Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    Joe Gunther of the Brattleboro, Vermont police force has a serious problem: in a community where a decade could pass without a single murder, the body count is suddenly mounting. Innocent citizens are being killed—and others set-up—seemingly orchestrated by a mysterious ski-masked man. Signs suggest that a three year-old murder trial might lie at the heart of things, but it’s a case that many in the department would prefer remained closed. A man of quiet integrity, Lt. Gunther knows that he must pursue the case to its conclusion, wherever it leads.Open Season is the first of Archer Mayor’s twenty-three Joe Gunther novels, a series of gripping police procedurals set in New England, where small-town charm, stoicism and civility sometimes conceal brutal truths.

    One night the unthinkable happens: a shadowy figure emerges on-screen, kills her, and destroys the camera. But who is the murderer? How did they know about the camera? And how will Andrew live with himself?PAUSENatalie wishes she'd stayed at home as soon as she arrives in the wintry isolation of Shanamore. There's something creepy about the manager. She wants to leave, but she can't-not until she's found what she's looking for ...REWINDPsycho meets Fatal Attraction in this explosive story about a murder caught on camera. You've already missed the start. To get the full picture you must rewind the tape and play it through to the end, no matter how shocking ...

    Five years ago, her family home was the scene of a shocking and bloody crime that left her parents dead and her foster brother in prison. Marnie doesn’t talk much about her personal life, preferring to focus on work. Not even her partner, DS Noah Jake, knows much about Marnie’s past. Though as one of the few gay officers on the force and half Jamaican to boot, Noah’s not one to overshare about his private life either. Now Marnie and Noah are tackling a case of domestic violence, and a different brand of victim.Hope Proctor stabbed her husband in desperate self-defense. A crowd of witnesses in the domestic violence shelter where she’s staying saw it happen, but none of them are telling quite the same story, and the simple question remains: how did Leo Proctor get in to the secure shelter? Marnie and Noah shouldn’t even have been there when it happened but they were interviewing another resident, Ayana Mirza. They’re trying to get Ayana to testify against her brothers for pouring bleach on her face for bringing dishonor to the family, and blinding her in one eye. But Ayana knows that her brothers are looking for her, and she has no doubt that they’ll kill her this time.As the violence spirals, engulfing the residents of the women's shelter, Marnie finds herself drawn into familiar territory: A place where the past casts long shadows and she must tread carefully to survive.

    When she returns only two hours later, she swears the baby in the crib is not her child. Despite her distress, David is adamant that she is wrong.The police are called to the scene. Detective Constable Simon Waterhouse is sympathetic, but he doubts Alice's story. His superior, Sergeant Charlie Zailer, thinks that Alice must be suffering from some sort of delusion brought on by postpartum depressions.With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?

    It was raining, and I was working a murder scene around midnight when that prickle ran up my spine. If I’d listened to that feeling, if I’d thought back to my past, maybe I could have prevented the terror that was to come.Back at the office, I found a death threat on my desk.I had no idea who sent it or why they wanted to kill me.But I was about to find out.

    Twelve years later, the victim's daughter begs for help: the killer is stalking her now. But Marty has retired to battle cancer. A second shot at the killer - and a first chance at redemption - Marty has A Reason to Live.

    An unthinkable childhood left him with a fierce determination to protect the innocent. But it also marked him with an ability to identify the darkness in others—a darkness he recognizes still exists deep within himself.When a young man is found brutally murdered, Corrigan, responsible for South London’s Murder Investigation Team, takes the case. But what first appears to be a straightforward domestic murder very quickly leads Corrigan to several other victims and the most dangerous killer he's ever encountered. The perpetrator changes his modus operandi with each crime and leaves behind not a shred of usable forensic evidence. Still, Sean knows beyond a doubt that the same man is behind each of these deaths, and he soon finds himself in a lethal game of cat and mouse with a killer who strikes far too close to home.

    At 32, the hero of Māhū has reached the pinnacle of his profession, detective on the Honolulu Police Department's homicide squad, based at the Waikīkī station. But a difficult murder case, as well as turmoil in his personal life, is about to threaten everything he has worked for.A life-threatening drug bust in chapter 1 makes Kimo realize that it's time to stop lying to himself. He's drawn to the Rod and Reel Club, a gay bar in Waikīkī, where he has a couple of beers and begins the long process of accepting his attraction to other men. Leaving the club, though, he stumbles onto two men dropping a dead body in an alley, and he launches himself into a nightmare where his private life becomes public news.Kimo's pursuit of this case takes him from the seamy underside of Chinatown to the elegance of million-dollar homes in Maunalani Heights, from gay bars where young men stride naked down runways to bloody crime scenes.

    London, England: Slough House is where the washed-up MI5 spies go to while away what's left of their failed careers. The "slow horses," as they’re called, have all disgraced themselves in some way to get relegated here. Maybe they messed up an op badly and can't be trusted anymore. Maybe they got in the way of an ambitious colleague and had the rug yanked out from under them. Maybe they just got too dependent on the bottle—not unusual in this line of work. One thing they all have in common, though, is they all want to be back in the action. And most of them would do anything to get there─even if it means having to collaborate with one another.River Cartwright, one such “slow horse,” is bitter about his failure and about his tedious assignment transcribing cell phone conversations. When a young man is abducted and his kidnappers threaten to broadcast his beheading live on the Internet, River sees an opportunity to redeem himself. But is the victim who he first appears to be? And what’s the kidnappers’ connection with a disgraced journalist? As the clock ticks on the execution, River finds that everyone has his own agenda.

    When a series of bizarre deaths rock San Francisco—as seemingly random women suffer violent psychotic breaks—Frost looks for a connection that leads him to psychiatrist Francesca Stein. Frankie’s controversial therapy helps people erase their most terrifying memories…and all the victims were her patients.As Frost and Frankie carry out their own investigations, the case becomes increasingly personal—and dangerous. Long-submerged secrets surface as someone called the Night Bird taunts the pair with cryptic messages pertaining to the deaths. Soon Frankie is forced to confront strange gaps in her own memory, and Frost faces a killer who knows the detective’s worst fears.As the body count rises and the Night Bird circles ever closer, a dedicated cop and a brilliant doctor race to solve the puzzle before a cunning killer claims another victim.

    Born into dismal poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.The Hewitts’ eldest son, William, a former Union Army battle surgeon and the black sheep of the family, was reported to have died three years before in a notorious Confederate prison camp. But one snowy February afternoon, his parents learn that he is, in fact, still alive—and in jail for having murdered a man while intoxicated on opium. Infuriated by his son’s deception and convinced of his guilt, August Hewitt forbids his wife from coming to Will’s aid, so she begs Nell to help exonerate him. Nell finds that she must delve into the kind of dark and treacherous underworld she thought she’d left far behind if she is to unearth the truth before the hangman’s noose tightens around William Hewitt’s throat.

     Introducing Erin Hart, who brings the beauty, poignancy, mystery, and romance of the Irish countryside to her richly nuanced first novel.When farmers cutting turf in a peat bog make a grisly discovery -- the perfectly preserved severed head of a young woman with long red hair -- Irish archaeologist Cormac Maguire and American pathologist Nora Gavin team up in a case that will open old wounds.Peat bogs prevent decay, so the decapitated young woman could have been buried for two decades, two centuries, or even much longer. Who is she? When was she killed? The extraordinary find leads to even more disturbing puzzles. The red-haired girl is clearly a case for the archaeologists, not the police. Still, her tale may have shocking ties to the present, and Cormac and Nora must use cutting-edge techniques to preserve ancient evidence.And the red-haired girl is not the only enigma in this remote corner of Galway. Two years earlier, Mina Osborne, the local landowner's Indian-born wife, went for a walk with her young son and never returned. Did Mina simply decide to disappear, or did mother and child become lost in the treacherous bog? Could they, too, be hidden in its depths, only to be discovered centuries from now? Or did the landowner, Hugh Osborne, murder his family, as some villagers suspect?Bracklyn House, Osborne's stately home, holds many secrets for Nora and Cormac and policeman Garrett Devaney. But time is running out. Devaney's superiors want him off the Osborne case. Now. He wants to stay and find a killer.Meticulously crafted and resonating with traditional music and folklore, Haunted Ground celebrates Ireland's turbulent history, revealing the eternal, subliminal connections between past and present in a riveting novel that heralds the arrival of a bright new crime-writing star.

    Eager to prove herself grown up, she goes to a dark, secluded park. She’s supposed to meet the boy of her dreams who she met online. But the cute fifteen year old was a fantasy, his pictures fake. She finds herself face to face with Chester Woodran, a man capable of murder.Distraught over his own missing daughter, Chester insists that Macy replace his lost girl. He withholds food, locks Macy up, and roughs her up, demanding that she call him dad. Under duress from his constant threats and mind games, her hold on reality starts to slip. Clinging to her memories is the only way of holding onto her true identity, not believing that she is Chester’s daughter. Otherwise she may never see her family again.

    Working with a single-minded tenacity, she sets out to prove it.Deputy Sheriff Ben Slater hides his personal pain behind the job, but Kate's arrival in his county knocks his world on its axis. He wants to believe her wild theory, but the idea of a serial killer with the kind of pathology she proposes is too bizarre.Together they work to find a killer whose roots began in a small town in Bigler County, but whose violence spread across the nation. A Janus-like killer, more monster than man, he fixates on Kate. The killer wants nothing more than to kill the "purple-eyed girl again."