From his own birth and childhood on the streets of Dublin to his role as soldier (and lover) in the Irish Rebellion, Henry recounts his early years of reckless heroism and adventure. At once an epic, a love story, and a portrait of Irish history, A Star Called Henry is a grand picaresque novel brimming with both poignant moments and comic ones, and told in a voice that is both quintessentially Irish and inimitably Roddy Doyle's.

    This powerful and breathtaking novel is the story of four cadets who have become bloodbrothers. Together they will encounter the hell of hazing and the rabid, raunchy and dangerously secretive atmosphere of an arrogant and proud military institute. They will experience the violence. The passion. The rage. The friendship. The loyalty. The betrayal. Together, they will brace themselves for the brutal transition to manhood... and one will not survive. With all the dramatic brilliance he brought to The Great Santini, Pat Conroy sweeps you into the turbulent world of these four friends -- and draws you deep into the heart of his rebellious hero, Will McLean, an outsider forging his personal code of honor, who falls in love with a whimsical beauty... and who undergoes a transition more remarkable then he ever imagined possible.

    Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, two semi-legendary midwives who have welcomed more than a thousand newly minted citizens into the dented utopia at whose heart - half tavern, half temple - stands Brokeland. When ex–NFL quarterback Gibson Goode, the fifth-richest black man in America, announces plans to build his latest Dogpile megastore on a nearby stretch of Telegraph Avenue, Nat and Archy fear it means certain doom for their vulnerable little enterprise. Meanwhile, Aviva and Gwen also find themselves caught up in a battle for their professional existence, one that tests the limits of their friendship. Adding another layer of complication to the couples' already tangled lives is the surprise appearance of Titus Joyner, the teenage son Archy has never acknowledged and the love of fifteen-year-old Julius Jaffe's life. An intimate epic, a NorCal Middlemarch set to the funky beat of classic vinyl soul-jazz and pulsing with a virtuosic, pyrotechnical style all its own, Telegraph Avenue is the great American novel we've been waiting for. Generous, imaginative, funny, moving, thrilling, humane, triumphant, it is Michael Chabon's most dazzling book yet.

    As a freak winter storm bears down on an exclusive, affluent suburb in Connecticut, cars skid out of control, men and women swap partners, and their children experiment with sex, drugs, and even suicide. Here two families, the Hoods and the Williamses, come face-to-face with the seething emotions behind the well-clipped lawns of their lives - in a novel widely hailed as a funny, acerbic, and moving hymn to a dazed and confused era of American life.

    The Small Rain, an adult novel, focuses on Katherine Forrester, the daughter of distinguished musical artists, whose career as a concert pianist evolves through loves and losses. Katherine is a child growing up in a refined, yet bohemian, artistic ambience--theatrical as well as musical . . . . [Her] adolescence is lonely and difficult, but as Katherine advances to young womanhood, her heart as well as her talent is promisingly engaged (Publishers Weekly).

    Her husband died years ago, as did his wife, and in such a small town they naturally have known of each other for decades; in fact, Addie was quite fond of Louis's wife. His daughter lives hours away in Colorado Springs, her son even farther away in Grand Junction, and Addie and Louis have long been living alone in houses now empty of family, the nights so terribly lonely, especially with no one to talk with. Their brave adventures - their pleasures and their difficulties - are hugely involving and truly resonant, making Our Souls at Night the perfect final installment to this beloved writer's enduring contribution to American literature.

    Disco is over, but punk never happened. They don't have cable. They don't really have pop culture, unless you count grain prices and alcoholism. People work hard and then they die. They hate the government and impregnate teenage girls. But that's not nearly as awful as it sounds; in fact, sometimes it's perfect.Mitch Hrlicka lives in Owl. He plays high school football and worries about his weirdness, or lack thereof. Julia Rabia just moved to Owl. She gets free booze and falls in love with a self-loathing bison farmer who listens to Goats Head Soup. Horace Jones has resided in Owl for seventy-three years. He consumes a lot of coffee, thinks about his dead wife, and understands the truth. They all know each other completely, except that they've never met.Like a colder, Reagan-era version of The Last Picture Show fused with Friday Night Lights, Chuck Klosterman's Downtown Owl is the unpretentious, darkly comedic story of how it feels to exist in a community where rural mythology and violent reality are pretty much the same thing. Loaded with detail and unified by a (very real) blizzard, it's technically about certain people in a certain place at a certain time...but it's really about a problem. And the problem is this: What does it mean to be a normal person? And there is no answer. But in Downtown Owl, what matters more is how you ask the question.

    It's the early '70s and no one discusses or even suspects domestic abuse. But after Maureen suffers another brutal beating, she flees with her infant daughter to a coastal town in Maine. The weeks pass slowly, and just as Maureen begins to settle into her new life and new identity, Harrold reappears, bringing the story to a violent, unforgettable climax.

    Then about the murders, which happened later."When fifteen-year-old Dell Parsons' parents rob a bank, his sense of normal life is forever altered. In an instant, this private cataclysm drives his life into before and after, a threshold that can never be uncrossed.His parents' arrest and imprisonment mean a threatening and uncertain future for Dell and his twin sister, Berner. Willful and burning with resentment, Berner flees their home in Montana, abandoning her brother and her life. But Dell is not completely alone. A family friend intervenes, spiriting him across the Canadian border, in hopes of delivering him to a better life. There, afloat on the prairie of Saskatchewan, Dell is taken in by Arthur Remlinger, an enigmatic and charismatic American whose cool reserve masks a dark and violent nature.Undone by the calamity of his parents' robbery and arrest, Dell struggles under the vast prairie sky to remake himself and define the adults he thought he once knew. But his search for grace and peace only moves him nearer to a harrowing and murderous collision with Remlinger, an elemental force of darkness.A true masterwork of haunting and spectacular vision from one of America's greatest writers, Canada is a profound novel of boundaries traversed, innocence lost and reconciled, and the mysterious and consoling bonds of family. Told in spare, elegant prose, both resonant and luminous, it is destined to become a modern classic.

    Annie Proulx’s Accordion Crimes is a masterpiece of storytelling that spans a century and a continent. Proulx brings the immigrant experience in America to life through the eyes of the descendants of Mexicans, Poles, Africans, Irish-Scots, Franco-Canadians and many others, all linked by their successive ownership of a simple green accordion. The music they make is their last link with the past—voice for their fantasies, sorrows and exuberance. Proulx’s prodigious knowledge, unforgettable characters and radiant language make Accordion Crimes a stunning novel, exhilarating in its scope and originality.

    I. Lonoff, he soon finds himself enmeshed in the great Jewish writer's domestic life, with all its complexity, artifice and drive for artistic truth. As Nathan sits in breathlessly awkward conversation with his idol, a glimpse of a dark-haired beauty through a closing doorway leaves him reeling. He soon learns that the entrancing vision is Amy Bellette, but her position in the Lonoff household - student? mistress? - remains tantalisingly unclear. Over a disturbed and confusing dinner, Nathan gleans snippets of Amy's haunting Jewish background, and begins to draw his own fantastical conclusions...

    Across the border Mexico beckons—beautiful and desolate, rugged and cruelly civilized. With two companions, he sets off on an idyllic, sometimes comic adventure, to a place where dreams are paid for in blood.

    Guido plans to write poetry while Vincent feels confident he will win a Nobel prize for physics. When Guido spots Holly while exiting a museum, he can immediately sense that she will be difficult, quirky, and hard to live with. He loves her on sight. Vincent, open-minded and cheerful, meets Misty at work. Though she is a  bored and misanthropic brunette, he finds himself desperate to know her. Through courtship, jealousy, estrangement, and other perils, Happy All the Time follows four sane, intelligent, and good-intentioned people who manage to find love in spite of themselves.

    As the festivities unfold (and the cash bar opens), everyone has an opinion and a lively prediction about April and Caleb's union, each the reflection of a different marital experience.Meanwhile, at the nearby Hideaway Lodge, a domestic quarrel ends in tragedy. As April and Caleb's life together begins, death parts another man and woman in angry violence—and as the two stories gradually intersect, their juxtaposition explores the tangled roots of vulnerability and desire.By the time the last polka has been danced and the bouquet tossed, Midnight Champagne has cast an extraordinary spell. From the novel's opening epigraph from Chekhov—"If you fear loneliness, then marriage is not for you"—to its final moments in the honeymoon suite, A. Manette Ansay weaves tenderness and fury, passion and wonder into a startling tapestry of love in all its paradox and power.

    As Ramsay tells his story, it begins to seem that from boyhood, he has exerted a perhaps mystical, perhaps pernicious, influence on those around him. His apparently innocent involvement in such innocuous events as the throwing of a snowball or the teaching of card tricks to a small boy in the end prove neither innocent nor innocuous. Fifth Business stands alone as a remarkable story told by a rational man who discovers that the marvelous is only another aspect of the real.