It goes far beyond the standard advice given in most screenwriting manuals. Drawn from sources as varied as vaudeville, classical Greek comedies, and Russian fairy tales, the book outlines a series of practical templates for creating believable characters and emotionally satisfying plots.

    With an American TV actor named Clint Eastwood and a script based on a samurai epic, Leone wound up creating "A Fistful of Dollars", the first in a trilogy of films (with "For a Few Dollars More" and "The Good, the Bad, and the Ugly") that was violent, cynical, and visually stunning. Along with his later masterpiece, "Once Upon a Time in the West", these films came to define the Spaghetti Western

    Throughout these pages Meisner is delight--always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of "Out of Africa" and "Tootsie," who worked with Meisner for five years."This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods."--Arthur Miller"If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book."--Gregory Peck

    As the guys at Cahiers du Cinema say, au contraire! Hollywood's spigot of stupidity shows no sign of slowing, and cheesy films continue to flood our multiplexes and gunk up our home entertainment centers at an alarming rate. This dire situation calls for a specialist. A professional. An expert in wading through motion pictures so vile that they aren't released; they escape. We need Mike Nelson! Hey, settle down there, pal--you got him!In more than sixty laugh-out-loud reviews and essays featuring his unique combination of erudite wit and shameless clowning, this screenscarred veteran takes us deep into the recesses of cinematic cheese. He examines legendary showbiz families like Culkin, Baldwin, and Estevez; uncovers an ancient quatrain in which Nostradamus foretells the coming of David Hasselhoff; makes the case for the Food Network and the Three Stooges; and skewers all kinds of movies, including Lost in Space, Twister, Anaconda, The Postman, Spring Break, My Best Friend's Wedding, The Bridges of Madison County, The Blair Witch Project, and many, many more. Here is a film critic for the rest of us: the outrageous, hilarious Mike Nelson.

    But the drama they project on screen is only half the picture. Stretching back from its earliest days of two-reel silent films to the latest 3-D digital blockbusters, film history provides a cast of characters ready to spill witty bon mots, outrageous pronouncements, and heartfelt reflections. The Filmmaker Says is a colorful compendium of quotations from more than one hundred of history's most influential and opinionated creators of filmed entertainment. Paired like guests at the ultimate filmgeek dinner party—a celebrated filmmaker of today might sit next to a giant from the silent era—the members of this raucous crew puts on a show arguing, complimenting, and disagreeing with each other about every step of the moviemaking process. A perfect gift for working filmmakers, aspiring auteurs, and avid moviegoers, The Filmmaker Says will delight anyone who has dreamed of yelling "action" or just can't wait for the lights to go down and the curtain to go up.

    This book follows him through the process of setting up a new TV programme, punctuated with conversations with his agent.

    This is the first book to explore the varied philosophical aspects of the film. Beginning with an introduction by the editor that places the film and essays in context, each chapter explores a central theme of Fight Club from a philosophical perspective. Topics discussed include:Fight Club, Plato's cave and Descartes' cogito moral disintegration identity, gender and masculinity visuals and narration.Including annotated further reading at the end of each chapter, Fight Club is essential reading for anyone interested in the film, as well as those studying philosophy and film studies.

    The story was collected in his anthology Welcome To The Monkey House. The story centers on a character named Harry Nash, who is an extremely shy & characterless small-town man. However, whenever he takes a part in the local, amateur theater production he becomes the character to an overwhelming extent. Soon Helene Shaw, a recent addition to the town, falls in love with Nash--or with his character in the play.

    His book is as frank as it is revealing. Vadim tells the story of his life with Brigitte Bardot, Catherine Deveuve, and Jane Fonda - three superstars whose private lives he changed as radically as he did their careers. His life (and theirs) reads like the best kind of romance novel, beginning with his love affair with the adolescent, bourgeoise Bardot, who threatened suicide if they couldn't be together... And he tells it all their tempestuous marriage, the making of their famous movie "And God Created Woman", Bridget becoming a celebrity, and their amiable divorce. And then Catherine Deneuve, described by the press as "the most beautiful woman in the world". Vadim observed and describes her transformation from adolescent to goddess: "With me she was docile. But I did notice that she wasted no time in getting her own way...She took her profession very seriously". And in private we see Deneuve the woman, pregnant with Vadim's baby and as she became an international star with "The Umbrellas of Cherbourg", the end. Through Vadim's eyes we watch Jane Fonda's journey from the insecure child of Hollywood movie aristocracy to the mature woman she became. He tells us of their decision to have a baby - when Jane asked if the house wouldn't be too crowded with the two children already in residence Vadim pointed out, "We have five cats, six dogs and four Italians already". Of their "open marriage", "Jane and I were the guinea pigs of an unstable era and we did not know it". And finally of the breakup: "Jane wasn't leaving me for another man but for herself. I much preferred to see her taking off on the chariot of politics to her leaving me for another man. I found this to be loftier as well as much easier on my ego". It's all here, a memoir at once gossipy, explicit, and deeply moving, starring the three most beautiful and fascinating women in the world.

    Teas in 1959. The modest little film pushed all preexisting limits of on-screen nudity, and with its success, the floodgates of what was permitted to be shown on film were thrust open, never to be closed again. Russ Meyer ignited a true revolution in filmmaking, breaking all sex, nudity, and violence taboos. In a career that spanned more than forty years, Meyer created a body of work that has influenced a legion of filmmakers, fashionistas, comic book artists, rock bands, and even the occasional feminist. Bringing his anecdote- and action-packed biographical style to another renegade of popular culture, New York Times bestselling author of Shakey Jimmy McDonough offers a wild, warts-and-all portrait of Russ Meyer, the director, writer, producer, and commando moviemaking force behind the sexploitation classics Vixen, Beyond the Valley of the Dolls, Faster, Pussycat! Kill! Kill! and many others. Big Bosoms and Square Jaws blows the lid off the story of Russ Meyer, from the beginning to his recent tragic demise, creating in the process a vivid portrait of a past America.

    and ultimately walk the streets of Hollywood as an alcoholic prostitute. But, as she says throughout, she is not ashamed of her life. She achieved rare success in the Hollywood system and went down in an archconservative era, when McCarthy threatened the country's free speech and Hollywood producers ran terrified of even a whiff of scandal. When Payton's boyfriend, actor Tom Neal, pounded a concussion into his effete romantic rival Franchot Tone, the whole incident went public and made Payton the Hollywood bad girl - too bad, as it turned out, for Warner Brothers to handle. Describing her downfall, Payton also talks about her relationships with Cagney, Sinatra, Peck and other big names. Lost for decades after its original 1963 release, I Am Not Ashamed leapt back into the limelight when Jack Nicholson lent it to Jessica Lange to help her prepare for her part in The Postman Always Rings Twice. Now Holloway House Publications has finally released this classic Hollywood tell-all.

    With a haunting emotional intensity, they offer glimpses of love lost and lives wasted. These three luminous, compassionate tales showcase the mastery and exquisite talent of one of Japan's most beloved writers.

    . . a seminal work of cinema description and analysis and therefore an essential purchase for most libraries." —From the Starred Review in Library JournalRaymond Borde (1920 - 2004), founder of the Cinémathèque de Toulouse, wrote extensively on film history.; among his short films is a study of the artist Pierre Molinier.Etienne Chaumeton was the film critic of the Toulouse newspaper La Dépêche until his death.

    In this, one of the very first celebrity memoirs, Chaplin displays all the charms, peculiarities and deeply-held beliefs that made him such an endearing and lasting character.Re-issued as part of Melville House’s Neversink Library, My Autobiography offers dedicated Chaplin fans and casual admirers alike an astonishing glimpse into the the heart and the mind of Hollywood’s original genius maverick.Take this unforgettable journey with the man George Bernard Shaw called “the only genius to come out of the movie industry” as he moves from his impoverished South London childhood to the heights of Hollywood wealth and fame; from the McCarthy-era investigations to his founding of United Artists to his “reverse migration” back to Europe, My Autobiography is a reading experience not to be missed.

    Their unique story is funny, poignant and life-affirming.