It seeks to expose the fallacies of the human condition while remaining real in its depiction of universal problems inflicted on postcolonial Africa.

    The author's use of 'rotten English'—a mixture of Nigerian pidgin English, broken English and idiomatic English—makes this a unique and powerful novel.

    It is in these nightmarish times that the fates of 5 boys and a girl are entwined. Captured from their school by the LRA, the boys wait for rescue only to discover that if they are to survive they must rely on themselves. But friendship, courage, and resilience might not be enough to save them. Based in part upon interviews with child soldiers in Northern Uganda, War Brothers is a stunning depiction of the human cost of wars fought by children.

    Rider Haggard's Quatermain series, including 'King Solomon's Mines' and 'Allan Quatermain.' Includes an active table of contents for easy navigation.Contents:King Solomon's MinesAllan QuatermainAllan's WifeMaiwa's RevengeMarieChild of StormAllan the Holy FlowerFinishedThe Ivory ChildThe Ancient AllanAllan and the Ice-GodsMagepa the BuckA Tale of Three LionsHunter Quatermain's StoryLong OddsHenry Rider Haggard (1856-1925) was an English writer of adventure novels set predominantly in Africa, and a founder of the Lost World literary genre. Haggard is most famous as the author of the novels KING SOLOMON'S MINES and its sequel ALLAN QUATERMAIN, and SHE and its sequel AYESHA, swashbuckling adventure novels set in the context of late 19th century Africa. Hugely popular KING SOLOMON'S MINES is one of the best-selling adventure books of all time.This unexpurgated edition contains the complete text, with minor errors and omissions corrected.

    It’s essential reading.” —Joann Sfar, cartoonist of The Rabbi’s Cat Ivory Coast, 1978. It’s a golden time, and the nation, too—an oasis of affluence and stability in West Africa—seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet’s youth in Yop City. It is the story of the studious and clear-sighted nineteen-year-old Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It’s a wryly funny, breezy account of the simple pleasures and private troubles of everyday life in Yop City. Clément Oubrerie’s warm colors and energetic, playful line connect expressively with Marguerite Abouet’s vibrant writing. This reworked edition offers readers the chance to immerse themselves in Abouet’s Yop City, bringing together the first three volumes of the series in Book One. Drawn & Quarterly will release volumes four through six of the original French series (as yet unpublished in English) in Book Two. Aya is the winner of the Best First Album award at the Angoulême International Comics Festival, the Children’s Africana Book Award, and the Glyph Award; was nominated for the Quill Award, the YALSA’s Great Graphic Novels list, and the Eisner Award; and was included on “best of” lists from The Washington Post, Booklist, Publishers Weekly, and School Library Journal.

    Her long dark auburn hair cascaded over her shoulders and her pale, attractive face, wide set eyes and full sensuous lips took his breath away. Robert could not help staring at her in frank amazement. He found it difficult to equate this alluring woman with the tall, awkward girl he vaguely remembered while a young boy at Fairlee Manor in Scotland.* * *Action, adventure and erotic entanglements loom large in young Robert Hamilton’s future as he seeks to make his fortune in the rough and tumble world of the Johannesburg goldfields in the closing years of the nineteenth century.Robert’s business interests and adventures in the wilds of South Africa, bring him into close contact with the Boer peoples of the Transvaal Republic. As the threat of a British invasion looms large over the country, his support for the Boer cause finds him on the opposing side to his fellow uitlanders – foreigners. He is dismayed to discover that both of his brothers have enlisted in Canadian regiments ready to fight on the side of Britain in the Anglo-Boer War.

    Will appeal to fans of Louis de Berniere's Captain Corelli's Mandolin and the novels of William Boyd.Enzo Secchi, harbourmaster for Massawa, Eritrea's main port, is a loyal Italian colonial servant. He takes pride in running the docks, enjoys the occasional drink with his gregarious friend Salvatore, colonel of the local Italian garrison, and listens to Caruso in his spare time. But he is lonely and when Salvatore suggests he find an Eritrean housekeeper to cook, clean - and maybe share his bed - Enzo takes the plunge and advertises. Salvatore's own tastes run to the young and nubile, but Enzo surprises himself by choosing Aatifa, a sharp-tongued woman in her 30s with a complicated family life, who takes the job as a last resort. What neither of them had counted on was falling in love.But it is 1935, Fascism is on the rise, and Mussolini does not intend Eritrea to remain a backwater for long. Italian forces bent on invading Ethiopia begin arriving at the port. And with them come new laws - including one forbidding 'Relationships of a Conjugal Nature' with Eritrean women . . .Meanwhile, Salvatore finds himself at the head of the invasion force bound for Ethiopia. Gone are the glory days of garrison life; it is a bitter campaign, laying bare all the brutality of Italian colonial ambition. Its consequences for Salvatore, and for Enzo and Aatifa as they contrive to hide their relationship in plain sight, will change all three lives for ever.

    Other tellings can be found under "all editions," each credited to its respective storyteller.

    Using his family as a microcosm of the corroding society at large, Marnus tells a troubling tale of a childhood corrupted, of unexpected sexual defilements, and of an innocence gone astray.

    Drifters in search of work, George and his simple-minded friend Lennie have nothing in the world except each other and a dream--a dream that one day they will have some land of their own. Eventually they find work on a ranch in California’s Salinas Valley, but their hopes are doomed as Lennie, struggling against extreme cruelty, misunderstanding and feelings of jealousy, becomes a victim of his own strength. Tackling universal themes such as the friendship of a shared vision, and giving voice to America’s lonely and dispossessed, Of Mice and Men has proved one of Steinbeck’s most popular works, achieving success as a novel, a Broadway play and three acclaimed films.

    In the south of the island lies Port Victoria, dominated by the Governor’s palatial mansion; in the north, a settlement of mud huts shelter a hundred thousand natives; and in dense jungle live the notorious Maula tribe, kept under surveillance by a solitary District Officer and his young wife. When Chief-designate, Dinamaula, returns from his studies in England with a spirited desire to speed the development of his people, political crisis erupts into a ferment of intrigue and violence.

    Livingstone's 'Lake of Stars' has become a 'Lake of Slaves'. Alan Spaight is among a handful of British men fighting the slavers. After a year as a trader he starts a coffee plantation, while torn between the enticement of his doctor’s wife and his neighbour’s attractive daughter. He is drawn repeatedly into conflicts with the slavers, in company with mission-educated Goodwill, a former slave who escaped to return to his village. A new Consul, Harry Johnston, brings in British officers and Sikh soldiers in 1891, and the tide turns. After another five years of bitter fighting the slave trade is finally destroyed.

    

    They also reflect his conviction that black people in South Africa could not be liberated until they united to break their chains of servitude, a key tenet of the Black Consciousness movement that he helped found.I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon.Biko's writings will inspire and educate anyone concerned with issues of racism, postcolonialism, and black nationalism.

    In scenes of a mixture of pride, madness, and comedy, Carlos plays out his role as deity among the naked islanders, living a fantasy that most readers will find believable, if horrific. Along with the horror, the book does offer some beautiful moments of discovery, as when, as Winkler narrates, the ship takes the Mona Passage to Jamaica...we hear of an Edenic island, green and aromatic, opened like a wildflower. For all of its scenes of braggadocio and brutality, the book often works on you like that vision."--Alan Cheuse, NPR, All Things Considered"Readers are transported to Jamaica, into Winkler's richly invented 16th century, where his flawless prose paints their slice of time, in turn both brutally graphic and lyrically gorgeous. Comic, tragic, bawdy, sad, and provocative, this is a thoroughly engaging adventure story from a renowned Jamaican author, sure to enchant readers who treasure a fabulous tale exquisitely rendered."-- Library Journal "A tale of the frequently tragic--and also comic--clash of races and religions brought on by colonization...Anthony Winkler spins an enlightened parable, rich in historical detail and irony."-- Shelf Awareness "Darkly irreverent...With a sharp tongue, Winkler, a native of Jamaica, deftly imbues this blackly funny satire with an exposé of colonialism's avarice and futility."-- Publishers Weekly "With perceptive storytelling and bracing honesty, Mr. Winkler, author of a half-dozen well-reviewed books, has a lovely way of telling a good story and educating concurrently...God Carlos teaches history in a subtle but meaningful way. Too literary to be lumped in with typical historical fiction, and too historical to be lumped in with typical literary fiction, God Carlos defies categorization."-- New York Journal of Books "God Carlos provides a welcome opportunity to glimpse...the lives of ordinary people, both European and Caribbean, as they experience the calamitous effects of the encounter of two worlds."-- Sargasso: A Journal of Caribbean Literature, Language, & Culture "The author's piercing narrative drives home...Here, Winkler's brilliance as a storyteller is unmistakable...God Carlos is a literary tour de force--atmospheric and incisive. It effuses raw emotion--perplexing, bewildering, and dark...On multiple levels, Winkler proves his salt as a genuine raconteur...the architect of an invaluable literary work."-- The Jamaica Gleaner "Well-written...Winkler's descriptions of sea and sky as seen from a sailing ship, and of the physical beauty of Jamaica, are spot-on and breathtaking."-- Historical Novel Review "In God Carlos and The Family Mansion, Anthony Winkler, the master storyteller, has provided us with texts of both narrative quality and historical substance that should find place in the annals of Caribbean literature."--SX SalonGod Carlos transports us to a voyage aboard the Santa Inez, a Spanish sailing vessel bound for the newly discovered West Indies with a fortune-seeking band of ragtag sailors. She is an unusual explorer for her day, carrying no provisions for the settlers, no seed for planting crops, manned by vain, arrogant men looking for gold in Jamaica.Expecting to make landfall in paradise after over a month at sea, the crew of the Santa Inez instead find themselves in the middle of a timid, innocent people--the Arawaks--who walk around stark naked without embarrassment and who venerate their own customs and worship their own Gods and creeds. The European newcomers do not find gold, only the merciless climate that nourishes diseases that slaughter them. That the Arawaks believed that the arrivals were from heaven makes even more complicated this impossible entanglement of culture, custom, and beliefs, ultimately leading to mutual doom.