Jess had done the research. Success requires precision: a dark room, a mirror, a candle, salt, and four teenage girls. Each of them--Jess, Shauna, Kitty, and Anna--must link hands, follow the rules . . . and never let go. A thrilling fear spins around the room the first time Jess calls her name: "Bloody Mary. Bloody Mary. BLOODY MARY." A ripple of terror follows when a shadowy silhouette emerges through the fog, a specter trapped behind the mirror. Once is not enough, though--at least not for Jess. Mary is called again. And again. But when their summoning circle is broken, Bloody Mary slips through the glass with a taste for revenge on her lips. As the girls struggle to escape Mary's wrath, loyalties are questioned, friendships are torn apart, and lives are forever altered.A haunting trail of clues leads Shauna on a desperate search to uncover the legacy of Mary Worth. What she finds will change everything, but will it be enough to stop Mary--and Jess--before it's too late?

    Featuring two AMAZING novellas and fourteen GRIPPING short stories - including three new stories written exclusively for this edition.We all know that doors are for people with no imagination so smash the glass, climb through the window and enter the awesome world of Skulduggery Pleasant with this ultimate story collection.For the first time, every Skulduggery Pleasant short story, plus two novellas – Get Thee Behind me, Bubba Moon and The End of the World – is collected into one magnificent volume. But that's not all…This collection includes fourteen short stories – three of which are AWESOME NEW stories written exclusively for this edition. Two of them delve into the things that our old friend Billy-Ray Sanguine gets up to between books, while the third pits Skulduggery and Valkyrie against a serial killer, a desperate ghost, and a swarm of very nasty insects.So it’s business as usual, then.Introduced by Derek, these are the hidden stories of the skeleton who saves the world… and the girl who's destined to destroy it.

    They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu.The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of king; in "The Chrysanthemum Vow," a faithful revenant fulfills a promise; "The Kibitsu Cauldron" tells a tale of spirit possession; and in "The Carp of My Dreams," a man straddles the boundaries between human and animal and between the waking world and the world of dreams. The remaining stories feature demons, fiends, goblins, strange dreams, and other manifestations beyond all logic and common sense.The eerie beauty of this masterpiece owes to Akinari's masterful combination of words and phrases from Japanese classics with creatures from Chinese and Japanese fiction and lore. Along with The Tale of Genji and The Tales of the Heike, Tales of Moonlight and Rain has become a timeless work of great significance. This new translation, by a noted translator and scholar, skillfully maintains the allure and complexity of Akinari's original prose.

    He finds the place infested with rats, but it suits his purposes... until one of the rats grows too bold, and the scholar realizes the horror he's stumbled into.

    And though her family has turned her into a despised servant, Maia must always pretend to be happy, or else they'll all be struck dead by the curse.Anax, heir to the Duke of Sardis, doesn't believe in love either—not since he discovered that his childhood sweetheart was only using him for his noble title. What's the point of pretending to fall in love with a girl just so she'll pretend to fall in love with him back? But when his father invites all the suitable girls in the kingdom to a masked ball, Anax must finally give in and select a wife.As fate would have it, the preparations for the masquerade bring him Maia, who was asked by her eldest stepsister to deliver letters to Anax. Despite a prickly first encounter, he is charmed and intrigued by this mysterious girl who doesn't believe in love. Anax can't help wishing to see her again—and when he does, he can't help falling in love with her. Against her will, Maia starts to fall in love with him too. But how can she be with him when every moment his life is in danger from her mother's deadly bargain?

    These are just a few of the freighting stories contained inside. I invite you in to experience the hauntingly horrifying, the terrifyingly true and the unsettlingly unique texts within...

     Whether we are following WB through a grim future where human meat is on the market, or trailing slowly behind while she introduces us to Marie Laveua's daughter, you can be certain of one thing: you will be surprised. The best and the most brutal of WB's works has been brought together in this all-too-believable collection. Includes a total of eighteen tales. Stories include: - Her - Undo - Slipping - Siren - Alone in the House - Antics - House Arrest - Mall Food - Meat Aisle - The Water Stain - Heart Problems - Laveau - The Birth - The Look - Love/Death - Beneath the Surface - Nighttime Terror - Girl in the Pink Coat

    When she's asked to host seven guests for a week-long stay to research Carrow's phenomena, she hopes to finally experience some of the sightings that made the house famous. At first, it's everything they hoped for. Then a storm moves in, cutting off their contact with the outside world, and things quickly become twisted. Doors open on their own. Seances go disastrously wrong. Red liquid seeps from behind the wallpaper. Their spirit medium wanders through the house during the night, seemingly in a trance. Then one of the guests dies under strange circumstances, and Remy is forced to consider the possibility that the ghost of the house's original owner, a twisted serial killer, still walks the halls. But by then it's too late to escape.

    The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

    A party girl’s addiction gives birth to a monster within. Man’s best friend must fend off a woman’s greatest nightmare…Scare Street is proud to present eleven chilling tales of the supernatural, in one monstrous volume. Horror authors Ron Ripley, David Longhorn, Sara Clancy, and many more unite to bring you a terrifying collection of short stories, each one guaranteed to haunt your dreams. And each one more chilling than the last.Once you start reading you won’t be able to stop. Because when these authors sink their teeth into you, it’s already too late.The only way to escape from these nightmares… is to wake up screaming.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    Equal parts brilliant and charming, neurotic and manipulative, Harry has devoted his life to exposing the truth behind England’s many ‘false hauntings’, and never has he left a case unsolved, nor a fraud unexposed.So when Harry and Sarah are invited to Borley Rectory – a house so haunted that objects frequently fly through the air unbidden, and locals avoid the grounds for fear of facing the spectral nun that walks there – they’re sure that this case will be just like any other. But when night falls and still no artifice can be found, the ghost hunters are forced to confront an uncomfortable possibility: the ghost of Borley Rectory may be real. And, if so, they’re about to make its most intimate acquaintance.

    Nesbit, Diana Wynne Jones, Gahan Wilson, and other literary luminaries. Sales of Unnatural Creatures benefit 826DC, a nonprofit organization dedicated to supporting students in their creative and expository writing, and to helping teachers inspire their students to write.

    

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.