Book picks similar to
Snow-White and Rose-Red by Marjorie Cooper


children-s-books
childrens-books
picture-books
fantasy

Cinderella


Jacob Grimm - 1857
    Several pages have been finished with soft sparkles giving the book a magical feel.

Walt Disney's Peter Pan


Eugene Bradley Coco - 1960
    It is a must for any children's book collection.

Goldilocks and the Three Bears


Jim Aylesworth - 2003
    Yes she did... " But worse is when she forget's not to do what she is told not to do. For sometimes that can lead to much more serious trouble....like what happened the day of this story. McClintock's art, that is reminscent of 19th Century children's book art, perfectly compliments Aylesworth's playful, original, and very involving rendition of the classic Three Bears story.

Rapunzel: Based on the Original Story by the Brothers Grimm


Sarah Gibb - 2010
    Until one day a handsome prince, passing by on his horse, is transfixed by the magical sound of Rapunzel singing to her animals friends and knows he must reach her... Can true love transform Rapunzel's life forever?

Goldilocks and the Three Bears


James Marshall - 1988
    . . . The illustrations are fraught with delicious humor and detail. Like its predecessor, perfect for several uses, from picture book hour to beginning reading."--Kirkus Reviews. Caldecott Honor Medal.

Disney Snow White and the Seven Dwarfs


Walt Disney Company - 2003
    Now new and old fans can relive the magic of this beloved film as it is retold in a beautiful full-color Little Golden Book!

The Little Match Girl


Hans Christian Andersen - 1845
    The wares of the poor little match girl illuminate her cold world, bringing some beauty to her brief, tragic life.

Disney's Beauty and the Beast


Ellen Titlebaum - 2002
    The complete retelling of favorite Disney movies in a true read-aloud style.

Hansel and Gretel


Rika Lesser - 1984
    Lesser and Zelinsky retell the story of a pair of children lost in the woods who run into a witch with a very tasty house.

American Tall Tales


Mary Pope Osborne - 1991
      Here are Paul Bunyan, that king-sized lumberjack who could fell “ten white pines with a single swing”; John Henry, with his mighty hammer; Mose, old New York’s biggest, bravest fireman; Sally Ann Thunder Ann Whirlwind, who could “outgrin, outsnort, outrun, outlift, outsneeze, outsleep, outlie any varmint”; and other uniquely American characters, together in one superb collection.   In the tradition of the original nineteenth-century storytellers, Mary Pope Osborne compiles, edits, and adds her own two cents’ worth—and also supplies fascinating historical headnotes. Michael McCurdy’s robust colored wood engravings recall an earlier time, perfectly capturing all the vitality of the men and women who carved a new country out of the North American wilderness.

The Three Billy Goats Gruff


Paul Galdone - 1841
    With plenty of repetition, this adventure is perfect for reading aloud and for joining in, and a satisfying ending provides a reassuring touch.

Cinderella, or The Little Glass Slipper


Charles Perrault - 1697
    In this lavishly illustrated retelling of the classic fairytale, Camille Rose Garcia reimagines Cinderella through her distinctive visual aesthetic. Hers is a Cinderella for the twenty-first century: Dark, compelling, vibrant, and enthralling.

Puss in Boots


Jerry Pinkney - 2012
    The humor, the magic, and a lush Renaissance setting are all on glorious display, and a well-placed gatefold adds to the drama. This elegant new edition of Charles Perrault's folktale is essential for every child's library. Read it in tandem with other Pinkney classic picture books like The Little Red Hen and The Lion and the Mouse."This book is larger than life."-Library Media Connection

The Three Little Pigs (A Little Golden Book)


Elizabeth Ross - 1973
    Relates the adventures of three little pigs who leave home to seek their fortunes and how they deal with the big bad wolf.

Rapunzel


Paul O. Zelinsky - 1997
    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.