In that first week in Italy, Michel Platini and Juventus won the Intercontinental Cup, whilst just days later the PLO killed 13 people in a random shooting at Rome's Fiumicino airport. Paddy covered both stories. The coming years saw the rise of TV tycoon Silvio Berlusconi, as he became owner of AC Milan and then Prime Minister of Italy, naming his political party 'Forza Italia' after a football chant. In that same period, Argentine Diego Maradona became the uncrowned King of Naples, leading Napoli to a first ever Scudetto title in 1987, notwithstanding a hectic, Hollywood-esque lifestyle that mixed footballing genius with off-the-field excess.Forza Italia is a fascinating tale of inspired players, skilled coaches, rich tycoons, glitzy media coverage, Mafia corruption, allegations of drug taking and fan power - culminating in the 2006 World Cup victory that delighted a nation and a match-fixing scandal that shocked the world. It is also a personalised reflection on the consistent and continuing excellence of Italian football throughout a period of huge social, political and economic upheaval, offering a unique insight into a society where football has always been much more than just a game.

    With a sly and affectionate delicacy, Jane Turner Rylands, an American expatriate who has lived in Venice for thirty years, portrays a dozen Venetians– a construction foreman, a countess, a gondolier, a postman, an architect, a Baronessa, an English lord – as they pursue their respective interests. And in turn, through the perspective of those who live and work in this most alluring of cities, Venetian Stories illuminates canals and palazzos, churches and gondolas, large concerns and small rituals, with an uncommon intimacy.

    With "intelligence and honesty" (Arizona Republic), she writes about guidos, bimbettes, and mammoni (mama's boys in Italy); examines the clashing aesthetics of Giorgio Armani and Gianni Versace; and unravels the etymology of southern Italian dialect words like gavone and bubidabetz. According to Frances Mayes, she navigates the conflicting forces of ethnicity "with humor and wisdom."

    It includes an intriguing combination of classic dishes and ingredients as well as others showcasing the changes in style and influences that have become a part of the Italy of today.Reflecting the insights of both men into Italy then and now, Carluccio and Contaldo's return captures the essence of its authors - their humour, their wisdom, their curiosity and, most significantly, their shared passion for good simple food.

    The ribald masterpiece by one of the world's great novelists -- an unflinching view of private lives in Roman of mid-20th century.

    But the beauty and pageantry masks the deadly rivalry that exists among the city's districts. Each ward, represented by an animal symbol, puts forth a rider to claim the winner's banner, but the contest turns citizens into tribes and men into beasts—and beautiful, headstrong, young Pia Tolomei is in love with a rider of an opposing ward, an outsider who threatens the shaky balance of intrigue and influence that rules the land.

    She becomes a pilgrim who also embraces interior journeys: she struggles with her difficult, inattentive father; with her heart's desire to paint as her father writes; and with her first tastes of young love. All the while Antonia harbors dreams that others tell her women are not entitles to dream. Dante's Daughter portrays a life in full, one that beautifully answers Antonia's own questions: "Had my journey made me wise? Had my secret griefs made me strong?" This highly imagined story--based on the few known facts of Antonia's life--is set against the dramatic background of pre-Renaissance Europe, rendered in rich detail by storyteller and historian Kimberley Heuston.

    This newly translated book -- from Dino Buzatti's newspaper accounts at the time -- captures the excitement of that contest, which drew national attention and made heroes of the cyclists Coppi and Bartali.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.

    She’ll always remember the night she was murdered. And she still suffers the grief and rage that destroyed her family.But what Alice regrets most is the last fight she had with her boyfriend, Enrico—and the fact that she never had the chance to tell him something that would have changed everything.A decade later, Enrico has returned to the provincial town where Alice lived and died, to sell his family home. All he wants is to forget. But then, among the things he left behind, he finds an old cell phone…and unread texts sent from Alice’s phone.Now, her terrible secrets are about to swallow up everyone she knew, loved, and trusted. For Enrico, discovering them is his only chance to put his lost love—and the demons of his past—to rest.

    Her personal observations throughout reveal the nuances of the Italian meal."The Store Cupboard" has tips on filling the pantry with the right ingredients. The "Basics" section provides preparation instructions and recipes that Tuscan home cooks learned from their parents and grandparents. Substitutions for harder-to-find ingredients are offered along with encouraging tips on improvising to suit any taste. Wine notes and a glossary round out the book.Here are examples of the fabulous recipes: Risotto alla Toscana (Tuscan risotto) Spezzatino di cinghiale (wild boar stew) Zuccotto (chocolate and vanilla sponge pudding) Melanzane alla parmigiana (baked eggplant with tomato, mozzarella and Parmesan cheese) Stracotto di manzo (beef braised in red wine)Twelve is a sensitive, personal exploration of one of the world's most popular culinary traditions by an author who lovingly shares her discoveries with the home cook.

    Peter's Basilica- only to make a fatal descent down the same passage. The mysterious circumstances surrounding the fall bring together two men of the church. One is the newly- elected pope, a young audacious risk taker- the other, is Brother Paul, whose own painful past is stirred by the violent death. But even as the veils are drawn back on the truth, the two men are shadowed by long hidden ghosts...

    

    Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all time: David. Even though his impoverished family shuns him for being an artist, he is desperate to support them. Living at the foot of his misshapen block of marble, Michelangelo struggles until the stone finally begins to speak. Working against an impossible deadline, he begins his feverish carving.Meanwhile, Leonardo’s life is falling apart: he loses the hoped-for David commission; he can’t seem to finish any project; he is obsessed with his ungainly flying machine; he almost dies in war; his engineering designs disastrously fail; and he is haunted by a woman he has seen in the market—a merchant’s wife, whom he is finally commissioned to paint. Her name is Lisa, and she becomes his muse.Leonardo despises Michelangelo for his youth and lack of sophistication. Michelangelo both loathes and worships Leonardo’s genius.Oil and Marble is the story of their nearly forgotten rivalry. Storey brings early 16th-century Florence alive, and has entered with extraordinary empathy into the minds and souls of two Renaissance masters. The book is an art history thriller.

    Here, from author Jay Williams, is the moving story of the man behind the Renaissance myth.