A list is posted, and one girl from each grade is chosen as the prettiest, and another is chosen as the ugliest. Nobody knows who makes the list. It almost doesn't matter. The damage is done the minute it goes up.This is the story of eight girls, freshman to senior, "pretty" and "ugly." And it's also the story of how we see ourselves, and how other people see us, and the tangled connection of the two.

    Her arresting, edgy poems about aging and grief are surprising and invigorating: a defiant balm. At the same time, she revels in the quirkiness and whimsy of the natural world: the vision of a fly, the naming of an eggplant, and a woman who — not unhappily — finds that cockroaches are drawn to her.“God draws a life. And then begins to rub it out / with the eraser on his pencil.” Lorna Crozier draws a world in What the Soul Doesn’t Want, and then beckons us in. Crozier’s signature wit and striking imagery are on display as she stretches her wings and reminds us that we haven’t yet seen all that she can do.

    Includes the complete and revised version of his long poem, "Station Island," as well as a number of prose poems previously unpublished in the U.S.

    In Asymmetry, his first collection of poems in five years, he revisits the themes that have long concerned him: the enduring imprint of history, the beauty of nature, the place of the exile. Though as sanguine as ever, Zagajewski often turns to elegy in this deeply powerful collection, remembering loved ones he's lost: a hairdresser, the philosopher Krzystzof Michalski, and, most poignantly, his parents. A moving reflection on family, the sublimity of everyday life, death, and happiness, Asymmetry is a magnificent distillation of an astounding poetic voice.

    Each anthology in the Staying Alive trilogy has 500 poems to touch the heart, stir the mind and fire the spirit. These books have been enormously popular with readers, especially as gift books and bedside companions. The poems - by writers from many parts of the world - have emotional power, intellectual edge and playful wit. This new pocketbook selection of 100 essential poems from the trilogy is a Staying Alive travel companion (also available as an e-book). As well as selecting favourite poems from the trilogy - readers' and writers' choices as well as his own favourites - editor Neil Astley provides background notes on the poets and poems. This format makes it even more suitable as a gift book for all those people you're sure would love modern poetry if only they were familiar with these kinds of poems. These essential poems are all about being human, being alive and staying alive: about love and loss; fear and longing; hurt and wonder; war and death; grief and suffering; birth, growing up and family; time, ageing and mortality; memory, self and identity; faith, hope and belief; acceptance of inadequacy and making do - all of human life in a hundred highly individual, universal poems.

    HAS BEEN NEWLY REVISED AND WRITTEN, AND EDITED. IT WAS PUBLISHED IN NOVEMBER 2016When you hit rock bottom the only way forward is up, right? When Lola Lawson escapes her abusive boyfriend, she goes back to the only place that’s left to go. She returns to the one place where the memories of her parents will comfort her. It’s taken Lola sixteen years to return to Cabin Lakes where her parent’s best friends Mark and Lilly live. What she wasn’t expecting was for her childhood crush and best friend, Dean Salvatore to be grown up and sexy as sin. As Dean Helps Lola come to terms with moving on, Lola finds something she hasn’t had in a long time, family.Just when Lola feels like she finally has the one thing she’s always dreamed of, her past comes back to haunt her.With a storm brewing, can Dean get to Lola in time to shelter her? Or will she forever live in the past she fears?WARNING: Due to strong content, violence and sexual scenes not recommended for under 17.

    I am not strong. I am just a survivor of circumstance.Isn’t that what we all do? Survive?Each of us has our own set of circumstances to muddle through. Mine are just more…complicated. Born with a severe heart defect, I’ve seen the inside of a hospital room more than my own bedroom. I was drowning, a prisoner to the illness that owned me, until he appeared. He thinks he’s blocked out the world with his tattoos and hard exterior, but I see the real Jude, the one he so desperately wants to forget. But is he the answer to my prayers or will he break my already damaged heart forever?My name is Lailah Buchanan, and this is our story of hope, redemption and sacrificing it all for the one you love.

    In this hilarious book of tongue-in-cheek poetry, the author of the internationally syndicated comic strip Sally Forth helps cats unlock their creative potential and explain their odd behaviour to ignorant humans. With titles like Who Is That on Your Lap?, This Is My Chair, Kneel Before Me, Nudge, and Some of My Best Friends Are Dogs, the poems collected in I Could Pee on This perfectly capture the inner workings of the cat psyche. With photos of the cat authors throughout, this whimsical volume reveals kitties at their wackiest, and most exasperating (but always lovable).

    This is the story of two sisters and their close relationship despite the distance between them. One of them encounters a great love in her life that leads her to experience many things.

    . . is remembering it.When Freedom Airlines flight 121 went down over the Pacific Ocean, no one ever expected to find survivors. Which is why the sixteen-year-old girl discovered floating among the wreckage - alive - is making headlines across the globe.Even more strange is that her body is miraculously unharmed and she has no memories of boarding the plane. She has no memories of her life before the crash. She has no memories period. No one knows how she survived. No one knows why she wasn’t on the passenger manifest. And no one can explain why her DNA and fingerprints can’t be found in a single database in the world.Crippled by a world she doesn’t know, plagued by abilities she doesn’t understand, and haunted by a looming threat she can’t remember, Seraphina struggles to piece together her forgotten past and discover who she really is. But with every clue only comes more questions. And she’s running out of time to answer them.Her only hope is a strangely alluring boy who claims to know her from before the crash. Who claims they were in love. But can she really trust him? And will he be able to protect her from the people who have been making her forget?From popular young adult author Jessica Brody comes a compelling and suspenseful new sci-fi series, set in a world where science knows no boundaries, memories are manipulated, and true love can never be forgotten.

    These new poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, where lovers speak to each other across the centuries, and daughters wander into their mothers' childhoods. As much about loss as they are about reclamation, Doshi's poems guide us through an 'underworld of longing and deliverance', making the exhilarating claim that through the act of vanishing, we may be shaped into existence again. Everything Begins Elsewhere was followed by her third collection, Girls Are Coming Out of the Woods, in 2018.

    From then until his death in 1997, he divided his time between Prague and Kersko, where he wrote and tended to a community of feral cats. Over the years, his relationship to cats grew deeper and more complex, becoming a measure of the pressures, both private and public, that impinged on his life as a writer.Despite the tender love he feels for the cats, especially his favorites who share his bed, there are moments of intense violence—as he controls the feline population explosion explosively.All My Cats, written in 1983 after a serious car accident, is best seen as a confessional memoir, the chronicle of an author who becomes overwhelmed by his cats and his life, and is driven to the brink of madness by the dilemmas his indulgent love for the animals have created. In the end, All My Cats becomes a book about Hrabal’s relationship to nature, about the unlikely sources of redemption that come to him unbidden, like a gift from the cosmos—and about love.

    As the title implies, this is certainly not a novel -- not in the general sense of the term. And yet a reader who follows the flow will gradually notice certain novelistic conventions insinuating themselves. Writer -- as the narrator refers to himself -- is tired of inventing characters and subjecting them to the rigors of plot development. Instead, historical personages from Dickens to Beethoven recur throughout the book: They re born, create, speak fondly or acidly of their own work and the work of others, and then die. (Death, in fact, is a major concern of Writer.) Works of art interlock and interrelate; diary entries, attributions, and critical comments jostle for position. But what at first appear to be random bits of historical trivia ultimately come together with a narrative logic: a beginning, middle, and end. So while Markson has jettisoned the standard conflict-and-resolution pattern of a novel, he nevertheless fashions a literary journey that gets somewhere. Indeed, the book s conclusion will come as an intensely moving surprise to those who reach it. Does Writer even exist in a book without characters? the narrator wonders. Passing through a period of aging and self-doubt, Writer looks deeply inside himself over the course of the book and worries about his very purpose. The real question hovering in the margins of this beguiling work is, Why do I write? Many an artist suffers under the burdens of posterity, the sinking feeling that words and works will fade with the passage of time. Eventually, though, this particular Writer answers in a qualified affirmative, for he realizes himself to be the main character in his own life. That which is not a novel, he implies, is life itself; creating art is what the artist does to live. In the end, out of a shared sense of mortality and its frailties and beauties, we can only agree. (Jonathan Cook)

    As the journey progresses, secrets are unveiled, a friendship is tested, and there is a run-in with the Hurley family, a family both men have feared since childhood. In The Architects Are Here, Winter’s fifth and most emotionally resonant novel to date, he explores the nature of grief and friendship in unwaveringly powerful prose, and sheds light on who we are and how we go on when the future seems uncertain.

    No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics. Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. It's an honest and powerful collection.