing room. Now, for the first time, Tyrrell opens a unique window into the elite mindset and attitude which forged such unprecedented success. Tyrrell’s own journey is chronicled with brutal and unwavering honesty. The hurling legend’s constant drive to be a winner with his beloved county have pushed him towards breaking point many times. Tyrrell operates somewhere between obsessed and maniacal. On the pitch, he displayed the ruthless mentality of an assassin but behind it all, he had to conquer crippling self-doubt and fear. It took until his fourth successive All-Ireland final for Tyrrell to believe he had finally arrived as a senior inter-county hurler, going on to become one of the most feared and respected defenders in the game.

    The electrical grid will come back up. The government will reassure the panicked populace. The hurricanes, tornadoes, and earthquakes will abate. Most importantly, Cameron’s husband and daughter will get home safely from New York City. Instead, Cameron finds herself alone as the world tears itself apart. Her best hope for refuge is the family’s isolated cabin, but distance isn’t the only obstacle Cameron faces. Society has been destroyed, and a bunch of scared, confused people are trying to figure out how to survive. They need a leader with a firm grip on reality and a steady hand, but does Cameron want the responsibility of so many lives? Meanwhile, Cameron’s family travels across a ruined America in a quest to reunite with her. Alex believes that his wife is safe at their cabin in the Pacific Northwest, but he doesn’t know if his diabetic daughter, Piper, can survive the journey without access to insulin. As father and daughter fight to survive, they bear witness to not only the horrific violence desperation unleashes but also the grace and compassion of ordinary people.

    Essays from a tiny diner in the middle of the country.These are stories of love and adaptation at the broad intersection of commerce and community, and of how a pandemic changed everything and nothing about us.

    A collection of humorous essays, accompanied by the author's own bizarre drawings, presenting Thurber's unremitting retort to the multitude of "self-help" books which were widespread in the 1930s and whose successors are still with us today.

    The first is a sharp analysis: through dialogues, parodies and essays, Burgess sheds new light on what he called 'an apocalyptic codex of our worst fears', creating a critique that is literature in its own right. Part two is Burgess' own dystopic vision, written in 1978. He skewers both the present and the future, describing a state where industrial disputes and social unrest compete with overwhelming surveillance, security concerns and the dominance of technology to make life a thing to be suffered rather than lived. Together these two works form a unique guide to one of the twentieth century's most talented, imaginative and prescient writers. Several decades later, Burgess' most singular work still stands.

    "Heaven and Mel" is Eszterhas's explosive, unabridged, no-holds-barred account. It is a Hollywood story but it's not. It is the story of love and hatred, of anti-Semitism and fathers and sons, and of a movie star's tragic sexual obsession. It is the story of God and the Devil, devastating but often hilarious. It is Joe Eszterhas at his best: two-fisted, movingly sensitive, always outrageous.

    Scribble grammar has no neighbor. In the name of reason I need to record something because I am a survivor in this ocean.