Nearly a century after its passing, the storm remains the standard against which the ferocity and destructiveness of all others are measured. Twothirds of Galveston's buildings were washed away at a cost that was never fully calculated. More than 6,000 people were killed. And in the collective memory of a region where depredations by wind and water are accepted as part of life, the weekend of September 8, 1900, is the ultimate example of the terror and violence a hurricane can bring. John Edward Weems's account of the Galveston hurricane was written more than six decades ago, when many of the survivors were still living and available for interviews. This book is based on numerous conversations and correspondence with these survivors as well as a careful examination of contemporary documents and news reports. In direct, economical prose Weems recreates that fateful weekend as experienced by those who actually were there. The result is a narrative that develops a pace and force as irresistible as the hurricane that inspired it, and a work that is a model of historical reportage.

    He found their defenses woefully unprepared. At dawn the next morning, three North Vietnamese Army regiments—some 6,000 men—crossed the Cambodian border and attacked. Outnumbered three dozen to one, Albracht’s men held off repeated ground assaults by communist forces with fierce hand-to-hand fighting, air support and a dangerously close B-52 strike. For days, the NVA blanketed Kate in a rain of rockets, mortars, artillery, machineguns, and small arms, blocking efforts to resupply, reinforce, or evacuate the outpost. Albracht continually exposed himself to enemy fire to direct air strikes, to guide re-supply helicopters, to distribute ammunition and water to his men, to retrieve the dead and to rescue the wounded, often shielding men with his own body. Wounded by rocket shrapnel, he refused medical attention or evacuation. Exhausted from days without sleep, he continued to rally his men to beat off each new enemy attack. After five days, Kate’s defenders were out of ammo and water. Aerial resupply was suicidal, and reinforcements were denied by military commanders who had written off Kate. Albracht refused to surrender or die in place. Refusing to allow his men to surrender, Albracht led his troops, including many wounded, off the hill and on a daring night march through enemy lines. Abandoned in Hell is an astonishing memoir of leadership, sacrifice, and brutal violence, a riveting journey into Vietnam’s heart of darkness, and a compelling reminder of the transformational power of individual heroism. Not since Lone Survivor and We Were Soldiers Once, And Young has there been such a gripping and authentic account of battlefield courage.INCLUDES PHOTOS

    Like all his writing, these essays are seasoned by a keen sense of observation and a deep knowledge and love of fishing lore, leavened by a wonderfully wry sense of humor. Gierach often begins with an observation that soon leads to something below the surface, which he finds and successfully lands. As Gierach says, writing is a lot like fishing. This is the first anthology of John Gierach’s work, a collection that is sure to delight both die-hard fans and new readers alike. To enter Gierach’s world is to experience the daily wonder, challenge, and occasional absurdity of the fishing life—from such rituals as the preparation of camp coffee (for best results, serve in a tin cup) to the random, revelatory surprises, such as the flashing beauty of a grayling leaping out of the water. Whether he’s catching fish or musing on the ones that got away, Gierach is always entertaining and enlightening, writing with his own inimitable blend of grace and style, passion and wit.

    Previously published as Brothers in Arms, this edition includes a new preface by the author.When William Broyles Jr. was drafted, he was a twenty-four-year-old student at Oxford University in England, hoping to avoid military service. During his physical exam, however, he realized that he couldn’t let social class or education give him special privileges. He joined the marines, and soon commanded an infantry platoon in the foothills near Da Nang. More than a decade later, Broyles found himself flooded with emotion during the dedication of the Vietnam Veterans Memorial in Washington, DC. He decided to return to Vietnam and confront what he’d been through. Broyles was one of the very first combat veterans to return to the battlefields. No American before or since has gone so deeply into the other side of the war: the enemy side. Broyles interviews dozens of Vietnamese, from the generals who ran the war to the men and women who fought it. He moves from the corridors of power in Hanoi—so low-tech that the plumbing didn’t work—to the jungles and rice paddies where he’d fought. He meets survivors of American B-52 strikes and My Lai, and grieves with a woman whose son was killed by his own platoon. Along the way, Broyles also explores the deep bonds he shared with his own comrades, and the mystery of why men love war even as they hate it. Amidst the landscape of death, his formerly faceless enemies come to life. They had once tried to kill each other, but they are all brothers now.

    His previous books, I Ain't Got Time to Bleed and Do I Stand Alone?, were both national bestsellers. Don't Start the Revolution Without Me! is the story of his controversial gubernatorial years and his life since deciding not to seek a second term as governor in 2002. Written with award-winning author Dick Russell at a secluded location on Mexico's Baja Peninsula, Ventura's bestselling book reveals for the first time why he left politics—and why he is now considering reentering the arena with a possible independent run for the presidency. In a fast-paced and often humorous narrative, Ventura pulls no punches in discussing our corrupt two-party system, the disastrous war in Iraq, and what he suspects really happened on September 11. He provides personal insights into the Clinton and Bush presidencies, and elaborates on the ways in which third parties are rendered impotent by the country's two dominant parties. He reveals the illegal role of the CIA in states like Minnesota, sensitive and up-to-date information on the Blackwater security firm, the story of the American spies who shadowed him on a trade mission to Cuba, and what Fidel Castro told him about who really assassinated President John F. Kennedy. This unique political memoir is a must-read for anyone concerned about the direction that America will take.

    Incredibly, even as the eye wall of the storm roars overhead with 150-mile-per-hour winds, the three boats wind up in the same small patch of ocean.

    Now he shares his recollections of those encounters, providing a fascinating glimpse behind the scenes.Far from starry-eyed where Tony Blair Co are concerned, he looks back also to the Britain of his youth and castigates those responsible for its decline to "a Third World country … misruled by a typical Third World government, corrupt, incompetent and undemocratic".Controversial, witty and revealing – or "curmudgeonly", "reactionary", "undiluted spleen", according to the critics – The Light's on at Signpost has struck a chord with a great section of the public. Perhaps, as one reader suggests, it should be "hidden beneath the floorboards, before the Politically-Correct Thought Police come hammering at the door, demanding to confiscate any copies".

    His father has mysteriously disappeared, and Grant’s brother, Max, a lifelong rival, takes off on the day Grant returns, leaving him with a sickly flock and a pile of debt. When Max returns a year later with a young woman named Sophia, a contest of will begins between the brothers, reviving ghosts that Grant had hoped were banished from the homestead.

    He remains as popular today, and as sensitive a chronicler of our emotions, as he was half a century ago. And throughout, his work has been gloriously distinctive—especially for the unforgettable images and the intimacy he brings to his songs.In this book of conversations with the acclaimed author and documentary filmmaker Nasreen Munni Kabir, Gulzar speaks about the making of his most enduring songs—from ‘Mora gora ang lai le’ (Bandini; 1963) and ‘Dil dhoondta hai’ (Mausam; 1975) to ‘Jiya jale’ (Dil Se; 1998) and ‘Dil toh bachcha hai ji’ (Ishqiya; 2010). He also discusses the songs of other greats, like Shailendra and Sahir Ludhianvi; his favourite music directors, like SD and RD Burman, Hemant Kumar and AR Rahman; and several playback singers, among them, Lata Mangeshkar, Mohammed Rafi, Asha Bhosle, Vani Jairam, Jagjit Singh and Bhupinder Singh.Full of insight, anecdote and analysis—and containing over 40 songs, in roman script and English translation—this book is a treasure for students and lovers of Hindi cinema, music and poetry.

    The second book from Brandon Boyd which follows up the successful White Fluffy Clouds, From the Murks of the Sultry Abyss comes in a special outer box, a limited edition #d sheet of stickers of artwork from Boyd, and the book itself comes sealed.

    All of Sergeant John Burford's missions with F Company, 58th Infantry were deep in hostile territory. As leader of a six-man LRRP team, he found the enemy, staged ambushes, called in precision strikes, and rescued downed pilots. The lives of the entire team depended on his leadership and their combined skill and guts. A single mistake—a moment of panic—could mean death for everyone.Whether describing ambushes in the dreaded A Shau Valley or popping smoke to call in artillery only yards away from his position, Burford demonstrates the stuff the LRRPs are made of—the bravery, daring, and sheer guts that make the LRRPs true heroes. . . .

    The photo looks completely out of place on the FBI Ten Most Wanted Fugitives list where it’s been since December, 8, 2007. For eight of those years, Jason appeared directly beside Osama Bin Laden. Bin Laden is long gone, but Jason is still wanted for armed robbery and murder.For years, his sister, Jami D. Brown Martin has watched the true crime programs and read the amateur investigative blogs devoted to Jason, his crime, and the efforts to apprehend him knowing the story wasn’t as simple, nor was it just Jason’s. To be the sister, brother, or relative of one of the world’s most wanted men is to live every day with the horrible truth and many consequences of his brutal act.CENTER OF ATTENTION is the story of a former Mormon missionary turned murderer. It is also a riveting look behind the facade of the genetically blessed, seemingly prominent and pious Brown family of Laguna Beach, California. It is a tale of the family patriarch, John Brown, who disappeared without a trace ten years before his son. More important, it is the gripping and ultimately hopeful story of the sister of one of the world’s most wanted fugitives and her journey to accept that despite being a product of the same crazy environment as her brother, her life and path are her own.

    Col. Robert K. Brown, Editor and Publisher, Soldier of Fortune“Morris captures the historical accuracy of Special Operations in the language learned from firsthand experience.”–Lt. Col. Chuck Allen, Commander, Project Delta“War Story is the lore of Special Forces in Vietnam told in the tradition of Woody Guthrie.”–Al Santoli, author of Everything We Had“Jim Morris is a highly decorated Green Beret combat veteran, with a unique talent for making his readers feel a part of his gripping, action-packed personal experiences. Morris commands your attention as a reader with the same authority and ability with which he commanded troops in combat.”–J.C. Pollock, author of Mission M.I.A.Jim Morris was an educated young man who had always wanted to be a soldier. In 1963, he found the perfect war..."The war was like a great puzzle, great to think about, great to plan, great to do. It was so incredibly peaceful out there in the jungle."As an advisor to a Montagnard strike force, Morris and his guerrillas outfought and outmaneuvered the Viet Cong in his sector. To a Green Beret like Jim Morris, the “Yards” were brothers—so fiercely insular, they would serve no outsider and made the Berets who fought with them honorary members of the tribe…so valiant, they would follow the right man into a firestorm…But while he loved the ambushes, the firefights and the Montagnards, he could see a tragedy unfolding in Vietnam."As I jumped I heard a crack and felt a thud in my right shoulder. I squeezed the trigger on my M-16. The bolt went ka-schlugg and that was that, baby. Jammed again."In the most widely admired Special Forces memoir to come out of the Vietnam War, Jim Morris tells his story: of the early days and the Tet Offensive in '68, of the slaughters and the beauty, of the violence, the courage, the loyalty and the loss..."The war was my life and I identified with it totally. To end it was to end me, and that I would not do..."About the AuthorJim Morris served three tours with Special Forces (The Green Berets) in Vietnam. The second and third were cut short by serious wounds. He retired from his wounds as a major. He has maintained his interest in the mountain peoples of Vietnam with whom he fought, and has been, for many years, a civil rights activist on their behalf. His Vietnam memoir War Story won the first Bernal Diaz Award for military nonfiction. Morris is author of the story from which the film Operation Dumbo Drop was made, and has produced numerous documentary television episodes about the Vietnam War. He is author of three books of nonfiction and four novels.

    Throughout a century of conflict he remained convinced that wars simply don’t work. In his writings, Stafford showed it is possible—and crucial—to think independently when fanatics act, and to speak for reconciliation when nations take sides. He believed it was a failure of imagination to only see two options: to fight or to run away.This book gathers the evidence of a lifetime’s commitment to nonviolence, including an account of Stafford’s near-hanging at the hands of American patriots. In excerpts from his daily journal from 1951-1991, Stafford uses questions, alternative views of history, lyric invitations, and direct assessments of our political habits to suggest another way than war. Many of these statements are published here for the first time, together with a generous selection of Stafford’s pacifist poems and interviews from elusive sources.Stafford provides an alternative approach to a nation’s military habit, our current administration’s aggressive instincts, and our legacy of armed ventures in Europe, the Pacific, Korea, Vietnam, the Persian Gulf, Afghanistan, and beyond.

    Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.