Jenny Harper is a most gifted storyteller." Alexander McCall Smith‘Thoroughly entertaining’ Katie FfordeFor readers of Jojo Moyes, Jodi Picoult, David Nicholls - you'll love Jenny Harper's "People We Love".Her life is on hold – until an unlikely visitor climbs in through the kitchen window.A year after her brother’s fatal accident, Lexie’s life seems to have reached a dead end. She is back home in small-town Hailesbank with her shell-shocked parents, treading softly around their fragile emotions.As the family business drifts into decline, Lexie’s passion for painting and for her one-time mentor Patrick have been buried as deep as her unexpressed grief, until the day her lunch is interrupted by a strange visitor in a bobble hat, dressing gown and bedroom slippers, who climbs through the window.Elderly Edith’s batty appearance conceals a secret and starts Lexie on a journey that gives her an inspirational artistic idea and rekindles her appetite for life. With friends in support and ex-lover Cameron seemingly ready to settle down, do love and laughter beckon after all?

    Now in her nineties, the famously reclusive painter remains devoted to her work. She has never married, never had a family, never had a child. So when a letter arrives disclosing that she has a granddaughter living in New York, her world is turned upside down and the past is brought painfully to life.Disowned by her bourgeois family, the young Ivory had gone to interwar Paris to study art, and quickly found her true home among the avant-garde painters and poets who crowd the city's cafes. In fellow painter Tacita, she finds the sister she never had. In the Zoological Gardens, she finds a subject for her art capable of fascinating her endlessly. And in Lev, the brooding, haunted Russian 'migr' painter fleeing the Revolution and destined for greatness, she finds the love that will mark her life forever.But she loses all this, and more, when the Second World War sweeps away the life she has only just discovered. In her grief, she turns to the project she had begun in Paris, and which will consume the rest of her life: a dictionary of animal languages. Part science, part art, the dictionary strives to transcribe the wordless yearning of animals, the lonely and love-laden cries that expect no response.By nature solitary, Ivory withdraws fully into herself as she pursues her life's work. Until the discovery of one of Lev's paintings from 1940, inscribed to Ivory and now worth a fortune, brings to light a secret from her time in Paris that even Ivory could never guess. Now in her nineties, she is forced to acknowledge afresh all she has lost, and also to find meaning and beauty in a world defined by longing.Masterfully written, and emotionally charged, The Dictionary of Animal Languages is about love and grief and art and the realization that, like tragedy, the best things in life arrive out of the blue.

    The story is told by Mary’s sister Lydia, as she poses for five of her sister’s most unusual paintings, which are reproduced in, and form the focal point of each chapter. Ill with Bright’s disease and conscious of her approaching death, Lydia contemplates her world with courageous openness, and asks important questions about love and art’s capacity to remember.

    Even if it meant striking a deal with the surly, and devilishly handsome, mountain man to do it. More lives than just her own depended upon it… She was the type he swore never to fall for again…He was a complication she could ill afford…Together they will discover love is worth the risk, no matter the cost…Lady Ann Dunneroy finds herself in a desperate situation and her search for the man responsible leads her on a perilous journey to the American West. Relying solely on her wit and resourcefulness to survive, she strikes a deal with a rugged mountain man by the name of Grayson Stone. The more time Ann spends with Grayson, the less certain she is of the original mission she embarked upon. Determined to do what is right, Ann must make a difficult decision; one that may break her heart and perhaps cost her very life as well as the lives of those she loves most…Grayson Stone is the leader of the wagon train and it’s his job to ensure everyone arrives safely; a duty made aggravatingly more challenging when he agrees to escort a reckless, young woman along the way. A hard man, as rugged and imposing as the mountains he calls home, Grayson wants only to live a peaceful life of solitude. But something about the tenacious Lady Ann makes him yearn for more… A story of love and loss on the Santa Fe Trail! Follow the hoyden daughter of an earl, from the ballrooms of London to America’s wild frontier; where she must choose between her heart and her honor. Excerpt from Ann’s Valley: “Nothing has changed.” Grayson’s words were direct and curt. Ann stiffened, feeling her anger with him return, “I hadn’t been under the impression they had.”“Do not confront me again on the matter. I will not change my mind. No woman or child allowed on the trail unless accompanied by a guardian. Is that understood?”“Perfectly.” She leveled him with her most imperious stare. Then added impertinently, “And do you own the trail, then?”His jaw clenched in irritable fashion, fastening her with a menacing glower, “Don’t even think about following on your own.”“You can’t stop me.”

    But she was gone and he was old. Nearly seventy. Only cool paint met his fingers. “Ma très chère . . .” Darkness started to fall, dimming the paintings. He felt the crumpled letter in his pocket. “I loved you so,” he said. “I never would have had it turn out as it did. You were with all of us when we began, you gave us courage. These gardens at Giverny are for you but I’m old and you’re forever young and will never see them. . . .”  In the mid-nineteenth century, a young man named Claude Monet decided that he would rather endure a difficult life painting landscapes than take over his father’s nautical supplies business in a French seaside town. Against his father’s will, and with nothing but a dream and an insatiable urge to create a new style of art that repudiated the Classical Realism of the time, he set off for Paris. But once there he is confronted with obstacles: an art world that refused to validate his style, extreme poverty, and a war that led him away from his home and friends. But there were bright spots as well: his deep, enduring friendships with men named Renoir, Cézanne, Pissarro, Manet – a group that together would come to be known as the Impressionists, and that supported each other through the difficult years. But even more illuminating was his lifelong love, Camille Doncieux, a beautiful, upper-class Parisian girl who threw away her privileged life to be by the side of the defiant painter and embrace the lively Bohemian life of their time.  His muse, his best friend, his passionate lover, and the mother to his two children, Camille stayed with Monet—and believed in his work—even as they lived in wretched rooms, were sometimes kicked out of those, and often suffered the indignities of destitution. She comforted him during his frequent emotional torments, even when he would leave her for long periods to go off on his own to paint in the countryside. But Camille had her own demons – secrets that  Monet could never penetrate, including one that when eventually revealed would pain him so deeply that he would never fully recover from its impact. For though Camille never once stopped loving the painter with her entire being, she was not immune to the loneliness that often came with being his partner.  A vividly-rendered portrait of both the rise of Impressionism and of the artist at the center of the movement, Claude and Camille is above all a love story of the highest romantic order.

    But when Eduardo meets the beautiful Mrs. Hart on his latest con, he takes a risk that forces him back to the city he loved and left behind—Paris. There he assembles his team of con artists for their final and most ambitious theft, one that will enable them to leave the game forever: The Mona Lisa.But when a member of the team turns up missing, and Mr. Hart shows up in Paris, Valfierno and his crew must stay one step ahead of a relentless police inspector, endure a devastating flood, and conquer their own doubts to keep the priceless painting in play—and survive.Based on the actual theft of the Mona Lisa from the Louvre in 1911, and published on the 100th anniversary of the crime, Stealing Mona Lisa is a sophisticated, engaging caper, complete with a richly imagined group of con artists and a historical mystery that will keep you guessing until the very end.Stealing Mona Lisa is a Kirkus Reviews Best of 2011 Mysteries title. One of Library Journal's Best Mystery Books of 2011

    They take us from firefights on the Cambodian border during the Vietnam War to the streets and alleyways of Iraq today. They teach us what it was really like to patrol the streets of Mogadishu in the days of Black Hawk Down. They show the horror that was Saddam’s Iraq during the first Gulf War. They take us to the moonscape that is Afghanistan in search of the Taliban. The Wars of the Green Berets continues the saga of Moore’s classic The Green Berets, revealing more than a few tantalizing secrets and anecdotes for the first time.

    When she married Theo van Gogh, Johanna had everything she wanted - a husband who adored her, an exciting life as part of Paris's thriving art scene, and escape from a doting but oppressive father. Her happiness evaporated with Vincent's suicide. Shattered by his brother's death, Theo suffered a mental collapse from which he never recovered. When he died, Johanna was left with an infant son and an art collection most thought worthless. The Impressionist and Independent artists Theo had championed, such as Monet and Gauguin, were considered incompetents by all but the most avant-garde critics. Determined not to live with her parents, Johanna supported herself and her child by opening a boardinghouse, which shortly became a gathering place for the literati and modern artists of Amsterdam, as well as the feminists of that period.

    Breaking the rules, challenging perceptions, and exploring the secret desires we keep hidden from the world. Beautifully composed and written by international bestselling author Lang Leav, this new collection of poetry and prose will positively influence your life. September Love captures the magic of each passing season, a pearl of wisdom waiting to be discovered with every page turned. A book that will inspire you to reach for the stars.

    She knows this is the push she needs to break free of him and to leave London. She applies for her dream job on a vineyard in Alsace, in France, not far from her family home, determined to concentrate on her work. Didier Le Roy can hardly believe it when he sees that the only person to apply for the job on his vineyard is the same woman he once loved but let go because of his stupid pride. Now estranged from his wife, he longs for a second chance with Fran if only she will forgive him for not following her to London. Working so closely together, Fran soon starts to fall in love with Didier all over again. Didier knows that it is now time for him to move on with his divorce if he and Fran are ever to have a future together. Can Fran and Didier make their second chance at love work despite all the obstacles in their way? A romantic read set against the enticing backdrop of the vineyard harvest in France.

    Nominated for running book of the year in The Running Awards 2019.

    His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

    In this remarkable novel, Gioia Diliberto tells Virginie's story, drawing on the sketchy historical facts to re-create Virginie's tempestuous personality and the captivating milieu of nineteenth-century Paris. Born in New Orleans and raised on a lush plantation, Virginie fled to France during the Civil War, where she was absorbed into the fascinating and wealthy world of grand ballrooms, dressmakers' salons, and artists' ateliers. Even before Sargent painted her portrait, Virginie's reputation for promiscuity and showy self-display made her the subject of vicious Paris gossip. Immersing the reader in Belle Epoque Paris, I Am Madame X is a compulsively readable and richly imagined novel illuminating the struggle between Virginie and Sargent over the outcome of a painting that changed their lives and affected the course of art history.

    But her personal life (including a failed marriage and an exciting but unfulfilling affair) makes Bev feel she is lacking as a woman. Using all of her strength and intuition to reach the very pinnacle of success, she is still constantly searching for love.Public Smiles, Private Tears is not only Bev's story --- it is the story of an entire generation of women who find themselves in a world where traditional standards and assumptions no longer work. There is Ruth who followed the rules, Marion who broke them, and Sylvia --- who created her own. Here too are the men who loved them, used them, worshiped from afar, hurt them --- and sometimes left them. Helen Van Slyke draws upon her own experience in the glittering world of the powerful to tell a fascinating story of the people she knows so well: their successes and failures, their triumphs and tragedies, their public smiles and their private tears.This is Helen Van Slyke's tenth and final novel, the first half of which she had completed before her untimely death on July 3, 1979. Although she had begun writing only nine years at the age of fifty, she achieved international acclaim as the author of such bestsellers as No Love Lost, A Necessary Woman, The Mixed Blessing, and The Heart Listens. James Elward, novelist (Storm's End: Tomorrow I Mine) and play-wright (Best of Friends; Hallelujah!), had always admired Helen Van Slyke, both as a writer and as a person. When he read the unfinished manuscript of Public Smiles, Private Tears, he truly felt that it was Helen's greatest achievement, and immediately began the enormous task of finishing the book. The result is a novel so completely faithful to the spirit of Helen Van Slyke that it is sure to captivate and move her readers just as her previous books have done --- a fitting tribute to a writer beloved by millions.

    Auerbach, City Historian, Passaic, New Jersey At the dawn of the 20th century, the social unrest in Paterson, New Jersey was palpable. Thousands of Dutch and Italian immigrants flocked to the city, hoping for a job in Paterson’s famous silk mills. The burgeoning population ushered women into the workplace, grew suffragist sympathies, and produced an anarchist movement.In this charged environment, Jennie Bosschieter, a 17-year-old Dutch immigrant and mill worker, was murdered. Sorrow turned to shock when four wealthy, influential citizens were accused of killing her. The resulting criminal trial held the city – and eventually the nation – transfixed.