Tolkien was an early work completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication.Suitable for tablets. Some special characters may not display correctly on older devices.We recommend that you download a sample and check the 'Note to the Reader' page before purchase.This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book.From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel's terrible hand set under the roof of Heorot.But the commentary in this book includes also much from those lectures in which, while always anchored in the text, he expressed his wider perceptions. He looks closely at the dragon that would slay Beowulf 'snuffling in baffled rage and injured greed when he discovers the theft of the cup'; but he rebuts the notion that this is 'a mere treasure story', 'just another dragon tale'. He turns to the lines that tell of the burying of the golden things long ago, and observes that it is 'the feeling for the treasure itself, this sad history' that raises it to another level. 'The whole thing is sombre, tragic, sinister, curiously real. The "treasure" is not just some lucky wealth that will enable the finder to have a good time, or marry the princess. It is laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination.'Sellic Spell, a 'marvellous tale', is a story written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the 'historical legends' of the Northern kingdoms.

    Plagued with an everyday existence of past tragedies and regrets, Emma has relinquished her future to her job of sorting books in the library.Her only friend, as it seems, is head librarian, Mordecai Wallach, the sturdy father-figure who tries to right her floundering ship. One night after the library has closed, Emma hears voices coming from the archives section. She finds peculiar visitors who seem all too familiar, and she unexpectedly entangles herself in the long-held secrets of the library’s magic. When Emma must take control of the library in Morty’s absence, she realizes he hasn’t been entirely honest with her. While trying to discover the truth, she comes face-to-face with James Grey, a handsome military man with a history of his own and an irresistible charm. While working to keep the library’s magic from being discovered by the town, Emma struggles not to fall in love with James—the only one who can change the course of her life but whose time is running out. Just how far will the magic take her?

    He soon learns that every aspect of his life so far, including the staged deaths of his parents, has been arranged by the Senate Tribunal in an attempt to mold him into the perfect leader. Now there are only thirty candidates, including Caius, left competing to be the Emperor's heir. Success in a series of Trials will reunite him with his family and make him the most powerful man in the world, but failure will lead to a life of isolation and imprisonment hidden in the eaves of the palace. As Caius enters the trials, it becomes apparent that the tests themselves are not the problem: it is the twenty nine other candidates willing to do whatever it takes to win, including maim or kill their top competitors. Can Caius navigate the pitfalls of imperial politics and cutthroat competition, all while performing well enough to succeed in the trials fair and square?

    The tasks assigned a bookish boy lead him to fateful encounters with lizards, owls, trolls and a feisty, sarcastic cat. A bear wedding is cause for celebration, the spinning wheel and the tower in the briar hedge get to tell their own stories, and a kitchenmaid finds out that a lost princess is more than she seems. The sea witch reveals what she hoped to gain when she took the mermaid’s voice. A wiser Snow White sets out to craft herself a new tale. In these eight stories and twenty-three poems, World Fantasy Award winner Theodora Goss retells and recasts fairy tales by Charles Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde. Sometimes harrowing, sometimes hilarious, always lyrical, the works gathered in SNOW WHITE LEARNS WITCHCRAFT re-center and empower the women at the heart of these timeless narratives.

    The target he’s chasing may be wanted for murder, but his bills aren’t going to pay themselves.As it turns out, he probably should've been more selective. When he tracks down Cameron Kovak, the wanted man turns out to be no man at all.Gunn finds himself face to face with a tentacled creature out of Ridley Scott’s worst nightmare - a baby Cthulhu, wearing his target's skin like a onesie. And that's just the start of it. Aliens have their eyes on us, and Gunn finds himself swept up in their mysterious plans.Experience the start of The Gunn Files, a sci-fi thrill ride that will have you wondering if aliens truly walk among us. It's perfect for fans of Men in Black and The X-Files.Also available on Audible, narrated by Oliver Wyman (Monster Hunter International).

    This is the world of the Irish fairy tale, a magical realm kept alive by generations of storytellers and their avid listeners. As Alfred Perceval Graves, author of the ballad "Father O'Flynn" and a former president of the Irish Literary Society, wrote in the introduction, "The truth is that the Gaelic peasant, Scotch and Irish, is a mystic, and believes not only in this world, and the world to come, but in that other world which is the world of Faery, and which exercises an extraordinary influence upon many actions of his life." In The Irish Fairy Book, Graves has collected Ireland's best-loved fairy tales written by some of its favorite authors. Included are W.B. Yeats' "The Stolen Child," Lady Gregory's "Cuchulain of Muirthemne," Standish James O'Grady's "The Coming of Finn," Lady Wilde's "The Horned Women" and "The Demon Cat," and many more. Illustrations by George Dunham add a delightful touch to this charming collection.

    Fortunately, few cities are friendlier than Edinburgh to a guitarist with a talent for spontaneous rhyme, and soon Douglas is making a living as the busker who can write a song about you on the spot.But Edinburgh has its dangers for the unwary... and when Douglas falls prey to the drugs proffered by a mysteriously alluring young woman, suddenly he can see, in all their beauty and terrifying cruelty, the fey folk who invisibly share Edinburgh's ancient streets. Worse, they can see him, and they're determined to draw him into their own internecine wars - wars that are fought to the death.

    "You are me," the girl said. Then she was gone.I am a thirteen-year-old double Gemini. I get bad grades, write poetry with my left hand, dance in my room, surf the net. I Google images of the tattoos my mom won't let me get. . . .But my world belongs to someone else. Someone who lives below the concrete of Los Angeles, someone with wild eyes and twigs in her hair.And I think she wants her life back.

     Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones

    This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page hardcover book retains key phrases and quotations from the original classics. In this humorous satire, which makes fun of English politicians in the early 1700s, you'll travel to many strange make-believe worlds. Join Gulliver as he sails from the land of the tiny six-inch people called Lilliputians and the land of the giant people called Brobdingnagians, to the land of the Houyhnhnms- where wise and understanding horses tame herds of wild Yahoos, creatures that are strangely human!

    Within these pages lie the creepy and twisted tales of 21 downtrodden ghouls and boils, who struggle to beat the odds of their cruel worlds. Each tale abounds with transformations and magic, shedding light on the dark lives of our tragic heroes. Little folks and frivolous adults alike are drawn to the innocent consequences that befall these wacky, careless and ill-fated characters.They point out good morals in an absurd, yet humorous fashion, while pointing a finger at society’s own warped injustices.

    Abandoning his depressed wife and new baby, Mark rushes to a remote Scottish village to investigate. But when he gets there, all is not what it seems. Who is the attractive landowner, Lady Elizabeth Ruthven, and why is she housebound on a remote loch island? Why are wild dogs hunting him? What really happened to the researcher? Mark's investigation is soon overwhelmed by a series of unnerving events, plunging him into a nightmare of vampires and devil worship. Can he make it back home to his family in one piece? SHOT THROUGH THE HEART is a thrill-ride adventure set in the Scottish Highlands, cleverly weaving the supernatural with history. It will grip you right through to its shocking conclusion. Book one of the SUPERNATURE series.

    After arriving, Keelie finds men in tights and women in trailer trash-tight bodices roaming half-drunk, calling each other lady and lord even after closing time! Playacting the Dark Ages is an L.A. girl's worst nightmare. Keelie has a plan to ditch this medieval geekland ASAP, but while she plots, strange things start happening--eerie, yet familiar. When Keelie starts seeing fairies and communicating with trees, she uncovers a secret that links her to a community of elves. As Keelie tries to come to grips with her elfin roots, disaster strikes, and Keelie's identity isn't the only thing that's threatened. One part human determination and one part elfin magic, Keelie Heartwood is a witty new heroine in a world where fantasy and reality mix with extraordinary results.

    Jones's epic fantasy adventure series. THE BAKER'S BOY At vast Castle Harvell, Where King Lesketh lies dying, two fates collide. In her regal suite, young Melliandra, the daughter of an influential lord, rebels against her forced betrothal to the sinister Prince Kylock. In the kitchens, an apprentice named Jack is terrified by his sudden, uncontrolled power to work miracles. Together they flee the castle, stalked by a sorcer who has connived for decades to control the crown, committing supernatural murder to advance his schemes. Meanwhile, a young knight begins a quest leaving behind his home and family to seek out the treacherous Isle of Larn, where lies a clue to his desperate search for the truth. And a wondrous epic of darkness and beauty begins... A MAN BETRAYED At Castle Harvell demented Prince Kylock grabs the reins of power and hate by murdering his father. Harvell's two young refugees are torn apart by the storms of war:Headstrong young Melliandra is captured by brutal slavers and Jack, whose wild power works miracles, falls prey to a smuggler's lying charms and a woman's seductive schemes. Meanwhile, in the distant stronghold of Bren, Kylock's betrothed, beautiful, mad Catherine, dabbles with darkest sorceries. A knight's shattered destiny is about to lead from death-sport pits to the blood-strewn creation of an empire--and a wondrous epic of grandeur and magic continues... MASTER AND FOOL The Known Lands are teetering on the brink of war. Desperate to avert worldwide catastrophe, Jack, the baker's boy, must learn to harness the full strength of his magic to face his ultimate destiny--a final confrontation with the murderously evil Kylock

    Yeats took a particular interest in the tales' mythic and magical roots. The Celtic Twilight ventures into the eerie and puckish world of fairies, ghosts, and spirits. "This handful of dreams," as the author referred to it, first appeared in 1893, and its title refers to the pre-dawn hours, when the Druids performed their rituals. It consists of stories recounted to the poet by his friends, neighbors, and acquaintances. Yeats' faithful transcription of their narratives includes his own visionary experiences, appended to the storytellers' words as a form of commentary.