Her father, Maharajah Duleep Singh, was heir to the Kingdom of the Sikhs, one of the greatest empires of the Indian subcontinent, a realm that stretched from the lush Kashmir Valley to the craggy foothills of the Khyber Pass and included the mighty cities of Lahore and Peshawar. It was a territory irresistible to the British, who plundered everything, including the fabled Koh-I-Noor diamond. Exiled to England, the dispossessed Maharajah transformed his estate at Elveden in Suffolk into a Moghul palace, its grounds stocked with leopards, monkeys and exotic birds. Sophia, god-daughter of Queen Victoria, was raised a genteel aristocratic Englishwoman: presented at court, afforded grace and favor lodgings at Hampton Court Palace and photographed wearing the latest fashions for the society pages. But when, in secret defiance of the British government, she travelled to India, she returned a revolutionary. Sophia transcended her heritage to devote herself to battling injustice and inequality, a far cry from the life to which she was born. Her causes were the struggle for Indian Independence, the fate of the lascars, the welfare of Indian soldiers in the First World War – and, above all, the fight for female suffrage. She was bold and fearless, attacking politicians, putting herself in the front line and swapping her silks for a nurse's uniform to tend wounded soldiers evacuated from the battlefields. Meticulously researched and passionately written, this enthralling story of the rise of women and the fall of empire introduces an extraordinary individual and her part in the defining moments of recent British and Indian history.

    1942, Manchester World War Two is in full swing and Lily Mullins is determined to do her bit for the war effort. Her friends and sweetheart have all joined up and Lily's sure there must be a role for her that goes further than knitting socks for the troops! When she decides to volunteer for the Women's Auxiliary Air Force, Lily soon discovers that she has a talent as a wireless operator. Helped along the way by a special gang of girls, she finds strengths she didn't know she had and realises that the safety of the country might just be in her hands . . . Meanwhile, Danny is determined to marry Lily, but his letters home become more and more distant. Will a long separation mean the end of their love story?An uplifting and inspiring novel of women on the home front. '[The story] read so true to me and I really didn't want to put it down . . . It may be fiction but those things could, and did, happen.' Vera Morgan, wartime WAAF 'An impeccably researched and uplifting story of love, loss and courage: a heartwarming read that will captivate all those who love a good war story.' Clare Harvey, author of The Gunner Girl'A wonderful, inspiring story. I can't wait to read more from Shirley Mann.' Sheila Newberry

    Once she wanted to be a journalist, now all she wants is to be safe. When she finally arrives, bewildered, in London, she is attacked by the very people paid to protect her, and she has no choice but to step out on her own into this strange new world. Through a dizzying array of interviews, lawyer’s meetings, regulations and detention centres, she realises that what she faces may be no less dangerous than the violence she has fled.Written with grace, humour and compassion, this timely and thought-provoking novel tackles its uncomfortable subject matter in a deeply affecting way. A book about forging dignity in a world of tragedy, and raising issues about immigration and asylum-seekers through the story of one woman’s plight, Dalila is a necessary tale of our times. It is also a work of great literary power: a slow-burning, spell-binding novel about how we treat the vulnerable and dispossessed that will leave its readers devastated.

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    The people, including five comic characters abandoned or greatly diminished in the later play, "Uncle Vanya," for which Chekhov borrowed his own characters and material, do not allow themselves to be daunted. This translation of The Wood Demon was produced by the Mark Taper Forum as a classics lab workshop production in 1992...

    Though, one month out of the Kansas Territory, Hank disappears leaving Rebecca and Jace, their older son, responsible for finding the wagon train in his absence. Without Hank, Rebecca is forced to kill an outlaw who threatens her and her children. The courageous act thrusts her on a course of unforeseen danger. Rebecca finds it necessary to make one critical decision after another for the survival of her family. Joining the wagon train, Rebecca begins the long journey west. Two thousand miles of untamed wilderness and overwhelming adversities draw her closer to the group of travelers whom she soon considers family. Their strength overshadows her fears of retaliation by the outlaw’s brothers determined to make good on their promise. Music by the campfires, starlit nights, and God’s constant presence make the unrelenting wind and long, hot days bearable. Along with the unexpected romance which catches Rebecca by surprise. Gentle Courage tells the story of a woman with extraordinary faith and courage to give her children a future. With powerful insight, author of the Tales of Hackett County series, Connie Johnson captures the essences of the historical epic of the Oregon Trail seen through the eyes of Rebecca Quaid.

     Part 2 continues the saga of the Bassett brothers and their twin wives as they return to Riverbreeze and begin their married lives. All is not well at the Bassett home though. A pair of misfortunes set the stage for this action-packed sequel. Robert must also face the consequences of his reckless behavior in Part 1; and Elizabeth and Evelyn discover a strange phenomenon about themselves that threatens to destroy their young relationships with their husbands; and finally Robert makes the one dreaded mistake that almost drives a wedge between the two brothers. Full of drama, excitement, humor, romance and details of early American life, Riverbreeze, the series will appeal to a wide range of readers.

    blu, steeped in poetic realism and contemporary politics, challenges us to try to imagine a time before war.Selected as the winner of the 2010 Yale Drama competition from more than 950 submissions, Virginia Grise's play blu takes place in the present but looks back on the not too distant past through a series of prayers, rituals, and dreams. Contest judge David Hare commented, "Virginia Grise is a blazingly talented writer, and her play blu stays with you a long time after you've read it." Noting that 2010 was a banner year for women playwrights, he added, "Women's writing for the theatre is stronger and more eloquent than it has ever been."

    Douglas. The play features Academy Awards nominees Paul Giamatti in the role of Stephen A. Douglas and David Straithairn as Abraham Lincoln. Two Presidential candidates - one a rising Illinois legislator, the other a bombastic US Senator. Obama and McCain? Think again. In this transcendent Broadway play, the famous Lincoln-Douglas debates tackle the day's most passionate issue - slavery. Their battle comes to life through the eyes of Adele Douglas, wife of candidate Stephen Douglas. Challenged by the charming man from Illinois, she reexamines her basic beliefs about the American concept of freedom. Evocative, inspiring and stirring theatre]] raves The New York Times.

    As they see matters, wealth in the form of means of production and wealth in the form of consumers’ goods are essentially indistinguishable. For all practical purposes, they have no awareness of the existence of capital and of its importance. Thus, capitalists are generally depicted as fat men, whose girth allegedly signifies an excessive consumption of food and of wealth in general, while their alleged victims, the wage earners, are typically depicted as substantially underweight, allegedly signifying their inability to consume, thanks to the allegedly starvation wages paid by the capitalists.The truth is that in a capitalist economic system, the wealth of the capitalists is not only overwhelmingly in the form of means of production, such as factory buildings, machinery, farms, mines, stores, warehouses, and means of transportation and communication, but all of this wealth is employed in producing for the market, where its benefit is made available to everyone in the economic system who is able to afford to buy its products.Consider. Whoever can afford to buy an automobile benefits from the existence of the automobile factory and its equipment where that car was made. He also benefits from the existence of all the other automobile factories, whose existence and competition served to reduce the price he had to pay for his automobile. He benefits from the existence of the steel mill that provided the steel for his car, and from the iron mine that provided the iron ore needed for the production of that steel, and, of course, from the existence of all the other steel mills and iron mines whose existence and competition served to hold down the prices of the steel and iron ore that contributed to the production of his car.And, thanks to the great magnitude of wealth employed as capital, the demand for labor, of which capital is the foundation, is great enough and thus wages are high enough that virtually everyone is able to afford to a substantial degree most of the products of the economic system. For the capital of the capitalists is the foundation both of the supply of products that everyone buys and of the demand for the labor that all wage earners sell. More capital—a greater amount of wealth in the possession of the capitalists—means a both a larger and better supply of products for wage earners to buy and a greater demand for the labor that wage earners sell. Everyone, wage earners and capitalists alike, benefits from the wealth of the capitalists, because, as I say, that wealth is the foundation of the supply of the products that everyone buys and of the demand for the labor that all wage earners sell. More capital in the hands of the capitalists always means a more abundant, better quality of goods and services offered for sale and a larger demand for labor. The further effect is lower prices and higher wages, and thus a higher standard of living for wage earners.Furthermore, the combination of the profit motive and competition operates continually to improve the products offered in the market and the efficiency with which they are produced, thus steadily further improving the standard of living of everyone.In the alleged conflict between the so-called 99 percent and the so-called 1 percent, the program of the 99 percent is to seize as far as possible the wealth of the 1 percent and consume it. To the extent that it is enacted, the effect of this program can only be to impoverish everyone, and the 99 percent to a far greater extent than the 1 percent. To the extent that the 1 percent loses its mansions, luxury cars, and champagne and caviar, 99 times as many people lose their houses, run-of-the mill cars, and steak and hamburger.

    Before she can complete her task, she may need to resort to a little murder and experience a bit of Hellfire, but that's to be expected when the threads of time are ruled by sexist Thraeder pigs. Fortunately, a certain irresistible man (who happens to be the ultimate feminist) makes everything worthwhile in the end. CATEGORY: Time Travel Romance. (Not, in general, for sexist Thraeder pigs.)

    16 pages of photos.

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    It is an unforgettable portrait of a true larger-than-life woman who made her mark on history.

    The 'scholars' are a cross-section of the local community, from a semi-literate young farmer to and elderly polygot autodidact who reads and quotes Homer in the orginal.In a nearby field camps a recently arrived detachment of the Royal Engineers, engaged on behalf of the Britsh Army and Government in making the first Ordnance Survey. For the purposes ofr cartography, the local Gaelic place names have to be recorded and transliterated - or translated - into English, in examining the effects of this operation on the lives of a small group of people, Irish and English, Brian Friel skillfully reveals the unexperctedly far-reaching personal and cultural effects of an action which is at first sight purely administrative and harmless. While remaining faithful to the personalities and relationshiops of those people at that time he makes a richly suggestive statement about Irish - and English - history.