--- Library of CongressNote: All information herein, such as number of pages, publisher, etc., refer to this alternate cover edition and may or may not coincide with the main entry for this ISBN or any other alternate covers.~

    In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television’s narrative inventiveness, emotional resonance, and artistic ambition. No longer necessarily concerned with creating always-likable characters, plots that wrapped up neatly every episode, or subjects that were deemed safe and appropriate, shows such as The Wire, The Sopranos, Mad Men, Deadwood, The Shield, and more tackled issues of life and death, love and sexuality, addiction, race, violence, and existential boredom. Just as the Big Novel had in the 1960s and the subversive films of New Hollywood had in 1970s, television shows became the place to go to see stories of the triumph and betrayals of the American Dream at the beginning of the twenty-first century. This revolution happened at the hands of a new breed of auteur: the all-powerful writer-show runner. These were men nearly as complicated, idiosyncratic, and “difficult” as the conflicted protagonists that defined the genre. Given the chance to make art in a maligned medium, they fell upon the opportunity with unchecked ambition. Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV but also a cultural watershed. Difficult Men features extensive interviews with all the major players, including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), Matthew Weiner and Jon Hamm (Mad Men), David Milch (NYPD Blue, Deadwood), and Alan Ball (Six Feet Under), in addition to dozens of other writers, directors, studio executives, actors, production assistants, makeup artists, script supervisors, and so on. Martin takes us behind the scenes of our favorite shows, delivering never-before-heard story after story and revealing how cable TV has distinguished itself dramatically from the networks, emerging from the shadow of film to become a truly significant and influential part of our culture.

    He’s so determined to leave his little island home behind that he stows away onboard a marvelous zeppelin–one that just happens to be loaded with treasure and a gang of ruthless criminals!

    Down near the docks, many have taken ill, and the fatalities are mounting. Now they include Polly, the serving girl at the Cook Coffeehouse. But fourteen-year-old Mattie Cook doesn't get a moment to mourn the passing of her childhood playmate. New customers have overrun her family's coffee shop, located far from the mosquito-infested river, and Mattie's concerns of fever are all but overshadowed by dreams of growing her family's small business into a thriving enterprise. But when the fever begins to strike closer to home, Mattie's struggle to build a new life must give way to a new fight—the fight to stay alive.

    This bestselling book inspired the play, motion picture, and television series I Remember Mama.

    Then came Hollywood’s Circus Maximus—created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world The Lion King—an entertainment empire called DreamWorks. Now Nicole LaPorte,who covered the company for Variety, goes behind the hype to reveal for the first time the delicious truth of what happened.Readers will feel they are part of the creative calamities of moviemaking as LaPorte’s fly-on-the-wall detail shows us Hollywood’s bizarre rules of business. We see the clashes between the often otherworldly Spielberg’s troops and Katzenberg’s warriors, the debacles and disasters, but also the Oscar-winning triumphs, including Saving Private Ryan. We watch as the studio burns through billions, its rich owners get richer, and everybody else suffers. We see Geffen seducing investors likeMicrosoft’s Paul Allen, showing his steel against CAA’s Michael Ovitz, and staging fireworks during negotiations with Paramount and Disney. Here is Hollywood, up close, glamorous, and gritty.

    Whether you've watched "Casablanca" countless times or you're going to see it for the first time, "The Casablanca Companion" will both deepen your understanding and heighten your enjoyment.

    Inspired by kids classics like Scary Stories to Tell in the Dark, The Scary Story Reader, and The Scariest Stories You've Ever Heard, Scary Stories to Tell if You Dare is a creepy collection of urban legends and frightening tales from folklore. Each story is accompanied by its own illustration. Stories include... On the Hunt - When a hunter goes missing, it seems his spirit is out for vengeance from beyond the grave. Light - A young boy follows a mysterious light through the woods, even as it leads him deeper and deeper into the forest. In the Snow - A terrifying clue left behind in the snow proves a young girl's imaginary nighttime visitor might not be imaginary at all... These stories, and many more, make Scary Stories to Tell if You Dare 2 the perfect gift for anyone who loves creepy tales from folklore. Be sure to check out other entries in the series too!

    Readers can enjoy one film per week, for a year of stellar viewing, or indulge in their own classic movie festival. Some long-championed classics appear within these pages; other selections may surprise you. Each film is profiled with insightful notes on why it's an Essential, a guide to must-see moments, and running commentary from TCM's Robert Osborne and Essentials guest hosts past and present, including Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner.Featuring full-color and black-and-white photography of the greatest stars in movie history, The Essentials is your curated guide to fifty-two films that define the meaning of the word "classic."

    Cloudy. Wind N.W. FreshMr.Lincoln has arrived at last in Washington.... In one week, he inherits the trouble of this great, unhappy country. In one week, the responsibility will be his--whether we come together again a Union,or fall entirely to pieces. And here we sit, in Delaware, on the border between North and South, half the state hauling slaves, half the state opposed to the practice....It is hard enough to hold a family together. Poor Mr. Lincoln. It is in his hands to hold a whole country together.... My hands are calloused and strong from rowing and working the ropes, from lifting and carrying barrels of oil and scrubbing stone floors and spiral stairs, but I do not know if they are strong enough to hold Mother and Father together.Mr. Lincoln's hands... they must be a thousand times stronger than mine. Please God, give Mr. Lincoln strong hands.

    In the studio Louise unexpectedly finds freedom to be herself. But someone has been watching her every move...

    So Fiona practices by herself and attracts the attention of the dance teacher. But when her sister, Wallace, disappears, Fiona risks the dance audition and the acceptance she has worked so hard to get and finally finds her place in her family in her life.

    

    BIZARRE STUFF, AMAZING FACTS, ASTONISHING MYSTERIES, NATURAL WONDERS, LITTLE-KNOWN PEOPLE, USEFUL TIPS AND MUCH, MUCH MOREFrom crime, movies and music to science, history and literature, this book offers an incredible array of intriguing top-10 lists, including:•Urban Legends—Debunked•Influential People Who Never Lived•Ancient Methods of Execution•Poisonous Foods We Love to Eat•Inventions of the Middle Ages•Gruesome Fairytale Origins•Secret Societies•Amazing Film Swordfights•Bizarre Animal Mating Rituals•Misconceptions About Evolution•Tips for Frugal Living•Fascinating Graveyards You Must See

    When Erik Barnouw--premier chronicler of American broadcasting and a participant in the industry for fifty years--first undertook the project of recording itshistory, many viewed it as a light-weight literary task concerned mainly with entertainment trivia. Indeed, trivia such as that found in quiz programs do appear in the book, but Barnouw views them as part of a complex social tapestry that increasingly defines our era. To understand our century, we must fully comprehend the evolution of television and its newest extraordinary offshoots. With this fact in mind, Barnouw's new edition of Tube of Plenty explores the development and impact of the latest dramatic phases of the communications revolution. Since the first publication of this invaluable history of television and how it has shaped, and been shaped by, American culture and society, many significant changes have occurred. Assessing the importance of these developments in a new chapter, Barnouw specifically covers the decline of thethree major networks, the expansion of cable and satellite television and film channels such as HBO (Home Box Office), the success of channels catering to special audiences such as ESPN (Entertainment and Sports Programming Network) and MTV (Music Television), and the arrival of VCRs in America'sliving rooms. He also includes an appendix entitled questions for a new millennium, which will challenge readers not only to examine the shape of television today, but also to envision its future.