Her mother, the beautiful Alia, taught her daughter the skills she needed to survive. A plastic smile. Saying yes. Burying in boxes in her mind the horrors she glimpsed around her. Learn to erase your memories, she instructed. He can read eyes.In this richly visual memoir, Salbi describes tyranny as she saw it--through the eyes of a privileged child, a rebellious teenager, a violated wife, and ultimately a public figure fighting to overcome the skill that once kept her alive: silence.Between Two Worlds is a riveting quest for truth that deepens our understanding of the universal themes of power, fear, sexual subjugation, and the question one generation asks the one before it: How could you have let this happen to us?

    Hoodbhoy, a nuclear physicist, eloquently and usefully draws attention to the plight of science and technology in the Muslim world and to the need to do something about it. The book also makes some other helpful insights here and there about why, after centuries of brilliant achievements, science suffered such a fate in the Muslim world. But the book also suffers from some very serious flaws in its view of Islam and analysis of Islamic history.

    In this introductory selection of Islamic readings, the essence of the Koran is presented and explained in an accessible and illuminating manner.

    Under it I wrote: “Falling in Love in Tehran. Going to Parties in Tehran. Watching the Marx Brothers in Tehran. Reading Lolita in Tehran. I wrote about repressive laws and executions, about public and political abominations. Eventually I drifted into writing about private betrayals, implicating myself and those close to me in ways I had never imagined.--From Things I Have Been Silent AboutAzar Nafisi, author of the beloved international bestseller Reading Lolita in Tehran, now gives us a stunning personal story of growing up in Iran, memories of her life lived in thrall to a powerful and complex mother, against the background of a country’s political revolution. A girl’s pain over family secrets; a young woman’s discovery of the power of sensuality in literature; the price a family pays for freedom in a country beset by political upheaval–these and other threads are woven together in this beautiful memoir, as a gifted storyteller once again transforms the way we see the world and “reminds us of why we read in the first place” (Newsday).Nafisi’s intelligent and complicated mother, disappointed in her dreams of leading an important and romantic life, created mesmerizing fictions about herself, her family, and her past. But her daughter soon learned that these narratives of triumph hid as much as they revealed. Nafisi’s father escaped into narratives of another kind, enchanting his children with the classic tales like the Shahnamah, the Persian Book of Kings. When her father started seeing other women, young Azar began to keep his secrets from her mother. Nafisi’s complicity in these childhood dramas ultimately led her to resist remaining silent about other personal, as well as political, cultural, and social, injustices. Reaching back in time to reflect on other generations in the Nafisi family, Things I’ve Been Silent About is also a powerful historical portrait of a family that spans many periods of change leading up to the Islamic Revolution of 1978-79, which turned Azar Nafisi’s beloved Iran into a religious dictatorship. Writing of her mother’s historic term in Parliament, even while her father, once mayor of Tehran, was in jail, Nafisi explores the remarkable “coffee hours” her mother presided over, where at first women came together to gossip, to tell fortunes, and to give silent acknowledgment of things never spoken about, and which then evolved into gatherings where men and women would meet to openly discuss the unfolding revolution. Things I’ve Been Silent About is, finally, a deeply personal reflection on women’s choices, and on how Azar Nafisi found the inspiration for a different kind of life. This unforgettable portrait of a woman, a family, and a troubled homeland is a stunning book that readers will embrace, a new triumph from an author who is a modern master of the memoir.

    In a penetrating exploration of every side of the issue, from New York Times headlines on terrorism to passages in the Koran and excerpts from the Gospels, Volf makes an unprecedented argument for effecting a unified understanding between Islam and Christianity. In the tradition of Seyyed Hossein Nasr’s Islam in the Modern World, Volf’s Allah is essential reading for students of the evolving political science of the twenty-first century.

    Using previously unpublished documents, Gold, former Israeli Ambassador to the UN and internationally known Middle East strategy expert, pieces together the links between the current wave of global terrorism -- from the World Trade Center to Bali, Indonesia -- and the ideology of hatred taught in the schools and mosques of Saudi Arabia.

    The Bad-Ass Librarians of Timbuktu tells the incredible story of how Haidara, a mild-mannered archivist and historian from the legendary city of Timbuktu, later became one of the world’s greatest and most brazen smugglers. In 2012, thousands of Al Qaeda militants from northwest Africa seized control of most of Mali, including Timbuktu. They imposed Sharia law, chopped off the hands of accused thieves, stoned to death unmarried couples, and threatened to destroy the great manuscripts. As the militants tightened their control over Timbuktu, Haidara organized a dangerous operation to sneak all 350,000 volumes out of the city to the safety of southern Mali. Over the past twenty years, journalist Joshua Hammer visited Timbuktu numerous times and is uniquely qualified to tell the story of Haidara’s heroic and ultimately successful effort to outwit Al Qaeda and preserve Mali’s—and the world’s—literary patrimony. Hammer explores the city’s manuscript heritage and offers never-before-reported details about the militants’ march into northwest Africa. But above all, The Bad-Ass Librarians of Timbuktu is an inspiring account of the victory of art and literature over extremism.

    This groundbreaking book, winner of the 1974 Sorokin Award of the American Sociological Association, helped define for an entire generation of anthropologists what their field is ultimately about.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In it, some of the best international specialists working on the subject today examine terrorism's long and complex history from antiquity to the present day and find that terror, long the weapon of the weak against the strong, is a tactic as old as warfare itself. Beginning with the Zealots of Antiquity, the contributors discuss the Assassins of the Middle Ages, the 1789 Terror movement in Europe, Bolshevik terrorism during the Russian Revolution, Stalinism, "resistance" terrorism during World War II, and Latin American revolutionary movements of the late 1960s. Finally, they consider the emergence of modern transnational terrorism, focusing on the roots of Islamic terrorism, al Qaeda, and the rise of the contemporary suicide martyr. Along the way, they provide a groundbreaking analysis of how terrorism has been perceived throughout history. What becomes powerfully clear is that only through deeper understanding can we fully grasp the present dangers of a phenomenon whose repercussions are far from over.Includes essays by François Géré, Rohan Gunaratna, Olivier Hubac-Occhipinti, Ariel Merari, Philippe Migaux, Yves Ternon

    Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. Antiquities, James Cuno argues, are the cultural property of all humankind, evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders.Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul.The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial.

    Wael Hallaq, a leading scholar and practitioner of Islamic law, guides students through the intricacies of the subject in this absorbing introduction. The first half of the book is devoted to a discussion of Islamic law in its pre-modern natural habitat. The second part explains how the law was transformed and ultimately dismantled during the colonial period. In the final chapters, the author charts recent developments and the struggles of the Islamists to negotiate changes which have seen the law emerge as a primarily textual entity focused on fixed punishments and ritual requirements. The book, which includes a chronology, a glossary of key terms, and lists of further reading, will be the first stop for those who wish to understand the fundamentals of Islamic law, its practices and history.

    This original work explains how Europe managed to become the dominant player on the world stage for four glorious centuries, effecting one of the most enormous turnarounds in history. Professor Cipolla argues that the force that effected this enormous change was the simultaneous development of guns and sailing ships, and the fusion of the two into a weapon that swept all before it--the gun-carrying ocean-going sailing ship. Ranging in subject from bell-casting to Jesuit missions, and in area from the uncultivated woods of Sussex to the imperial court of China, this book shows how the resources of capital and labor were used to make the most of technological advances that would shape history and the world we know today.

    Alexander Etkind traces how the Russian Empire conquered foreign territories and domesticated its own heartlands, thereby colonizing many peoples, Russians included. This vision of colonization as simultaneously internal and external, colonizing one's own people as well as others, is crucial for scholars of empire, colonialism and globalization. Starting with the fur trade, which shaped its enormous territory, and ending with Russia's collapse in 1917, Etkind explores serfdom, the peasant commune, and other institutions of internal colonization. His account brings out the formative role of foreign colonies in Russia, the self-colonizing discourse of Russian classical historiography, and the revolutionary leaders' illusory hopes for an alliance with the exotic, pacifist sectarians. Transcending the boundaries between history and literature, Etkind examines striking writings about Russia's imperial experience, from Defoe to Tolstoy and from Gogol to Conrad. This path-breaking book blends together historical, theoretical and literary analysis in a highly original way. It will be essential reading for students of Russian history and literature and for anyone interested in the literary and cultural aspects of colonization and its aftermath.

    Over the next decade he built fifty-five schools—especially for girls—that offer a balanced education in one of the most isolated and dangerous regions on earth. As it chronicles Mortenson’s quest, which has brought him into conflict with both enraged Islamists and uncomprehending Americans, Three Cups of Tea combines adventure with a celebration of the humanitarian spirit.