Collection of poems rising from and returning to Bukowski's personal experiences reflect people, objects, places, and events of the external world, and reflects on them, on their way out and back.

    Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.Table of ContentsIntroductionThe Psycho-Epistemology of ArtPhilosophy and Sense of LifeArt and Sense of LifeArt and CognitionBasic Principles of LiteratureWhat Is Romanticism?The Esthetic Vacuum of Our AgeBootleg RomanticismArt and Moral TreasonIntroduction to Ninety-ThreeThe Goal of My WritingThe Simplest Thing in the WorldIndex

    Now revised, it includes up-to-date work on variants, chronology of the poems, and critical commentary by Harold Bloom. An "Approved Edition" of the Center for Scholarly Editions of the Modern Language Association.

    Poetry was at the center of Jack Kerouac’s sense of mission as a writer. “I’d better be a poet / Or lay down dead,” he wrote in “San Francisco Blues.” The celebrated “spontaneous bop prosody” of his prose was a direct outgrowth of the poetry that filled his notebooks throughout his writing life. This landmark edition gathers for the first time all of Kerouac’s major poetic works—Mexico City Blues, The Scripture of the Golden Eternity, Book of Blues, Pomes All Sizes, Old Angel Midnight, Desolation Pops, Book of Haikus—along with a rich assortment of his uncollected poems, six published here for the first time.Kerouac wrote poetry in forms as diverse as the classical Japanese haiku (and his own American variants of it, which he sometimes called “Pops”), the Buddhist sutra, the prose poetry of Old Angel Midnight (which he described as “the haddal-da-babra of babbling world tongues coming in thru my window at midnight”), doggerel ballads and free-form songs, the psalms preserved in early notebooks, and the poetic “blues” he developed in Mexico City Blues and other serial works, seeing himself as “a jazz poet blowing a long blues in an afternoon jam session on Sunday.”But his sense of form was closely allied to a commitment to spontaneous utterance—to a poetry awake to “All the endless conception of living beings / Gnashing everywhere in Consciousness / Throughout the ten directions of space”—and a longing for transcendent experience that marked his work from the beginning. “My only ambition,” he wrote in 1943, “is to be free in art.” That freedom came at a high personal price. Kerouac’s collected poems immerse us in what editor Marilène Phipps-Kettlewell describes as “the impenetrable complexities, engulfing vulnerabilities, and insoluble demands that life made on his heart and mind.”Many poets have found Kerouac a liberating influence on their work. Robert Creeley called him “a genius at the register of the speaking voice, a human voice talking”; Michael McClure saw him as using “the whole of his life . . . as an instrument of perception”; for Allen Ginsberg he was “a poetic influence over the entire planet”; and Bob Dylan singled out Mexico City Blues as crucial to his own artistic development.

    Between 1939 and 1974 he wrote the autobiography and eight novels now collected by the Library of America in an authoritative three-volume set, earning a place as one of the greatest writers of America, his beloved adopted home.The Real Life of Sebastian Knight, the first novel Nabokov wrote in English, published a year after he settled in the U. S., is a tantalizing literary mystery in which a writer’s half brother searches to unravel the enigma of the life of a famous author. A characteristically cunning play on identity and deception, this novel was published in 1941.Bend Sinister (1947), Nabokov’s most explicitly political novel, is the haunting, dreamlike story of Adam Krug, a quiet philosophy professor caught up in the bureaucratic bungling of a totalitarian police state. “I am neither a didacticist nor an allegorizer,” Nabokov affirms in his introduction to the novel, but goes on to state: “There can be distinguished, no doubt, certain reflections in the glass caused by idiotic and despicable regimes that we all know and that have brushed against me in the course of my life: worlds of tyranny and torture, of Fascists and Bolshevists, of Philistine thinkers and jack-booted baboons.”Speak, Memory: An Autobiography Revisited (1951; revised 1966), Nabokov’s dazzling memoir of his childhood in imperial Russia and exile in Europe, is central to an understanding of his art. With its balance of inner and outer worlds—of family chronicle and private fantasy, revolutions and butterflies, the games of childhood and the disasters of politics—the work that Nabokov called “a systematically correlated assemblage of personal recollections” is a haunting transmutation of life into art. “I have to make a rapid inventory of the universe…I have to have all space and all time participate in my emotion, in my mortal love,” he writes toward the end of the book, “so that the edge of its mortality is taken off, thus helping me to fight the utter degradation, ridicule, and horror of having developed an infinity of sensation and thought within a finite existence.”The texts of this volume incorporate Nabokov’s penciled corrections in his own copies of his works and correct long-standing errors. They are the most authoritative versions available and have been prepared with the assistance of Dmitri Nabokov, the novelist’s son.

    Her stories of fiercely independent women, culminating in her masterpiece "The Awakening" (1899), challenged contemporary mores as much by their sensuousness as their politics, and today seem decades ahead of their time. Now, The Library of America collects all of Chopin's novels and stories as never before in one authoritative volume. The explosive novel "At Fault" (1890) centers on a love triangle between a strong-willed young widow, a stiff St. Louis businessman, and the man's alcoholic wife. In the story collections "Bayou Folk" (1894) and "A Night in Acadie" (1897), Chopin transforms the local color sketch into taut, perfectly calibrated tales of post-Civil War bayou culture. In "The Awakening," the now-classic novel that scandalized many of her contemporaries and effectively ended her writing career, Chopin tells the story of a restless, unsatisfied woman who embarks on a quixotic search for fulfillment. The volume also includes all the stories not collected by Chopin, including those meant for "A Vocation and a Voice," a projected volume that her publisher canceled in 1900, and three stories that were found in 1992 in a long-lost cache of Chopin's papers.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    The aim of the present complete edition, which contains a numbered sequence of the 224 poems written after 1956 together with a further 50 poems chosen from her pre-1956 work, is to bring Sylvia Plath's poetry together in one volume, including the various uncollected and unpublished pieces, and to set everything in as true a chronological order as is possible, so that the whole progress and achievement of this unusual poet will become accessible to readers.

    His poetry, whether dealing with art, war, memories of childhood, or the loneliness of everyday life, is powerful and moving. A poet of colloquial language, ample generosity, and intimacy, Jarrell wrote beautifully "of the American landscape," as James Atlas noted in American Poetry Review, "[with] a broad humanism that enabled him to give voice to those had been given none of their own."The Complete Poems is the definitive volume of Randall Jarrell's verse, including Selected Poems (1955), with notes by the author; The Woman at the Washington Zoo (1960), which won the National Book Award for Poetry; and The Lost World (1965), "his last and best book," according to Robert Lowell. This volume also brings together several of Jarrell's uncollected or posthumously published poems as well as his Rilke translations.

    H. Auden endowed poetry in the English language with a new face. Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken.This collection presents all the poems Auden wished to preserve, in the texts that received his final approval. It includes the full contents of his previous collected editions along with all the later volumes of his shorter poems. Together, these works display the astonishing range of Auden's voice and the breadth of his concerns, his deep knowledge of the traditions he inherited, and his ability to recast those traditions in modern times.

    'And when the second and final colume of Williams' 'Collected Poems' is published, it should become even more apparent that he is this century's major American poet.' --Larry Kart, 'Chicago Tribune'

    ATALANTA IN CALYDON is a drama in classical Greek form, which revealed Swinburne's metrical skills and brought him celebrity. POEMS AND BALLADS brought him notoriety and demonstrates his preoccupation with de Sade, masochism, and femmes fatales. Also reproduced here is 'Notes on Poems and Reviews', a pamphlet Swinburne published in 1866 in response to hostile reviews of POEMS AND BALLADS.

    Cooper’s hero, Natty Bumppo, is forced ever farther into the heart of the continent by the advance of civilization that he inadvertently serves as advance scout, missionary, and critic. Praised by Balzac, Melville, and D. H. Lawrence, The Leatherstocking Tales narrates the conflict of nations (Indian, English, French, and American) amid the dense woods, desolate prairies, and transcendent landscapes of the New World.Leatherstocking first appears in The Pioneers (1823), as an aged hunter living on the fringe of settlement near Templeton (Cooperstown), New York, at the end of the eighteenth century. There he becomes caught in the struggles of party, family, and class to control the changing American land and to determine what sort of civilization will replace the rapidly vanishing wilderness. When Natty Bumppo started an American tradition by setting off into the sunset at the novel’s close, one early reader said, “I longed to go with him.”The Last of the Mohicans (1826) is a pure unabashed narrative of adventure. It looks back to the earlier time of the French and Indian Wars, when Natty and his two companions, Chingachgook and Uncas, survivors of a once-proud Indian nation, attempt a daring rescue and seek to forestall the plan of the French to unleash their Mingo allies on a wave of terror through the English settlements.The Prairie>/em> (1827) takes up Natty in his eighties, driven by the continuous march of civilization to his last refuge on the Great Plains across the Mississippi. On this vast and barren stage, the Sioux and Pawnee, the outlaw clan of Ishmael Bush, and members of the Lewis and Clark expedition enact a romantic drama of intrigue, pursuit, and biblical justice that reflects Cooper’s historical dialectic of culture and nature, of the American nation and the American continent.

    This modern section has been overhauled to reflect the diversity of American writing since 1945. A section on 19th-century women's writing is included.

    This collection gathers together the works by William Shakespeare in a single, convenient, high quality, and extremely low priced Kindle volume!The Comedies of William ShakespeareA Midsummer Night's DreamAll's Well That Ends WellAs You Like ItLove’s Labour ’s LostMeasure for MeasureMuch Ado About NothingThe Comedy of ErrorsThe Merchant of VeniceThe Merry Wives of WindsorThe Taming of the ShrewThe Two Gentlemen of VeronaTwelfth Night; or, What you willThe Romances of William ShakespeareCymbelinePericles, Prince of TyreThe TempestThe Winter's TaleThe Tragedies of William ShakespeareKing LearRomeo and JulietThe History of Troilus and CressidaThe Life and Death of Julius CaesarThe Life of Timon of AthensThe Tragedy of Antony and CleopatraThe Tragedy of CoriolanusThe Tragedy of Hamlet, Prince of DenmarkThe Tragedy of MacbethThe Tragedy of Othello, the Moor of VeniceTitus AndronicusThe Histories of William ShakespeareThe Life and Death of King JohnThe Life and Death of King Richard the SecondThe Tragedy of King Richard the ThirdThe first part of King Henry the FourthThe second part of King Henry the FourthThe Life of King Henry VThe first part of King Henry the SixthThe second part of King Henry the SixthThe third part of King Henry the SixthThe Life of King Henry the EighthThe Poetical Works of William ShakespeareThe SonnetsSonnets to Sundry Notes of MusicA Lover's ComplaintThe Rape of LucreceVenus and AdonisThe Phoenix and the TurtleThe Passionate Pilgrim