Ben Snakepit has been chronicling his life in three-panel comic strips for the past three and a half years. The material is funny at first, but becomes transcendently more than funny, showcasing repetitive patterns of behavior, common mistakes, the redeeming beauty of small moments and all the life that's in between.

    It is a wise and practical guide for any transgender person considering or embarking on a gender transition. It covers everything from the beginning stages of exploration and planning through the process of transformation to life after transition. This is the first book written by an experienced professional specifically for transgender clients. It will also be of interest to family, friends, allies, clergy, teachers, helping professionals and anyone who cares about the challenges faced by those who seek to change their physical appearance to match their gender identity.

    Will he resist the desire to let his friend dominate him or will he give in and accept what's coming?This 10,000 word erotic story contains scenes of feminization, gender-bending, gender swapping, masturbation, sex toy play, transformation, and more explicit content intended only for adults!

    Donald Trump is not just some cartoon character, a guy with a comb-over and a press agent and a board game named after him; he is and always has been a real and fairly treacherous human being.In this feat of investigative journalism, John Connolly dives into Donald Trump’s financial records and finds that the real estate mogul’s most—if not only—valuable commodity is his knack for delivering scrutiny-resistant statements that blend finance, fact and fiction.How to Fool All of the People, All of the Time was originally published in Spy, April, 1991.Cover design by Adil Dara.

    Their exploits dealing, robbing, and jamming are rounded out by the misadventures of Aging Hipster and Punk Dad.Alex Schubert was born in Mascoutah, Illinois, and is based in Kansas City, Missouri. His Tumblr-based blog Zine Police features excerpts from his sketchbooks and zines including The Dudes and Blobby Boys, which MTV praised as "one of the funniest dumbest bestest webcomics we've come across in a minute."

    Check out a list of teacher-stalking license plates (maybe yours is in there). Look to found resumes for inspiration in your own job hunt. Learn all about Hawaii from one woman's vacation log. Read the inaugural FOUND interview with Lynda Barry. And of course, the find that started it all: Page Me Later. All that, plus loads of found photos, notes, drawings, and more!

     Hardcore music emerged just after the first wave of punk rock in the late 1970s. American punk kids who loved the speed and attitude of punk took hold of its spirit, got rid of the “live fast, die young” mind-set and made a brilliant revision: hardcore. The dividing line between punk and hardcore music was in the delivery: less pretense, less melody, and more aggression. This urgency seeped its way from the music into the look of hardcore. There wasn’t time to mold your liberty spikes or shine your Docs, it was jeans and T-shirts, Chuck Taylors and Vans. The skull and safety-pin punk costume was replaced by hi-tops and hooded sweatshirts. Jamie Reid’s ransom note record cover aesthetic gave way to black-and-white photographs of packed shows accompanied by bold and simple typography declaring things like: "The Kids Will Have Their Say", and "You’re Only Young Once." Radio Silence documents the ignored space between the Ramones and Nirvana through the words and images of the pre-Internet era where this community built on do-it-yourself ethics thrived. Authors Nathan Nedorostek and Anthony Pappalardo have cataloged private collections of unseen images, personal letters, original artwork, and various ephemera from the hardcore scene circa 1978-1993. Unseen photos lay next to hand-made t-shirts and original artwork brought to life by the words of their creators and fans. Radio Silence includes over 500 images of unseen photographs, illustrations, rare records, t-shirts, and fanzines presented in a manner that abandons the aesthetic clichés normally employed to depict the genre and lets the subject matter speak for itself. Contributions by Jeff Nelson, Dave Smalley, Walter Schreifels, Cynthia Connolly, Pat Dubar, Gus Peña, Rusty Moore, and Gavin Ogelsby with an essay by Mark Owens.

     In 1945, at the age of fifteen she died at Bergen-Belsen concentration camp, becoming one of the six million Jews who were murdered in Europe under the Nazi regime. But through her writing her memory lives on. Her ‘Diary of a Young Girl’ remains one of the most widely read non-fiction books in the world and was described as ‘one of the greatest books of the last century’. Anne started keeping a diary shortly before she went into hiding with her family in 1942, and over the course of two years she honed her craft as a writer, documenting the details of their daily lives alongside her personal reflections, fears, and aspirations. By chance, the majority of her writings were saved after the family was arrested and in 1947, after much deliberation, her father, Otto, oversaw the publication of the first edition of her diary in the Netherlands. Within a decade, it had become an international bestseller. First adapted for both stage and screen in the 1950s, awareness and readership of Anne’s diary continued to grow and its author became a household name, gradually acquiring something of a symbolic status. 70 years on ‘The Diary of a Young Girl’ still resonates just as powerfully with young and old readers alike. Jemma Saunders goes beyond Anne’s diary to fill in the gaps about her family history, her life before she went into hiding, and her final months at Bergen-Belsen concentration camp. A sobering tale, Anne Frank’s story is one that will continue to inspire generations of readers for decades to come. Jemma J Saunders works at the University of Birmingham. She is also the author of ‘The Holocaust: History in an Hour’. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Many settled on the north coast of British Columbia, on Haida Gwaii or around Prince Rupert. GUMBOOT GIRLS tells the stories of thirty-four women, through their own eyes, as they moved from their comfortable city-dwelling surroundings to the rugged north coast. Part back-to-the-land, part adventure, heartbreak and love, this collection of stories edited by Lou Allison and compiled by Jane Wilde was inspired by the book GIRLS LIKE US by Sheila Weller. Wilde, the creator of the collection, encouraged, prodded and cajoled her friends (and some of their friends) to tell the story of a generation of young women who flocked to the north coast of BC in the 1970s.

    I am the only daughter of Baron Alphonse Lartes Metrune. I am 7 years old. I haven’t always been Baron Metrune’s daughter, though.I was originally a 29 year old man who lived in Cornwall. One day I was hit by a truck and as a result, I was reincarnated into what at first seemed to be medieval Europe.But what’s this? We are a noble family, but why is our house so run down? Why are the fields looking so lifeless? Why does our army consist of one person? Why do we have so much land but it’s all barren?Why? Why? Why?

    (lots of etc.). The newly overhauled and illustrated fifth edition gets shoulder-deep into the history and local lore, providing a well-rounded argument as to why (fill in the blank) deserves your time. It also demystifies the TriMet public transportation system, bike events and culture, outdoorsy stuff, the public libraries—basically anything you need to know as the new kid in town. To the wrong eyes the book's title might imply a guide to Portland zine culture, but as editor Shawn Granton says in the introduction, the Zinester's Guide is not just for zinesters, that "It's always been about sharing the interesting and unique things that make Stumptown great, and also helping people get by that aren't swimming in scads of money." For those of us that can't so much as dogpaddle most days, this is "community" at its mightiest.

    Before those books, he and fellow artist Mark Gonzales put together limited run fanzines showcasing their bitingly satirical and wildly inappropriate collages and language pieces to be sold out of the Alleged and Andrea Rosen galleries in New York City. This boxed set contains replicas of all eight zines, perfectly reproduced, with a bonus poster added to the package.

    

    James Baldwin, An Original was originally published in Vogue, July 1964. Cover design by Adil Dara.

    . . always possessed of great wit, astonishing artwork, and volcanic sexuality" (Hustler). 45 photos. 50 illustrations.