As his only hope for redemption, he opts for the latter, and finds himself in a horrific situation that transforms him into something the world has never seen. EXOSKELETON is a dark, dark ride along the border between science fiction and horror.

    According to local legend, there used to be a church out there, home to the Lord’s Church of Holy Voices—a death cult where Jacob Masters preached the gospel of a nameless god.And like most legends, there’s truth buried among the roots and bones.In 1983, the church burned to the ground following a mass suicide. Among the survivors were Jacob’s six children and their grandparents, who banded together to defy their former minister. Dubbed the “Stauford Six,” these children grew up amid scrutiny and ridicule, but their infamy has faded over the last thirty years.Now their ordeal is all but forgotten, and Jacob Masters is nothing more than a scary story told around campfires. For Jack Tremly, one of the Six, memories of that fateful night have fueled a successful art career—and a lifetime of nightmares. When his grandmother Imogene dies, Jack returns to Stauford to settle her estate. What he finds waiting for him are secrets Imogene kept in his youth, secrets about his father and the church. Secrets that can no longer stay buried. The roots of Jacob’s buried god run deep, and within the heart of Devil’s Creek, something is beginning to stir…

     "I believe pain lingers," Angel said. "Do I believe in spirits? In the supernatural? Probably not."The Lonely Motel holds many dark secrets... and Room 6 just might possess the worst of them all.Angel knows all about pain. His mother died in this room. He's researched its history. Today he's come back to end it, no matter the cost, once and for all.Shyla, a plus-sized prostitute, thinks the stories Angel tells her can't be true. Secrets so vile, you won't want to let them inside you.But the Lonely Motel doesn't forget. It doesn't forgive. And it always claims its victim.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    She will be on her own, in a new place hopeful to meet new friends. On the night she moves in, she is taken off the street by two masked men. She is placed in a room which is little more than a cell. A pink cell. A room made for a doll. She is now part of their collection.

    All the while, Ann White must become pervert-fodder if she hopes to pass Pledge Week. All too soon, she finds that no act of lewdness is deemed too demeaning, no manner of sexual degradation too foul... For there is a secret festering in the bowels of Alpha House, an ancient carnal evil whose stygian lust is too hideous to imagine and still stay sane. As Ann literally dips herself into a cesspool of soul-soiling immorality, the black revelation throbs closer and closer... WHERE ARE WE GOING TONIGHT? Poor Ann will be slopped on, spewed in, spat upon, penetrated, humped, poked, humiliated, bitch-slapped, gang-sodomized, plungered like a toilet, filled like a decanter, and debased en masse-indeed, she will willingly go through a wringer of sexual depravity to prove her resolve, but along the way, as she converts herself into this veritable receptacle of sullied lust, will she live long enough to unveil the true secret of Alpha House? TONIGHT, WE'RE GOING MONSTERING. An unrelenting and irredeemable novel of gore-house porn and unmitigated black comedic horror.

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.

    He is a newscaster with a rising career. He has a beautiful wife, Denise, and a new baby on the way. But in just a few short hours Robert's world is turned upside down. And the torment only gets worse when his daughter's body is stolen from the morgue by a strange, disfigured man....Robert is about to begin a journey into a world of nightmare, an unimaginable world of mystery, horror and revelation. He will learn, from both the living and the dead, secrets about this world and things beyond this world. Though his journey will be grotesque, terrifying and heartbreaking, he will not be allowed to stop. But can he survive with his mind intact? Can he survive at all?

    It was also the landing site of the infamous Lords of the Deep, ruthless pirates who once pillaged the area and said to have hidden a chest full of cursed treasure. But this year’s pirate festival will be different. This year, the Lords of the Deep are coming home. Recovering from the death of her husband, Daphne Jordan is thrust into a series of bizarre events leading up to the big celebration. Lea Bay locals have been reporting strange incidents. Green mist. Seismic activity. Sinister sightings in the harbor, things with scales and long, sharp teeth. Monsters. Joined by her brother-in-law and a local police officer, Daphne must solve the mystery before whatever is swimming beneath the shore surfaces for all eternity. Before the Lords of the Deep resurrect their long-dormant leader upon the Bay—and the world.

    Handle with extreme caution. Exposure to its contents can cause severe damage to one’s health. When you’re forty-five, getting divorced, and disillusioned from years of soul-sucking work in corporate America, there isn’t much to look forward to. With his personal life just as deep in the dumps as his professional life, Mike Ashbrook figures a janitorial job would be somehow fitting, but what he finds is a different kind of clean-up service. Now Mike is wrist-deep in human waste. As a crime-scene cleaner, when the police are done, his job is just beginning. His biggest problem now, besides wiping up blood, guts, and other nastiness, is his new co-worker, Sage. She’s young, beautiful, and the only other employee who doesn’t quit after a week. She may also be totally insane. Sage is not just an enigma—she’s toxic. Toxic Love is a darkly comic and erotic nightmare from the master of blood-soaked horror, Kristopher Triana. Throughout this tale of perversion, gore, necrophilia and even some mobsters, Triana pens powerful characters who will move you just as deeply as they’ll repulse you. This Valentine’s Day, get toxic! What have you got to lose? After all, you know what they say: No Guts, No Glory Hole!

     A suspicious husband sets out to discover what his wife really does late at night in her shop. A man starts a new job guarding the entrance to a pier at night. An abandoned house hides a sinister – and disgusting – secret in its basement. A young girl waits for a message from her dead mother, and then she finds something stranger in the freezer. The Butcher's Husband and Other Stories features the new short stories The Butcher's Husband, Tongue, The Pier and The Butcher's Husband II, as well as revised versions of The Seagull and A Perfect Death, and a new novella titled Larry.

    Armed with video camcorders, these poor souls enter the forbidden house, never to return. The deeper they go into the house, the darker their nightmares become. Don't even think about going into the cellar.

    All she has to do is hide, and she's an expert at that.It's the reason she's alive, and her family isn't.But as the people around her begin disappearing one by one, Mack realizes this competition is more sinister than even she imagined, and that together might be the only way to survive. Fourteen competitors. Seven days. Everywhere to hide, but nowhere to run.Come out, come out, wherever you are.A high-stakes hide-and-seek competition turns deadly in this dark supernatural thriller from New York Times bestselling author Kiersten White.

    She might not make it to morning.Quinn and her father moved to tiny, boring Kettle Springs to find a fresh start. But ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can.Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.

    Sick of his life and plagued by alcoholism, he makes the decision to divorce his wife, sell everything he owns and travel the world to try and find focus and rid himself of his addiction. Eventually arriving on the sun drenched shores of Australia and still plagued by his demons, he has spent all his savings and is facing the prospect of having to return to his old life. It is here that he meets two men with an outlandish story about a horde of sunken drug money in an area known as the Devil’s Triangle – Australia’s answer to its Bermuda namesake and said to be the lair of a terrifying monster of the deep. Offered a share of the fortune if he helps retrieve it, Tyler agrees to go with the men to the location, sceptical and thinking only of prolonging his journey of self discovery. He will learn, however, that this particular urban legend is real, and they encounter a giant of the seas, the previously thought to be extinct Megalodon which makes its home within the area of the Devil’s triangle. Barely escaping with their lives, the three men wash up on an isolated island – no more than a rocky outcrop with no vegetation, fresh water of food sources. As desperation to survive intensifies, horrifying decisions will be made that will illustrate how man is sometimes the most violent predator on earth and when left with no option will do anything, even the unthinkable, in order to survive.