In "Mercury Rain" a soldier fighting a new enemy learns the importance of holding on to his memories. "Blackwater," the title story of the collection, is an homage to Stephen King's short story, "Graveyard Shift," and it tells the tale of Paul Hawkins, a mine worker who disturbs something terrifying in the Blackwater Hills of Durham, Pennsylvania, in the summer of 1976.

    Important, so inspiring... Please read this book" -Sonny Moore, Recording Artist "There are very few ways to get inside the mind of a lyricist. One way is through reading their diaries, the other through sleeping with them. Eric's book is the more entertaining of the options. It's a raw look inside the heart and mind of a rock 'n' roll spiritualist whose struggles with love (Chaplin) and versus the world (Keaton) are laid out bare like an exhibitionist on a double-dare." -Mike Shea, Founder, AP Magazine "Coma Therapy" is the sound of a powerful new voice in contemporary American literature. Victorino's brand of punchy prose often draws comparisons to the likes of Charles Bukowski and Hunter S. Thompson. This debut collection of poems and short stories draws a dangerously thin line between the heartwarming and the horrifying... Eric Victorino then mischievously walks that line all the way to the last page. Defiant, triumphant, hopeful and wise.

    Internationally famous Czech photographer Jan Saudek is no exception, and equally as uncompromising in pursuit of his own unique vision. For over four decades Saudek has created a parallel photographic universe, a two-dimensional home full of longing, peopled with the most extraordinary characters and colored by desire. The timeless strength of his hand-tinted photographs lies in their poetic compositions and their forceful?at times ribald?pictorial language, with its overtones of medieval genre pictures and Baroque mythology. Rejecting the traditional beauty in his famous nude photographs, Saudek shows the distinctively different: old women, fat women, children; real people in tableaux vivants that remind us of everything from surreal early movies to fin-de-siecle carnival nights. They exist outside time, a uniquely colored and almost mythical theater of dreams. Covering his debut in the 1950s through his lesser-known work to recent images, this dazzling collection offers us the true "velvet revolution," fertile and unsettling images from the dreams we might still have. The author: Daniela Mr?zkov?, critic and editor of the Czech magazines Revue fotografie and Fotografie-Magaz?n, is the author of sixteen books on photography published in the Czech Republic and abroad, and the curator of around fifty photography exhibitions. She has been a member of international juries, and has authored film and television documentaries on photography and photographers. She hasfollowed Jan Saudek's work since his early years and is the author of Saudek's first Czech monograph, The Theatre of Life.

    The author discusses, regret, anxiousness, racial issues, craving for love, and much more. Tavon gets deeply personal and introspective, in hopes of helping those who are in need of self-healing too. "Entrapped inside your Heart-shaped box For lonely years You’ve left me here To survive off hope and tears I know your return is unlikely Unlike me, You have a gift Of hurting others with a smile Luring your victims Into the traps of your eyes I enjoy this place Although it’s often cold It has pockets of warmth In your Heart-Shaped Box I’ll forever be stored Waiting for you Love me more Than August loves to storm."

    In Why We Need Love, Simon Van Booy curates an enlightening collection of excerpts, passages, and paintings, presenting works by Geoffrey Chaucer, William Shakespeare, John Donne, William Blake, George Eliot, Emily Dickinson, O. Henry, W. B. Yeats, James Joyce, E. E. Cummings, Anaïs Nin, Marc Chagall, J. Krishnamurti, and others.Provocative and eye-opening, Why We Need Love is one of three slim selections of philosophical texts and excerpts—along with Why We Fight and Why Our Decisions Don’t Matter—introduced and contextualized by acclaimed author Simon Van Booy (Love Begins in Winter, The Secret Lives of People in Love).

    We were made to sing and recite poetry in groups. The rhyming words somehow would bring a sense of enjoyment, and they won’t leave our mind even with the passing days. Poetry holds magic. A magic to change the moment and bring out the joyous hidden self. We all in some point or another had come across a poetry that either taught us the unlearned or brought back a memory or just a smile.Piece of poetry is an effort to share some thoughts through prose. Each poetry was written with a story in mind, willing to be talked about. The thoughts that didn’t need sophisticated words, but they were craving for rhythm.The idea was to point out some of the feelings and emotions that were desperate to be shared. Some untold words, a certain perspective that was always doubted by self and others. Piece of poetry is an honest attempt to format these feelings into a song, hoping that it would stick with everyone who decided to read it.

    Spanning his 50-year career and incorporating a rich and varied range of material, this second anthology is as wonderfully unmissable as the first. When Spike Milligan died in 2002, he left behind one of the most diverse legacies in British entertainment history – as well as a legion of devoted fans and admirers. His themes ranged from environmental issues to the war, from nostalgia to depression, and his prolific output covers some of the most evocative events of the twentieth century, in a style both twistedly comic and harrowingly honest.The huge success of the Spike Milligan anthology, ‘The Essential Spike Milligan’, has inspired a second raid on the original brilliant source. Milligan was arguably the most one of the prolific and mould-breaking comic writers of the twentieth century and this second anthology gives another opportunity to sample his finest writing. It includes more of the best from his war memoirs and novel Puckoon, his children's stories, poetry and drawings plus a wonderful collection from his voluminous correspondence from the 1960s onwards with such varied recipients as the House of Commons, the Director-General of the BBC, Private Eye and British Telecom. A compulsive read for all Milligan fans.

    It is deep dive into emotions, empathy, acceptance, healing and insights into a different perspective towards life. The book embraces you in silence and stillness of thoughts. The book is an attempt to connect to souls, to reflect upon them, unbiased and together embrace a new beginning and a beautiful journey called life.

    Critics have compared his work to such diverse artists as Kafka, Goya, Swift, Klee, and Beckett. Allen Ginsberg called Michaux “genius,” and Jorge Luis Borges wrote that Michaux’s work “is without equal in the literature of our time.” This anthology contains substantial selections from almost all of Michaux’s major works, most never before published in English, and allows readers to explore the haunting verbal and pictorial landscape of a twentieth-century visionary.

    It is with a mixture of grief and joy that Hirsch examines what he calls the minor triumphs, the major failures of his life so far, in lines that reveal a startling frankness in the man composing them, a fearlessness in confronting his own internal divisions: I lived between my heart and my head, / like a married couple who can't get along, he writes in Self-portrait. These poems constitute a profound, sometimes painful self-examination, by the end of which the poet marvels at the sense of expectancy and transformation he feels. His fifteen-year-old son walking on Broadway is a fledgling about to sail out over the treetops; he has a new love, passionately described in I Wish I Could Paint You; he is ready to live, he tells us, solitary, bittersweet, and utterly free. More personal than any of his previous collections, Special Orders is Edward Hirsch's most significant book to date. The highway signs pointed to our happiness; the greasy spoons and gleaming truck stops were the stations of our pilgrimage. Wasn't that us staggering past the riverboats, eating homemade fudge at the county fair and devouring each other's body? They come back to me now, delicious love, the times my sad heart knew a little sweetness. from The Sweetness

    Mystery, the marvellous, a city transmuted by love, Sanglot's pursuit of the siren Louise Lame, such are the essential ingredients of this the last masterpiece of early Surrealism to remain untranslated into English. It was originally published in 1924 to immediate and lasting acclaim - except from the public authorities who immediately censored whole sections (here restored). Impossible to describe a novel of such virtuosity and bravura, and one which consistently refuses to behave as one expects, characters appear and vanish according to whim or desire, they walk underwater, nonchalantly accept astounding coincidences. It's a hymn to the erotic, an adventure story darkly illumined by the shades of Sade, Lautreamont and Jack the Ripper, a dream both violent and tender, an obsession, in fact the perfect embodiment of the Surrealist spirit: at once joyful, despairing, and effortlessly scandalous.

    Arguably the central genre of Japanese literature, the 31-syllable lyric made up the great majority of Japanese poetry from the ninth to the nineteenth century and was the inspiration for such poetry as haiku and renga. Tanka has begun to attract considerable attention in North America in recent years. Modern Japanese Tanka is the first comprehensive collection available in English.Tanka retains the aesthetic sensibilities that circumscribe Japanese culture, but just as Japan has changed during this tumultuous century, tanka has undergone equally radical shifts. Responding to artistic and social movements of the West, tanka has incorporated influences ranging from Marxism to Avant-Garde.Modern Japanese Tanka includes four hundred poems by twenty of Japan's most renowned poets who have made major contributions to the hisotry of tanka in the late nineteenth and early twentieth centuries. With his graceful, eloquent translations, Makoto Ueda captures the distinct voices of these individual poets, providing biographical sketches of each as well as transliterating Japanese text below each poem. His introduction gives an excellent overview of the development of tanka in the last one hundred years.Tracing the contemporary tanka tradition from Yosana Tekkan in the late nineteenth century to the late twentieth-century poetry of such writers as Taware Machi, Modern Japanese Tankselegantly conveys an authentic sense of Japanese lyric to a Western audience.

    It is, to begin with, a book which gives prominence to poems rather than to the poets who wrote them. It is truly international, bringing together poems not just from these islands but from many parts of the English-speaking world. It is the first book to identify a strain in the poetry of the last half-century which is characteristic of the 'strange times' we live in - an age when, as the editors note, scientific discovery itself has encouraged us to 'make free with the boundaries of realism'. It values imagination, surprise, vivid expression, the outlandish and the playful above ideology and sententiousness. It is, in short, living proof that poetry in the English language continues to thrive and to matter.

    What results is a whimsical anthology that brings to mind the challenges of just being human and fitting into a world that sometimes feels like a tight squeeze.

    The poetry he chose supplied qualities that were lacking from the literary culture of this country. For the first time Robert Bly’s brilliant translations, from several languages, have been brought together in one book. Here, in The Winged Energy of Delight, the poems of twenty-two poets, some renowned, others lesser known, are brought together.At a time when editors and readers knew only Eliot and Pound, Robert Bly introduced the earthy wildness of Pablo Neruda and Cesar Vallejo and the sober grief of Trakl, as well as the elegance of Jiménez and Tranströmer. He also published high-spirited versions of Kabir and Rumi, and Mirabai, which had considerable influence on the wide culture of the 1970s and 1980s. Bly’s clear translations of Rilke attracted many new readers to the poet, and his versions of Machado have become models of silence and depth. He continues to bring fresh and amazing poets into English, most recently Rolf Jacobsen, Miguel Hernandez, Francis Ponge, and the ninteenth-century Indian poet Ghalib. As Kenneth Rexroth has said, Robert Bly “is one of the leaders of a poetic revival which has returned American literature to the world community.”