And we come together – right there in the darkness. And even though there is no way to be certain of any other thing in the world, I am certain that I would risk anything to keep what is between the two of us. For love, I would risk anything, lose everything.Out of the Silence is a stunning debut novel about three Australian women from very different worlds: Maggie Heffernan, a spirited working-class country girl; Elizabeth Hamilton, whose own disappointment in love has served only to strengthen her humanity; and Vida Goldstein, a charismatic suffragist from Melbourne and the first woman to stand for Parliament in Australia.When Maggie’s life descends into darkness after a terrible betrayal, the three women’s lives collide. Around this tragedy Wendy James has constructed a masterfully drawn and gripping fiction. Based on a true story, it unfolds at the dawn of the twentieth century against the compelling backdrop of the women’s suffrage movement and a world on the brink of enormous change.The novel powerfully evokes the plight of women in the early 1900s – not least their limited options, whatever their class and education. However, at its heart this is a story of love – of love gone wrong; of its compromises and disappointments; but ultimately of its extraordinary transformative power.WINNER OF THE BEST FIRST AUSTRALIAN CRIME NOVEL, NED KELLY CRIME AWARDS 2006SHORTLISTED FOR THE DOBBIE LITERARY AWARD 2006 FOR BEST FIRST NOVEL BY A FEMALE AUTHOR

    He travels to the isolated town of Wittenoom and takes charge of its small hospital, a place where no previous doctor has managed to stay longer than an eye blink. Instead of settling into a quiet, solitary life, he discovers an asbestos mining corporation with no regard for the safety of its workers and no care for the truth.Thirty years later, Dr Lou Fitzgerald stumbles across the abandoned Wittenoom Hospital. She, too, is a fugitive from a medical career toppled by a single error. Here she discovers faded letters and barely used medical equipment, and, slowly the story of the hospital’s tragic past comes to her.Dustfall is the tale of the crashing consequences of medical error, the suffering caused by asbestos mining and the power of storytelling.

    1965: As the United States becomes further embroiled in the Vietnam War, the ripple effects are far-reaching—even to the other side of the world. In Australia, a national military draft has been announced and Pearl Keogh, a headstrong and ambitious newspaper reporter, has put her job in jeopardy to become involved in the anti-war movement. Desperate to locate her two runaway brothers before they’re called to serve, Pearl is also hiding a secret shame—the guilt she feels for not doing more for her younger siblings after their mother’s untimely death. Newly arrived from Sweden, Axel Lindquist is set to work as a sculptor on the besieged Sydney Opera House. After a childhood in Europe, where the shadow of WWII loomed large, he seeks to reinvent himself in this utterly foreign landscape, and finds artistic inspiration—and salvation—in the monument to modernity that is being constructed on Sydney’s Harbor. But as the nation hurtles towards yet another war, Jørn Utzon, the Opera House’s controversial architect, is nowhere to be found—and Axel fears that the past he has tried to outrun may be catching up with him. As the seas of change swirl around them, Pearl and Axel’s lives orbit each other and collide in this sweeping novel of art and culture, love and destiny.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    Mrs Wigg has been gone a few years now and he thinks about her every day. He misses his daughter, too, and wonders when he'll see her again.He spends his time working in the orchard, cooking and preserving his produce and, when it's on, watching the cricket. It's a full life. Things are changing though, with Australia and England playing a one-day match, and his new neighbours planting grapes for wine. His son is on at him to move into town but Mr Wigg has his fruit trees and his chooks to look after. His grandchildren visit often: to cook, eat and hear his stories. And there's a special project he has to finish ...It's a lot of work for an old man with shaking hands, but he'll give it a go, as he always has.

    At once knowing and unabashedly romantic, The Thin Man is a murder mystery that doubles as a sophisticated comedy of manners.

    There's a logical (Hiaasenian) explanation for that, but not for how and why it parted from its owner. Yancy thinks the boating-accident/shark-luncheon explanation is full of holes, and if he can prove murder, his commander might relieve him of Health Inspector duties, aka Roach Patrol. But first Yancy will negotiate an ever-surprising course of events--from the Keys to Miami to a Bahamian out island--with a crew of equally ever-surprising characters, including: the twitchy widow of the frozen arm; an avariciously idiotic real estate developer; a voodoo witch whose lovers are blinded-unto-death by her particularly peculiar charms; Yancy's new love, a kinky medical examiner; and the eponymous Bad Monkey, who earns his place among Hiaasen's greatest characters with hilariously wicked aplomb.

    Her distinguished career ended under a cloud over a decade earlier, following an unspecified scandal involving a much younger male teacher. After losing her savings in the financial crash, she is forced to sell the dream house she had built for her old age and live on in her dilapidated cottage opposite. Initially extremely resentful and hostile towards Frank and Evelyn, the young couple who buy the new house, she develops a flirtatious friendship with Frank, and then a grudging affinity for his 12-year-old niece, Kim, who lives with them. Thea has never liked children, but she discovers an unexpected bond with  the solitary, half-Vietnamese Kim, an awkward, bookish child from a very deprived background. As Thea and Kim become close, Thea begins to find  Frank's behavior increasingly irresponsible, and to harbor worries that all is not well in the house. Her growing suspicions, which may or may not be irrational, start to dominate her life, and build to a catastrophic climax.

    In telling lies, Laura learns both the astonishing allure of fiction and the social costs of stepping beyond the bounds of propriety, gender, class, and family ties.The novel is only in part a fictionalised account of Richardson's school years at the Presbyterian Ladies College, Melbourne, where (unlike her fictional counterpart) she was not only academically successful but also an outstanding student of music. Unusual for stories of school-life, The Getting of Wisdom was clearly aimed at a mature readership able to understand irony and a critique of the colonial educational provision of its day, including a determination to preserve sexual ignorance in young women.

    She knows what's expected of her. She knows what to do to please her elders, and how to make sure life in the community remains happy and calm. That is, until a new young girl joins the group. She isn't fitting in; she doesn't want to stay. What happens next will turn life as Amy knows it on its head. Freya has gone to great lengths to feel like a 'normal person'. In fact, if you saw her go about her day with her young son, you'd think she was an everyday mum. That is, until a young girl goes missing and someone from her past, someone she hasn't seen for a very long time, arrives in town. As Amy and Freya's story intertwines the secrets of the past bubble up to the surface. This rural Aussie town's dark underbelly is about to be exposed and lives will be destroyed.

    'Something truly amazing is going to happen.' 'To us or to the world?' I say. 'To you.' 'To me?' I laugh. 'Nothing ever happens to me, Stella.' 'But today it will.' 'Will it be good?' She looks thoughtful and then frowns. 'I . . . I don't know.'Peach is 19 and pretty happy with the way things are. She has her college work, two wildly different best friends, her sister, Stella, to look after, and a broken heart to mend. But when she takes a summer job at a café in the old convent, her idea of who she is takes a sharp turn into the past. Where once there were nuns, young girls and women who had fallen on hard times, Peach discovers secrets from three generations of her family. As their stories are revealed, Peach is jolted out of her comfort zone. But does she really want to know who she is? Warm and real, intense and provocative, this novel shows in vivid detail how fate and the choices we make ripple and reverberate through time.

    In a place called Mrs. Ivanova's Charm School, young KGB agents are being taught by American POW's how to be model citizens of the USA. The Soviet goal -- to infiltrate the United States undetected. When an unsuspecting American tourist stumbles upon this secret, he sets in motion a CIA investigation that will reveal horrifying police state savagery and superpower treachery.

    The most famous work by the Australian novelist and poet, For the Term of His Natural Life is a powerful tale of an Australian penal settlement, which originally appeared in serial form in a Melbourne paper.

    A suspect has already been singled out: a 17-year-old girl who has since disappeared from the scene.The press has now revealed that she is the youngest member of one of London's most notorious families. Thirteen years earlier, her grandfather set off a suicide bomb in a grocery store, a bomb her mother confessed to building. Has the girl decided to follow in their footsteps?To find her, Bish must earn the trust of her friends and family, including her infamous mother, now serving a life sentence in prison--but as he delves into the deadly bus attack that claimed five lives, the ghosts of older crimes become impossible to ignore.A gripping fusion of literary suspense and family drama, Tell the Truth, Shame the Devil is a fast-paced puzzle of a novel that will keep readers feverishly turning pages.

    From one of Australia's most loved novelists. He felt like a pirate landing on an island of little maimed animals. A great wave had swept them up and dumped them here. All of them, like him, stranded, wanting to go home. It is 1954 and thirteen-year-old Frank Gold, refugee from wartime Hungary, is learning to walk again after contracting polio in Australia. At the Golden Age Children's Polio Convalescent Hospital in Perth, he sees Elsa, a fellow-patient, and they form a forbidden, passionate bond. The Golden Age becomes the little world that reflects the larger one, where everything occurs, love and desire, music, death, and poetry. Where children must learn that they are alone, even within their families. Written in Joan London's customary clear-eyed prose, The Golden Age evokes a time past and a yearning for deep connection. It is a rare and precious gem of a book from one of Australia's finest novelists.