Seventeen all-new stories illuminate the steampunk world of fog and fear!Modern masters of the supernatural weave their magic to revitalize the chilling Victorian and Edwardian ghostly tale: here are haunted houses, arcane inventions, spirits reaching across the centuries, ghosts in the machine, fateful revelations, gaslit streets scarcely keeping the dark at bay, and other twisted variations on the immortal classics that frighten us still.

    In fact, they have been cold, disinterested and cruel. And lonely Juniper Berry, and her equally beset friend, Giles, are determined to figure out why. On a cold and rainy night Juniper follows her parents as they sneak out of the house and enter the woods. What she discovers is an underworld filled with contradictions: one that is terrifying and enticing, lorded over by a creature both sinister and seductive, who can sell you all the world's secrets in a simple red balloon. For the first time, Juniper and Giles have a choice to make. And it will be up to them to confront their own fears in order to save the ones who couldn't. M.P. Kozlowsky's debut novel is a modern-day fairy tale of terror, temptation, and ways in which it is our choices that make us who we are.

    But he is wrong. Uncle Jonathan and his next-door neighbor, Mrs. Zimmermann, are both magicians! Lewis is thrilled. At first, watching magic is enough. Then Lewis experiments with magic himself and unknowingly resurrects the former owner of the house: a woman named Selenna Izard. It seems that Selenna and her husband built a timepiece into the walls—a clock that could obliterate humankind. And only the Barnavelts can stop it!

    . . .It's New Year's Eve in Camelot, where King Arthur, Queen Guinevere, and all their good Knights wait breathlessly for an extravagant feast to begin. Suddenly, a strange and frightening Knight bursts into the hall — a giant of a man, green from head to toe, who mockingly challenges the Court to a shocking game. Only the chivalrous Sir Gawain dares to take on the hideous Green Knight. But over the unexpected course of his test,will Gawain prove as brave and honest as he'd like to believe? Welcome to a medieval world full of sword fights and shape-shifting, monsters and magic, and timeless characters both gallant and wonderfully human. Written anonymously in the fourteenth century, Sir Gawain and the Green Knight is retold in its entirety by Michael Morpurgo in a lively and accessible narration that captures all the tale's drama and humor. Vivid illustrations by the celebrated Michael Foreman infuse this classic tale with the sights and colors of dragons, swords, and medieval pageantry.

    Willie has been waiting years for some kind soul to dig up his leg and rebury it with the rest of him--only then will he be at peace. Josh agrees to do the grisly deed, but when he digs in the old cemetery, he finds more than Willie's leg bones! Who buried the box of cash in the grave, and why? How far will that person go to get the money back? The Ghost's Grave is a deliciously spooky adventure from a master of suspense.

    Her slime is the slimiest and her grime is the grimiest. Alas, she is neighbors with Boris Kleanitoff, a persnickety ghoul so tidy he vacuums his vampire bats. What could ever bring these two together? Why, a hoppin' Halloween party, of course!

    Six dead children. A garden of statues.With every step he takes around the carefully manicured grounds of Minerva Hall, Jim is haunted by the ghosts of children, long dead, whom no one else can see. Urging him to "find the Seventh," the children leave him cryptic clues pointing to a devastating ancient prophecy that only he can stop from being fulfilled.Jim befriends another boy--Einstein, who lives at the Hall. Einstein is autistic and very, very smart. If anyone can help Jim find the Seventh, perhaps he can--Einstein clearly knows more than he is saying. At the same time, the dead children seem to be leaving Jim some sort of macabre treasure trail.If Jim doesn't figure out the clues, innocent people will die. But how can Jim find the answers while the dangers of the Hall grow ever more threatening? And even if he can, the real question is--is Jim already too late?Linking ancient rites with modern mystery, Christine Morton-Shaw has crafted an eerie thriller that will keep readers guessing until its startling conclusion.

    She just never expected to be living one.It all starts with a dark and stormy night. When the skies clear, everything is different. People are missing. There’s a creepy new principal who seems to know everyone’s darkest dreams. And Zee is seeing frightening things: large, scary dogs that talk and maybe even . . . a ghost.When she tells her classmates, only her best friend, Elijah, believes her. Worse, mean girl Nellie gives Zee a cruel nickname: Ghost Girl.But whatever the storm washed up isn’t going away. Everyone’s most selfish wishes start coming true in creepy ways.To fight for what’s right, Zee will have to embrace what makes her different and what makes her Ghost Girl. And all three of them—Zee, Elijah, and Nellie—will have to work together if they want to give their ghost story a happy ending.

    R. James is widely regarded as the father of the modern ghost story, and his tales have influenced horror writers from H. P. Lovecraft to Stephen King. First published in the early 1900s, they have never been out of print, and are recognized as classics of the genre. This collection contains some of his most chilling tales, including A View from a Hill, Rats, A School Story, The Ash Tree, and The Story of a Disappearance and an Appearance. Read by BAFTA and Emmy-award winning actor Derek Jacobi, and with haunting and evocative music, these tales cannot fail to send a shiver down your spine.

    She doesn't have too many friends amongst the living, but that's all right. She has her books, she has her aunts, and she has her best friend, the ghostly Felix.Then Pram meets Clarence, a boy from school who has also lost a parent and is looking for answers. Together they arrive at the door of the mysterious Lady Savant, who promises to help. But this spiritualist knows the true nature of Pram's power, and what she has planned is more terrifying than any ghost.

    If you toured Mammoth Cave in Kentucky in the year 1838, you would have been led by candlelight through dark, winding tunnels to the edge of a terrifying bottomless pit. Your guide would have been seventeen-year-old Stephen Bishop, an African American slave who became known around the world for his knowledge of Mammoth Cave. Bishop needed bravery, intelligence, and curiosity to explore the vast cavern. Using only a lantern, rope, and other basic caving equipment, he found a way to cross the bottomless pit and discover many more miles of incredible grottoes and tunnels. For the rest of his life he guided visitors through the cave, showing them how to stoop, bend, and crawl through passageways that were sometimes far from the traditional tour route. Based on the narratives of those who toured the cave with him, Journey to the Bottomless Pit is the first book for young readers ever written about Stephen Bishop.

    Perhaps no figure better embodies the transition from the Gothic tradition to modern horror than Arthur Machen. In the final decade of the nineteenth century, the Welsh writer produced a seminal body of tales of occult horror, spiritual and physical corruption, and malignant survivals from the primeval past which horrified and scandalized late-Victorian readers. Machen's "weird fiction" has influenced generations of storytellers, from H. P. Lovecraft to Guillermo Del Toro - and it remains no less unsettling today. This new collection, which includes the complete novel The Three Impostors as well as such celebrated tales as The Great God Pan and The White People, constitutes the most comprehensive critical edition of Machen yet to appear. In addition to the core late-Victorian horror classics, a selection of lesser-known prose poems and later tales helps to present a fuller picture of the development of Machen's weird vision. The edition's introduction and notes contextualize the life and work of this foundational figure in the history of horror.

    So, it's no wonder he's doesn't hear Mr. Fitches' warnings about a local homicidal hobgoblin-too bad for him.Praise for the Author:"...master of mid-grade horror, M.J.A. Ware's tales are told in a pleasantly chatty first-person style, the voice convincingly that of a young teen put-upon by sisters, brothers, parents, friends and the rest of the world... until the rest of the world jumps in with scares aplenty." -Sheila Deeth, Author, blogger, and reviewer."Writing for (a) younger audience can be tricky, but Michael Ware knows the tricks." - Author, Laura Lund

    The girl was close enough for him to see her pale face, her wide, searching eyes. She was blaming him. Her arms reached out towards him. She wanted to punish him, to drag him under . . . What was her connection to the Titanic? And how could he escape from a ghost?

    Gathered from around the world, from regions as diverse as sub-Saharan Africa and Western Europe, from North and South American Indian cultures and New World settlers, from Asia and the Middle East, these 100 folktales celebrate strong female heroines.Fearless Girls, Wise Women, and Beloved Sisters is for all women who are searching to define who they are, to redefine the world and shape their collective sensibility. It is for men who want to know more about what it means to be a woman. It is for our daughters and our sons, so that they can learn to value all kinds of courage, courage in battle and the courage of love. It is for all of us to help build a more just vision of woman.